Paris and discovery of impressionism
Academic training meets outdoor painting, the free touch and luminous color. This milestone illuminates the "Maurice Cullen" collection by favoring composition.
1866 -1934 · Montreal, Paris, Quebec and Canadian landscape
Discover Maurice Cullen, hand reproduced in oil on canvas.
1866 -1934 · Montreal, Paris, Quebec and Canadian landscape
Maurice Galbraith Cullen was born in Saint-Jean of Newfoundland in 1866, grew up in Montreal and died in Chambly in 1934. He began by studying sculpture before leaving for Paris in 1889, where he attended the Académie Julian, the Académie Colarossi and the School of Fine Arts. The discovery of impressionism definitively redirected his career towards painting. Returning to Canada in 1895, Cullen adapted the divided touch and luminous color to the particular conditions of Quebec: snow, ice, twilights, rivers and winter streets became his major subjects. Returning to Canada in 1895, Cullen adapted the divided touch and luminous color to the particular conditions of Quebec: snow, ice, twilights, rivers and winter streets became his major subjects. Parks Canada emphasizes that his international reputation was based above all on his impressionist interpretation of winter canadian. He taught at the Art Association of Montreal and influenced a younger generation, including several future members of the Group of Seven. Cullen also traveled to Brittany and Europe. At the rising tide, Le Pouldu showed his attention to coastal effects and water mobility. During the First World War, he served as an official war artist; Dead horse and rider in a trench then confronts the landscaper's sensitivity to the destruction of the front. During the First World War, he served as an official war artist; Dead horse and rider in a trench then confronts the landscape designer's sensitivity to the destruction of the front. His portraits remain rarer than his landscapes, but demonstrate the same taste for a direct touch. Cullen does not simply copy Monet: he translates impressionist light into a territory where the cold, the snow and the expanse impose a new palette and rhythm. The "Maurice Cullen" selection notably compares Portrait of a Man and Landscape. His reading favors composition.
Maurice Cullen discovers in the snow not white, but a multitude of blues, pinks and purples where the Canadian landscape becomes light.
Course & style
Maurice Galbraith Cullen was born in Saint-Jean of Newfoundland in 1866, grew up in Montreal and died in Chambly in 1934. He began by studying sculpture before leaving for Paris in 1889, where he attended the Académie Julian, the Académie Colarossi and the School of Fine Arts. The discovery of impressionism definitively redirected his career towards painting. Returning to Canada in 1895, Cullen adapted the divided touch and luminous color to the particular conditions of Quebec: snow, ice, twilights, rivers and winter streets became his major subjects. Returning to Canada in 1895, Cullen adapted the divided touch and luminous color to the particular conditions of Quebec: snow, ice, twilights, rivers and winter streets became his major subjects. Parks Canada emphasizes that his international reputation was based above all on his impressionist interpretation of winter canadian. He taught at the Art Association of Montreal and influenced a younger generation, including several future members of the Group of Seven. Cullen also traveled to Brittany and Europe. At the rising tide, Le Pouldu showed his attention to coastal effects and water mobility. During the First World War, he served as an official war artist; Dead horse and rider in a trench then confronts the landscaper's sensitivity to the destruction of the front. During the First World War, he served as an official war artist; Dead horse and rider in a trench then confronts the landscape designer's sensitivity to the destruction of the front. His portraits remain rarer than his landscapes, but demonstrate the same taste for a direct touch. Cullen does not simply copy Monet: he translates impressionist light into a territory where the cold, the snow and the expanse impose a new palette and rhythm.
Academic training meets outdoor painting, the free touch and luminous color. This milestone illuminates the "Maurice Cullen" collection by favoring composition.
Cullen adapts Impressionism to the streets, rivers and winters of Canada.
The front and then the landscapes of Chambly had a lasting influence on the generation of the Group of Seven.
Blue, pink, purple and yellow replace uniform white and make the atmosphere changeable. This trait guides a composition-centered reading of "Maurice Cullen".
Small brush strokes reflect water, wind, ice and vibration of the air.
Low light transforms streets and rivers into spaces of colorful silence.
Painting outside allows you to directly adapt the palette to the cold, the relief and the Canadian sky.
Explore by universe
Works, visual language and historical landmarks make up a journey exclusively devoted to Maurice Cullen.
The face and clothing are captured with a direct material which maintains the liveliness of the gaze.
Landmark work by Maurice Cullen. Reading of "Maurice Cullen" through composition.The fragmented touch and atmospheric palette reflect the relief, the air and the season.
Landmark work by Maurice CullenThe dark matter and the ravaged ground confront the eye of the landscaper with the violence of the front.
Landmark work by Maurice CullenWater, rocks and sky are unified by a quick touch attentive to the movement of the tide.
Landmark work by Maurice CullenBlue, pink, purple and yellow replace uniform white and make the atmosphere changeable. This trait guides a composition-centered reading of "Maurice Cullen".
Reading key for Maurice CullenSmall brush strokes reflect water, wind, ice and vibration of the air.
Reading key for Maurice CullenWorks to discover
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Yes. Each reproduction is hand painted in oil on canvas, without printing.
The painter uses the composition, values, colors and materials visible in the chosen work from the Maurice Cullen collection, with particular attention paid to composition.
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Yes. Every reproduction is made by hand in painting at theoil on canvas by an experienced artist. This is neither a print nor a printed canvas.
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Depending on the options available, the canvas can be delivered alone, mounted on a frame or prepared for framing. Details are shown on the product page.
Yes. You can send us an image, museum reference, name of a work or photo to request one reproduction personalized.
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This selection brings together works designed for art lovers who want to rediscover the spirit of one painting famous in a hand painted canvas. Each reproduction can be adapted to the desired format and validated in photos before shipment.
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