Michelangelo Buonarroti's UniverseHeroic anatomy, sovereign drawing and monumental inventions make Michelangelo Buonarroti one of the founding figures of the Western Renaissance.
1475 -1564Life and career
Caprese, Florence, Medici Gardens, Bologna, Rome and VaticanMain homes
High Renaissance, sculpture, fresco, panel painting, architecture, drawing, anatomy, poetry and monumental construction sitePractical
° 6,000Sculptures, paintings, frescoes, drawings, studies, architectural projects, poems, construction sites and lost works created, overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
1475 -1564 · Florence, Rome and High Renaissance
Heroic anatomy, sovereign drawing and monumental inventions make Michelangelo Buonarroti one of the founding figures of the Western Renaissance.
Michelangelo Buonarroti, called Michelangelo in French, was born in Caprese in 1475 and died in Rome in 1564. Trained first in painting in the studio of Domenico Ghirlandaio, then in contact with ancient sculpture in the circle of Laurent de Medici, he practices sculpture, painting, architecture, drawing and poetry as expressions of the same thought. The Torment of Saint Anthony, painted around 1487 -1488 according to an engraving by Martin Schongauer, already reveals his taste for bodies in tension and the direct study of creatures. The Torment of Saint Anthony, painted around 1487 -1488 based on an engraving by Martin Schongauer, already reveals his taste for bodies in tension and the direct study of creatures. The Torment of Saint Anthony, painted around 1487 -1488 based on an engraving by Martin Schongauer, already reveals his taste for bodies in tension and the direct study of creatures. The Torment of Saint Anthony, painted around 1487 -1488 based on an engraving by Martin Schongauer, already reveals his taste for bodies in tension and the direct study of creatures. The Torment of Saint Anthony, painted around 1487 -1488 based on an engraving by Martin Schongauer, already reveals his taste for bodies tomb, around 1500 -1501, also remains unfinished; the group carries the body of Christ in an ascending movement whose power announces the great future ensembles. At the Sistine Chapel, episodes like Judith and Holofernes, then the Last Judgment painted between 1536 and 1541, transform the wall and the vault into a universe of bodies subject to continuous energy. His contemporaries nicknamed him Il Divino. At home, the disegno is not only a preparation: it constitutes the common principle which allows us to conceive a figure, a tomb, a facade or a dome. The selection "Michelangelo Buonarroti" notably compares The Torment of Saint Anthony and Madonna of Manchester. His reading favors composition.
In Michelangelo Buonarroti, drawing thinks with the body: muscle, twist and gesture give visible matter the strength of a monumental idea.
Course & style
Journey, subjects and pictorial language
Florence, apprenticeship and first masterpieces
Engraving, painting, antique and anatomy form a language where the body becomes architecture. This milestone sheds light on the "Michelangelo Buonarroti" collection by favoring composition.
Rome, Sistine and Medicean monuments
Vaults, tombs and sculptures display a monumental design based on the disegno.
Last Judgment and Saint Peter
Painting, architecture and poetry meditate on creation, salvation and incompleteness.
01
Heroic anatomy
Muscle, bone and twisting give the body an expressive force that goes beyond simple observation. This trait guides a composition-centered reading of "Michelangelo Buonarroti".
02
Sculpted figure
Even when painted, the shape has the weight, contours and presence of a cut volume.
03
Upset movement
Crossed gestures and unstable poses condense physical effort and inner conflict.
04
Visible incompleteness
Areas left open reveal the construction of the image and the thought of the master in action.
Explore by universe
Six readings specific to Michelangelo Buonarroti
Works, visual language and historical landmarks make up a journey exclusively devoted to Michelangelo Buonarroti.
Around 1487 -148801
The Torment of Saint Anthony
Monsters, rocks and assaulted bodies transform Schongauer's engraving into a dense and mobile pictorial experience.
Landmark work by Michelangelo Buonarroti. Reading of "Michelangelo Buonarroti" through composition.Early 1490s02
Manchester Madonna
The unfinished figures are ordered like a relief around Mary, the Child and the open book.
Landmark work by Michelangelo BuonarrotiAround 1500 -150103
The Entombment
The group lifts Christ in an unfinished composition whose bodies already make up the entire architecture.
Landmark work by Michelangelo BuonarrotiSistine Chapel04
Judith and Holofernes
The servant and Judith carry the general's head in a compact episode, tense with gestures and draperies.
Landmark work by Michelangelo BuonarrotiStyle05
Heroic anatomy
Muscle, bone and twisting give the body an expressive force that goes beyond simple observation. This trait guides a composition-centered reading of "Michelangelo Buonarroti".
Reading key for Michelangelo BuonarrotiStyle06
Sculpted figure
Even when painted, the shape has the weight, contours and presence of a cut volume.
Reading key for Michelangelo Buonarroti
Works to discover
Works by Michelangelo Buonarroti
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3
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4
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Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
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Frequently asked questions
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Yes. Each reproduction is hand painted in oil on canvas, without printing.
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The painter uses the composition, values, colors and materials visible in the chosen work from the Michelangelo Buonarroti collection, with particular attention paid to composition.
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