Pieter Pietersz and the journey
Haarlem, Rouen and Antwerp give the young painter training combining local tradition and Flemish novelties. This milestone sheds light on the "Cornelis Cornelisz van Haarlem" collection by favoring color.
1562 -1638 · Haarlem mannerism and Dutch classicism
Discover Cornelis Cornelisz van Haarlem, hand reproduced in oil on canvas.
1562 -1638 · Haarlem mannerism and Dutch classicism
Born in Haarlem in 1562, Cornelis Cornelisz was entrusted to the painter Pieter Pietersz when his parents left the city during the Spanish siege. After this initial training, he traveled to France in 1579, passed briefly through Antwerp and returned to Haarlem around 1580 -1581. His meeting with Hendrick Goltzius and Karel van Mander was decisive: around 1586, the three artists constituted a community of study often called the Haarlem Academy. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism groups of nudes in a deliberately compressed space. Goltzius' engravings quickly spread his inventions throughout Europe. Appointed painter of the city of Haarlem, Cornelis received prestigious commissions for the Prinsenhof and civic institutions. After 1600, his style became calmer, clearer and almost classical, without losing his taste for powerful figures. He died in Haarlem in 1638. The selection "Cornelis Cornelisz van Haarlem" notably compares The Fall of the Titans and The Massacre of the Innocents. His reading favors color.
Cornelis makes the human body the driving force of the story: muscles, gestures and diagonals build the drama even before the setting.
Course & style
Born in Haarlem in 1562, Cornelis Cornelisz was entrusted to the painter Pieter Pietersz when his parents left the city during the Spanish siege. After this initial training, he traveled to France in 1579, passed briefly through Antwerp and returned to Haarlem around 1580 -1581. His meeting with Hendrick Goltzius and Karel van Mander was decisive: around 1586, the three artists constituted a community of study often called the Haarlem Academy. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism inspired by Bartholomeus Spranger. They explore the anatomy, complex poses and international mannerism groups of nudes in a deliberately compressed space. Goltzius' engravings quickly spread his inventions throughout Europe. Appointed painter of the city of Haarlem, Cornelis received prestigious commissions for the Prinsenhof and civic institutions. After 1600, his style became calmer, clearer and almost classical, without losing his taste for powerful figures. He died in Haarlem in 1638.
Haarlem, Rouen and Antwerp give the young painter training combining local tradition and Flemish novelties. This milestone sheds light on the "Cornelis Cornelisz van Haarlem" collection by favoring color.
With Goltzius and Van Mander, the study of the nude and Spranger generates spectacular mannerism that is quickly disseminated.
Civic and religious commissions accompany an evolution towards more stable and classical compositions.
The muscles are studied and then amplified to make each movement readable and heroic. This line guides a color-centered reading of "Cornelis Cornelisz van Haarlem".
Shortcuts and serpentine poses transform groups into body architecture.
The figures occupy almost all the space and give the story immediate tension.
After mannerist virtuosity, light and classical order gradually spread to his late works.
Explore by universe
Works, visual language and historical landmarks make up a route exclusively devoted to Cornelis Cornelisz van Haarlem.
The overturned bodies, shortcuts and compression of space transform mythological defeat into an anatomical whirlwind.
Landmark work by Cornelis Cornelisz van Haarlem. Reading "Cornelis Cornelisz van Haarlem" through color.Opposing gestures, tense muscles and tight diagonals give the story a theatrical violence.
Landmark work by Cornelis Cornelisz van HaarlemThe figure of Christ, the witnesses and the landscape show the calmer balance achieved by the painter after his Mannerist period.
Landmark work by Cornelis Cornelisz van HaarlemThe muscles are studied and then amplified to make each movement readable and heroic. This line guides a color-centered reading of "Cornelis Cornelisz van Haarlem".
Reading key for Cornelis Cornelisz van HaarlemShortcuts and serpentine poses transform groups into body architecture.
Reading key for Cornelis Cornelisz van HaarlemThe figures occupy almost all the space and give the story immediate tension.
Reading key for Cornelis Cornelisz van HaarlemWorks to discover
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Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
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Cornelis' subjects and tones Cornelisz van Haarlem call for a format, place and framing chosen for the precise work.
Frequently asked questions
Yes. Each reproduction is hand painted in oil on canvas, without printing.
The painter uses the composition, values, colors and materials visible in the chosen work of the Cornelis Cornelisz van Haarlem collection, with particular attention paid to color.
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Detailed photographs are sent before shipping; you can request edits before sending.
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Simple answers on the painting by hand, formats, alterations and delivery of your reproduction.
The essential points before choosing your reproduction.
Yes. Every reproduction is made by hand in painting at theoil on canvas by an experienced artist. This is neither a print nor a printed canvas.
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Depending on the options available, the canvas can be delivered alone, mounted on a frame or prepared for framing. Details are shown on the product page.
Yes. You can send us an image, museum reference, name of a work or photo to request one reproduction personalized.
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This selection brings together works designed for art lovers who want to rediscover the spirit of one painting famous in a hand painted canvas. Each reproduction can be adapted to the desired format and validated in photos before shipment.
The available formats allow the work to be adapted to a more specific living room, bedroom, office or decorative project. There painting is carried out at theoil on canvas with particular attention to colors, textures and general balance.
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