The world of Hubert van EyckAround Hubert van Eyck one of the great enigmas of Flemish painting is concentrated: his role in the conception of the Mystical Lamb, completed by his brother Jan and always studied panel after panel.
around 1366 -1426Artist's life
Maaseik, Ghent and Burgundian NetherlandsMain homes
Oil painting on panel, polyptych, underlying drawing, portrait and sacred iconographyPractical
300 °CPanels, drawings, cartons, workshop projects and studies created, overall estimate very uncertain
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
around 1366 -1426 · Maaseik, Ghent and Flemish Primitives
Around Hubert van Eyck one of the great enigmas of Flemish painting is concentrated: his role in the conception of the Mystical Lamb, completed by his brother Jan and always studied panel after panel.
Hubert van Eyck's life remains much less documented than that of his brother Jan. Probably born around 1366 in the Maaseik region, he is attested in Ghent at the beginning of the 15th century and died in this city in 1426. His name is inseparable from the polyptych of the Adoration of the Mystical Lamb intended for the chapel of Joos Vijd and Elisabeth Borluut in the church of Saint-Jean, today Saint-Bavon Cathedral. An ancient inscription on the frame, made famous by a chronogram, states that Hubert, described as the greatest painter, began the work and that Jan, second in art, completed it in 1432. The exact meaning of this formulation, the material authenticity of all its parts and the the distribution of work between the two brothers has sparked centuries of debate. The restoration and scientific imaging campaigns carried out by the Royal Institute of Artistic Heritage have renewed knowledge of the pictorial layers, underlying drawings and repaintings, without definitively resolving each attribution. It is therefore necessary to approach Adam, the musical Angels, the prophet Zechariah, the angel of the Annunciation and the central panel of the Lamb as elements of a whole designed and executed in a complex workshop, traditionally associated with Hubert and Jan. The work is distinguished by the unification of multiple panels, the precision of the materials, the continuous light, symbolic space and an observation of the visible world which gives the sacred a new physical presence. The landscape of the central panel combines botany, architecture and atmospheric horizon; the life-size figures of the upper register impose a monumental presence; angels, fabrics, instruments and precious stones demonstrate an extraordinary mastery of oil painting on panel. Hubert thus remains an essential but partially veiled historical figure, who must be presented with the caution required by the state of research. The "Hubert van Eyck" selection thus places mystical Lamb and Adam in particular. His reading favors composition.
To speak of Hubert van Eyck is to look at a major work without masking its areas of uncertainty: the workshop, the two brothers and six centuries of restorations all contribute to what we see.
Course & style
Journey, subjects and pictorial language
Origins and activity still poorly documented
Some traces of archives place Hubert in the Burgundian Netherlands, without allowing all his training to be reconstructed. This milestone sheds light on the "Hubert van Eyck" collection by favoring composition.
Ghent and conception of the mystical Lamb
Tradition and the inscription of the frame attribute to it the beginning of the polyptych commissioned for Joos Vijd.
Death of Hubert and completion by Jan
After the death of the eldest, Jan led the whole thing to its installation in 1432, according to a distribution still discussed.
01
Polyptych unit
Architecture, horizon, light and scale connect multiple panels into a coherent theological program. This trait guides a reading of "Hubert van Eyck" centered on composition.
02
Materials observed
Skin, metal, textile, stone and vegetation each have precisely differentiated light and texture.
03
Monumental presence
Life-size figures, looks and volumes give the sacred characters a new physical intensity.
04
Prudent attribution
Underlying drawing, original painting, workshop interventions and repainting must be distinguished before any author's assertion.
Explore by universe
Six readings specific to Hubert van Eyck
Works, visual language and historical landmarks make up a journey exclusively devoted to Hubert van Eyck.
Polyptych of Ghent01
Mystical lamb
Around the altar, landscape, crowds and symbols converge on the Lamb in the central panel of the large Ghent ensemble.
Landmark work by Hubert van Eyck. Reading of "Hubert van Eyck" through composition.Monumental figure02
Adam
Life-size body, light and details make the figure close, vulnerable and integrated into the painted frame.
Landmark work by Hubert van EyckSacred music03
Musician angels
Instruments, gestures, fabrics and concentration of faces give a sensitive reality to invisible music.
Landmark work by Hubert van EyckShutters closed04
Prophet Zechariah and the Angel of the Annunciation
Prophecy, feigned architecture and angelic gesture prepare the opening of the polyptych and its visual accomplishment.
Landmark work by Hubert van EyckStyle05
Polyptych unit
Architecture, horizon, light and scale connect multiple panels into a coherent theological program. This trait guides a reading of "Hubert van Eyck" centered on composition.
Reading key for Hubert van EyckStyle06
Materials observed
Skin, metal, textile, stone and vegetation each have precisely differentiated light and texture.
Reading key for Hubert van Eyck
Works to discover
Works by Hubert van Eyck
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Collection guide Hubert van Eyck
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