Lübeck, Vienna and Brotherhood of Saint Luke
The break with academicism led Overbeck and Pforr towards a community founded on faith and old masters. This milestone sheds light on the "Johann Friedrich Overbeck" collection by favoring composition.
1789 -1869 · Lübeck, Vienna and Rome of the Nazarenes
Discover Johann Friedrich Overbeck, hand reproduced in oil on canvas.
1789 -1869 · Lübeck, Vienna and Rome of the Nazarenes
Johann Friedrich Overbeck was born in Lübeck in 1789 into a cultured family. Entering the Vienna Academy in 1806, he rejected with several classmates the teaching which he considered too mechanical. In 1809, with Franz Pforr and other young artists, he founded the Brotherhood of Saint Luke. The group wanted to restore moral and spiritual truth to painting by studying Dürer, Perugino, Raphael and the Italian primitives. Installed in Rome in 1810 in the former convent of Sant'Isidoro, these artists soon received the nickname Nazarenes because of their appearance and their Christian ideal. Overbeck converted to Catholicism in 1813 and remained in Rome until his death. The frescoes of the Casa Bartholdy, devoted to the story of Joseph, then those of the Villa Massimo, put collective mural painting back in the spotlight. Italy and Germany personify the desired union between Italian tradition and Germanic culture. The Annunciation and The Marriage of the Virgin favor clear outline, measured gestures, ordered space and local color. The Triumph of Religion in the Arts expands this program into a vast profession of artistic faith. Overbeck rejects spectacular naturalism: he seeks a calm beauty capable of serving the sacred story. Died in Rome in 1869, he exerted a European influence on religious painting, the revival of frescoes and brotherhoods from 19th century artists. The "Johann Friedrich Overbeck" selection notably compares Italy and Germany and The Annunciation. His reading favors composition.
Overbeck asks the line to believe: each outline clearly separates the forms so that the sacred story finds silence, order and gravity.
Course & style
The break with academicism led Overbeck and Pforr towards a community founded on faith and old masters. This milestone sheds light on the "Johann Friedrich Overbeck" collection by favoring composition.
Sant'Isidoro, Catholic conversion and collective frescoes give the movement its European identity.
Altarpieces, drawings and monumental programs lastingly spread the Nazarene ideal in the 19th century.
The sharp line orders bodies, clothing and space with almost musical clarity. This line guides a composition-centered reading of "Johann Friedrich Overbeck".
Hands, inclinations and looks carry the story without theatrical emphasis.
Dürer, Perugino and Raphael nourish a synthesis between Germany and Italy.
The wall once again becomes a common space where several artists serve the same narrative cycle.
Explore by universe
Works, visual language and historical landmarks make up a journey exclusively devoted to Johann Friedrich Overbeck.
Two female figures personify the artistic friendship between Italian heritage and Germanic culture.
Landmark work by Johann Friedrich Overbeck. Reading of "Johann Friedrich Overbeck" through composition.Contour, inclination and calm space give the sacred encounter a gravity without spectacle.
Landmark work by Johann Friedrich OverbeckArtists, holy figures and architecture make up a vast profession of pictorial faith.
Landmark work by Johann Friedrich OverbeckThe simplicity of the costume and the purity of the profile bring together a real and ideal resurgent portrait.
Landmark work by Johann Friedrich OverbeckThe sharp line orders bodies, clothing and space with almost musical clarity. This line guides a composition-centered reading of "Johann Friedrich Overbeck".
Reading key for Johann Friedrich OverbeckHands, inclinations and looks carry the story without theatrical emphasis.
Reading key for Johann Friedrich OverbeckWorks to discover
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