Train between Graz and Düsseldorf
Drawing and academic landscape provide a professional basis. This milestone sheds light on the "Marie Egner" collection by favoring figures.
1850 -1940 · Austrian atmospheric and landscape impressionism
Discover Marie Egner, hand reproduced in oil on canvas.
1850 -1940 · Austrian atmospheric and landscape impressionism
Born in Bad Radkersburg in 1850, Marie Egner first studied in Graz with Hermann von Konigsbrunn, then continued her training in Düsseldorf from 1872 to 1875 with Carl Jungheim. Installed in Vienna in 1882, she joined the circle of landscaper Emil Jakob Schindler and worked for several summers in the Plankenberg colony alongside Olga Wisinger-Florian, Tina Blau and Carl Moll. The direct study of nature gradually distanced her from the workshop-built landscape. Egner prefers modest motifs: a tree-lined river, a flowering garden, sun-heated walls, a farm or undergrowth. His touch, at first precise and tonal, becomes faster and brighter; the atmosphere unites forms without erasing them. She travels to Dalmatia, Italy, Germany, England and the Netherlands, while exhibiting in numerous European centers. Faced with restrictions imposed on women by official institutions, Egner taught and organized her own networks. She founded a painting school for women and participated in the group of Eight Artists in 1901 with Wisinger-Florian and other creators. A major exhibition at the Künstlerhaus in 1926 dedicated her career to her. The progressive loss of sight then forced her to retire. The "Marie Egner" selection offers its own journey on this subject. Her reading favors figures.
Egner chooses places where almost nothing happens, then shows that light, water and foliage are enough to make every minute different.
Course & style
Born in Bad Radkersburg in 1850, Marie Egner first studied in Graz with Hermann von Konigsbrunn, then continued her training in Düsseldorf from 1872 to 1875 with Carl Jungheim. Installed in Vienna in 1882, she joined the circle of landscaper Emil Jakob Schindler and worked for several summers in the Plankenberg colony alongside Olga Wisinger-Florian, Tina Blau and Carl Moll. The direct study of nature gradually distanced her from the workshop-built landscape. Egner prefers modest motifs: a tree-lined river, a flowering garden, sun-heated walls, a farm or undergrowth. His touch, at first precise and tonal, becomes faster and brighter; the atmosphere unites forms without erasing them. She travels to Dalmatia, Italy, Germany, England and the Netherlands, while exhibiting in numerous European centers. Faced with restrictions imposed on women by official institutions, Egner taught and organized her own networks. She founded a painting school for women and participated in the group of Eight Artists in 1901 with Wisinger-Florian and other creators. A major exhibition at the Künstlerhaus in 1926 dedicated her career to her. A major exhibition at the Künstlerhaus in 1926 and in 1901 participated in the group of Eight Artists with Wisinger-Florian and other creators. A major exhibition at the Künstlerhaus in 1926 dedicated her career to her.
Drawing and academic landscape provide a professional basis. This milestone sheds light on the "Marie Egner" collection by favoring figures.
Vienna, Plankenberg and travel release touch and light.
Group of Eight, school and recognition structure maturity.
Garden, wall or stream replaces the spectacular panorama. This line guides a reading of "Marie Egner" centered on the figures.
Small gestures of color record variations in light.
The stream doubles the foliage and deepens the landscape.
Wall and farm inscribe human duration in nature.
Explore by universe
Garden, water, countryside and travel show how a patient look transforms the everyday motif into an atmospheric experience.
Color and foliage fill the space without rigid composition.
For the intimate. Reading of "Marie Egner" by the figures.River and pond reorganize light, depth and movement.
For calmFarm, path and orchard connect landscape and ordinary life.
For the placeDalmatia, Italy and Northern Europe enrich the palette.
For openingGarden, wall or stream replaces the spectacular panorama. This line guides a reading of "Marie Egner" centered on the figures.
Reading key for Marie EgnerSmall gestures of color record variations in light.
Reading key for Marie EgnerWorks to discover
The associated reproductions will appear here as soon as they are put online in this new collection.
Our method
Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
Choose wisely
A light wood frame, deep green or matte gold and a horizontal format will enhance gardens, rivers and a touch of light.
Frequently asked questions
Yes. Each reproduction is hand painted in oil on canvas, without printing.
The painter uses the composition, values, colors and materials visible in the chosen work from the Marie Egner collection, with particular attention paid to the figures.
Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
Detailed photographs are sent before shipping; you can request edits before sending.
Custom reproduction
Send us an image, a museum reference, or the name of an artwork: we can create a custom reproduction.
Buying guide
A simple and reassuring process to order a handmade painted canvas, with validation before shipping.
Select a painting from the collection or send us a reference.
Choose the size and options that suit your interior.
Our artists create your oil reproduction, entirely handmade.
We send you a photo before shipping for validation.
Questions & Guide
Find answers to frequently asked questions and essential information about our hand-painted reproductions.
These answers reassure visitors who are discovering the concept of hand-painted reproductions.
Yes, our reproductions are oil paintings on canvas by experienced artists. Each canvas is hand-painted, not printed.
Yes. Before shipping, we send you a photo of the completed painting. You can then request adjustments if necessary.
The time depends on the format and complexity of the artwork. The painting generally takes several weeks, then the canvas is shipped with tracking.
Yes, you can choose a standard format or request a custom size adapted to your space.
Depending on the options available, the canvas can be delivered alone, mounted on a stretcher, or prepared for framing. Details are indicated on the product page.
Yes. You can send us an image, a museum reference, the name of an artwork, or a photo to request a custom reproduction.
Some guidelines for choosing a reproduction from this collection, comparing similar styles, and preparing your order.
This selection brings together artworks designed for art lovers who want to recapture the spirit of a famous painting in a hand-painted canvas. Each reproduction can be adapted to the desired format and validated by photo before shipping.
The available formats allow the artwork to be adapted to a living room, bedroom, office, or a more specific decorative project. The painting is executed in oil on canvas with particular attention to colors, textures, and overall balance.
If you are looking for a similar artwork, a similar artist, or a specific format, you can ask for advice. Reproductions can be adjusted before shipping thanks to photo validation.