The world of Félicien RopsDevil, desire, bourgeoisie, absinthe and graphic virtuosity make Félicien Rops one of the most provocative observers of fin-de-siecle modernity.
1833 - 1898Artist's life
Namur, Brussels, Paris and the Paris regionMain homes
Engraving, drawing, watercolor, painting, caricature and illustrationPractical
° 6,000Designs, prints, paintings and studies, overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
1833 -1898 · Belgian symbolism, satire, engraving and sulphurous modernity
Devil, desire, bourgeoisie, absinthe and graphic virtuosity make Félicien Rops one of the most provocative observers of fin-de-siecle modernity.
Félicien Rops was born in Namur in 1833 into a bourgeois Catholic family. After studying at the Academy of Fine Arts in Namur and then in Brussels, he became known for political and social caricature. In 1856, he founded the satirical newspaper Uylenspiegel with Charles De Coster, where his line attacks hypocrisy, clericalism and bourgeois conventions. From the 1860s, his regular stays in Paris opened him up to the world of publishing and an in-depth practice of etching, drypoint, aquatint and lithography. From the 1860s, his regular stays in Paris opened him up to the world of publishing and to an in-depth practice of etching, drypoint, aquatint and lithography. He created frontispieces and illustrations for Baudelaire, Barbey d'Aurevilly, Mallarmé and Verlaine. At Rops, the book became a space experimentation where text, symbol and image interpenetrate. Its female figures, smokers, drinkers, courtesans or allegorical creatures, are not simple eroticism: they depict desire, the power of money and the moral tensions of the big city. The Temptation of Saint Anthony diverts religious iconography by replacing Christ with a naked woman on the cross. This visual blasphemy combines anticlerical satire, fantasy and criticism of repression. Installed in the Paris region with the Duluc sisters, Rops travels a lot and continues his technical research, notably with Armand Rassenfosse. Installed in the Paris region with the Duluc sisters, Rops traveled a lot and continued his technical research, notably with Armand Rassenfosse. Decorated with the Legion of Honor in 1889, he died in 1898. His work prepares symbolism while retaining the biting energy of caricature. The "Félicien Rops" selection notably compares The Temptation of Saint Anthony and The Absinthe Drinker. His reading favors the material.
Rops never separates virtuosity from scandal: the line first seduces, then reveals the desires, hypocrisies and violence of its century.
Course & style
Journey, subjects and pictorial language
Namur, Brussels and political satire
Academy, caricature and foundation of Uylenspiegel establish an anticlerical and non-conformist view. This milestone sheds light on the "Félicien Rops" collection by favoring the material.
Paris, writers and mastery of engraving
Frontispieces, etching and aquatint bring drawing closer to the most daring literary universes.
Symbolism, travel and recognition
Diabolical figures, modern desire and technical research give the work a European scope.
01
Line
Soft or incisive, it combines anatomical precision, decorative elegance and satirical violence. This line guides a reading of "Félicien Rops" centered on the material.
02
Transgression
Religion, sexuality and the bourgeoisie are confronted in order to make visible the prohibitions of the time.
03
Engraving
Etching, drypoint and aquatint produce velvety blacks, nerve bites and atmospheric passages.
04
Modernity
Absinthe, prostitution, publishing and the big city appear as symptoms of a new world.
Explore by universe
Six readings specific to Félicien Rops
Works, visual language and historical landmarks make up a journey exclusively devoted to Félicien Rops.
Symbolist blasphemy01
The Temptation of Saint Anthony
The naked woman replaces Christ on the cross and transforms religious temptation into criticism of repressed desire.
Landmark work by Félicien Rops. Reading of "Félicien Rops" through the material.Modern Paris02
The Absinthe Drinker
Isolated silhouette, distant gaze and emblematic glass condense urban solitude, supposed vice and social observation.
Landmark work by Félicien RopsStyle03
Line
Soft or incisive, it combines anatomical precision, decorative elegance and satirical violence. This line guides a reading of "Félicien Rops" centered on the material.
Reading key for Félicien RopsStyle04
Transgression
Religion, sexuality and the bourgeoisie are confronted in order to make visible the prohibitions of the time.
Reading key for Félicien RopsStyle05
Engraving
Etching, drypoint and aquatint produce velvety blacks, nerve bites and atmospheric passages.
Reading key for Félicien RopsStyle06
Modernity
Absinthe, prostitution, publishing and the big city appear as symptoms of a new world.
Reading key for Félicien Rops
Works to discover
Works by Félicien Rops
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