Volterra and Siena
The first Tuscan formation prepared a painter soon attracted by the monumental scale of Rome. This milestone sheds light on the "Daniele da Volterra" collection by favoring the story.
1509 -1566 · Roman mannerism and the legacy of Michelangelo
Discover Daniele da Volterra, hand reproduced in oil on canvas.
1509 -1566 · Roman mannerism and the legacy of Michelangelo
Born Daniele Ricciarelli in Volterra in 1509, Daniele da Volterra received initial training between his hometown and Siena before settling in Rome in the 1530s. He worked in the Perino del Vaga community then became closer to Michelangelo, of whom he became the friend, collaborator and one of the main interpreters. His Descent from the Cross for the Orsini Chapel at the Trinity of the Mountains imposes a powerfully articulated composition, based on anatomy, shortcut and tension of gestures. Daniele also practices portraiture, drawing and sculpture; his Descent from the Cross for the Orsini Chapel at the Trinity of the Mountains imposes a powerfully articulated composition, based on anatomy, shortcut and tension of gestures. Daniele also practices portraiture, drawing and sculpture; his effigy of Michelangelo is among the old master's most memorable images. After his death in 1564, he is responsible for attenuating the nudity of certain figures of the Last Judgment of the Sistine Chapel, an intervention which earned him the posthumous nickname of Braghettone. This reputation has long masked the variety of his work. He died in Rome in 1566. The "Daniele da Volterra" selection notably compares Virgin and Child, Saint John the Baptist as a child and Saint Barbara and Michelangelo Buonarroti. His reading favors the story.
Daniele transforms Michelangelo's lesson into a narrative discipline: the monumental body becomes the visible driving force of the drama.
Course & style
Born Daniele Ricciarelli in Volterra in 1509, Daniele da Volterra received initial training between his hometown and Siena before settling in Rome in the 1530s. He worked in the Perino del Vaga community then became closer to Michelangelo, of whom he became the friend, collaborator and one of the main interpreters. His Descent from the Cross for the Orsini Chapel at the Trinity of the Mountains imposes a powerfully articulated composition, based on anatomy, shortcut and tension of gestures. Daniele also practices portraiture, drawing and sculpture; his Descent from the Cross for the Orsini Chapel at the Trinity of the Mountains imposes a powerfully articulated composition, based on anatomy, shortcut and tension of gestures. Daniele also practices portraiture, drawing and sculpture; his effigy of Michelangelo is among the old master's most memorable images. After his death in 1564, he is responsible for attenuating the nudity of certain figures of the Last Judgment of the Sistine Chapel, an intervention which earned him the posthumous nickname of Braghettone. This reputation has long masked the variety of his work. He died in Rome in 1566.
The first Tuscan formation prepared a painter soon attracted by the monumental scale of Rome. This milestone sheds light on the "Daniele da Volterra" collection by favoring the story.
Perino del Vaga then Michelangelo lead Daniele towards a sculptural and powerfully drawn maniera.
Altarpieces, effigies and plastic projects broaden a career too often reduced to the Last Judgment.
The body constructs the composition by its weight, its twist and the direction of its gestures. This line guides a reading of "Daniele da Volterra" centered on the story.
Fine chopping and modeled shadows give the studies an almost sculptural density.
Even in a panel, the figures appear designed for the scale of the fresco or relief.
Contained colors, focused looks and tense poses support an emotion without easy pathos.
Explore by universe
Works, visual language and historical landmarks make up a journey exclusively devoted to Daniele da Volterra.
The close-up and strongly modeled figures give private devotion a monumental scale.
Landmark work by Daniele da Volterra. Reading of "Daniele da Volterra" through the story.The concentrated face, the hand and the sobriety of the palette give an intimate presence to the old master.
Landmark work by Daniele da VolterraThe tight framing and attention to the gaze establish a calm authority, without superfluous accessories.
Landmark work by Daniele da VolterraThe struggle is concentrated in the tangle of limbs, making anatomy the real subject of the image.
Landmark work by Daniele da VolterraThe body constructs the composition by its weight, its twist and the direction of its gestures. This line guides a reading of "Daniele da Volterra" centered on the story.
Reading key for Daniele da VolterraFine chopping and modeled shadows give the studies an almost sculptural density.
Reading key for Daniele da VolterraWorks to discover
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The painter takes up the composition, values, colors and materials visible in the chosen work from the Daniele da Volterra collection, with particular attention paid to the story.
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Yes. Every reproduction is made by hand in painting at theoil on canvas by an experienced artist. This is neither a print nor a printed canvas.
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Yes. You can send us an image, museum reference, name of a work or photo to request one reproduction personalized.
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This selection brings together works designed for art lovers who want to rediscover the spirit of one painting famous in a hand painted canvas. Each reproduction can be adapted to the desired format and validated in photos before shipment.
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