Giovanni Segantini's universeDivided light, alpine pastures and symbolism of nature make Giovanni Segantini one of the most unique painters of the end of the European 19th century.
1858 - 1899Artist's life
Milan, Brianza, Savognin, Maloja and EngadineMain homes
Divisionism, Alpine landscape, pastoral, symbolism, portrait, drawing and studyPractical
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1858 -1899 · Milan, Brianza, Graubünden and Engadine
Divided light, alpine pastures and symbolism of nature make Giovanni Segantini one of the most unique painters of the end of the European 19th century.
Giovanni Segantini was born in 1858 in Arco, then in the Austrian Empire. An orphan at a very young age, he had a difficult childhood in Milan and went through a reformatory. His apprenticeship with a decorator then his studies at the Brera Academy allowed him to quickly acquire a mastery of drawing and painting. The Choir of Sant'Antonio attracted attention with its study of light. His meeting with the merchant Vittore Grubicy de Dragon attracted attention with his study of light. His meeting with the merchant Vittore Grubicy de Dragon attracted attention with his study of light. His meeting with the merchant Vittore Grubicy de Dragon attracted attention with his study of light. His meeting with the merchant Vittore Grubicy de Dragon attracted attention with his study of light. His meeting with the merchant Vittore Grubicy de Dragon attracted attention with his study of light. His meeting with the merchant Vittore Grubicy de Dragon attracted attention with his study of light. His meeting with the merchant Vittore Grubicy de Dragon attracted attention with his study of light. His meeting with the merchant Vittore Grubicy de Dragon attracted attention with his study of light. His meeting with the merchant Vittore Grubicy de Dragon attracted attention with his study of light. His meeting with the merchant Vittore Grubicy Shepherds, mothers, animals and rural works become the subjects of monumental painting. From the late 1880s, he separated color into long juxtaposed filamentous touches. Light no longer covers shapes; it seems to circulate through grass, wool, snow and air. This technique serves a symbolist and pantheistic vision. The mountain becomes the place of cycles of life, motherhood, death and return to nature. Noon in the Alps, painted in 1891, brings together a young shepherdess, a herd and the high clarity of an open landscape. Midi in the Alps, painted in 1891, brings together a young shepherdess, a herd and the high clarity of an open landscape. Midi in the Alps, painted in 1891, brings together a young shepherdess, a herd and the high clarity of an open landscape. The apparent calm rests on an intense network of touches that makes the entire surface vibrate. In his in recent years, Segantini has designed a vast panorama of the Engadine, reduced due to lack of resources to the Triptych of the Alps - Life, Nature and Death. He died suddenly in 1899 on the Schafberg while working at this company. His painting unites pastoral realism, color science and spiritual aspiration. The "Giovanni Segantini" selection notably compares Midi in the Alps. His reading favors light.
Segantini not only describes alpine light: he breaks it down into colored threads until man, animal and mountain breathe together.
Course & style
Journey, subjects and pictorial language
Arco, Milanese childhood and Brera
A difficult youth, decorative learning and the Academy led to the first research on light. This milestone illuminates the "Giovanni Segantini" collection by favoring light.
Brianza and pastoral painting
Rural life, maternity and animals replace urban subjects in a still naturalistic observation.
Graubünden, divisionism and the Triptych of the Alps
Savognin then Maloja transform the mountain into a luminous, symbolic and spiritual space.
01
Division
Long touches of juxtaposed pure colors make the surface vibrate and intensify the light. This line guides a reading of "Giovanni Segantini" centered on light.
02
Alpe
Pasture, snow, sky and summit are not a setting but the main strengths of the painting.
03
Cycle
Motherhood, work, life and death connect human experience to the unchanging rhythm of nature.
04
Silence
Figures and herds remain calm while the touch animates every part of the landscape.
Explore by universe
Six readings specific to Giovanni Segantini
Works, visual language and historical landmarks make up a journey exclusively devoted to Giovanni Segantini.
Altitude light01
Noon in the Alps
Shepherdess, flock and clear horizon unite in a divisionist vibration where the air seems visible.
Landmark work by Giovanni Segantini. Reading of "Giovanni Segantini" through light.Style02
Division
Long touches of juxtaposed pure colors make the surface vibrate and intensify the light. This line guides a reading of "Giovanni Segantini" centered on light.
Reading key for Giovanni SegantiniStyle03
Alpe
Pasture, snow, sky and summit are not a setting but the main strengths of the painting.
Reading key for Giovanni SegantiniStyle04
Cycle
Motherhood, work, life and death connect human experience to the unchanging rhythm of nature.
Reading key for Giovanni SegantiniStyle05
Silence
Figures and herds remain calm while the touch animates every part of the landscape.
Reading key for Giovanni Segantini1858 - 188106
Arco, Milanese childhood and Brera
A difficult youth, decorative learning and the Academy led to the first research on light. This milestone illuminates the "Giovanni Segantini" collection by favoring light.
Historical landmark of Giovanni Segantini
Works to discover
Works by Giovanni Segantini
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Are the reproductions hand painted?
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Collection guide Giovanni Segantini
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