Modigliani's universe at the Barnes FoundationAt the Barnes Foundation, Modigliani is not limited to the face: Jeanne, Hanka Zborowska, a backless and the cypresses of Cagnes show how her line also organizes the body and the landscape.
1884 - 1920Life of Amedeo Modigliani
1918 - 1919Stay in the South of France
1919Cypress and houses in Cagnes
°1,000Paintings, sculptures and drawings attributed to Modigliani - overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
1915 -1919 · portrait, nude and rare landscape
At the Barnes Foundation, Modigliani is not limited to the face: Jeanne, Hanka Zborowska, a backless and the cypresses of Cagnes show how her line also organizes the body and the landscape.
The selection associated with the Barnes Foundation broadens Modigliani's usual vision. Madame Hanka Zborowska leaning on a chair places the merchant's wife in an oblique pose where arms, back and face balance. Jeanne Hébuterne, painted in 1919, belongs to the late images of his companion, made present by a light dress, a long neck and an almost immobile restraint. Nude lying from behind reverses the frontality of many nudes: the curve of the back and the orientation of the head organizes intimacy without direct gaze. Cypress trees and houses in Cagnes, also dated 1919, finally recalls that Modigliani painted some landscapes during his stay in the South. Vertical trunks, houses tight and colorful planes transpose the same construction to the terrain as to the figures. The "Modigliani at the Barnes Foundation" selection notably compares Madame Hanka Zborowska leaning on a chair and Jeanne Hébuterne. His reading prioritize space.
The landscape of Cagnes proves that the elongation of Modigliani does not only belong to the necks: it can become a tree, a house and a path.
Course & style
Journey, subjects and pictorial language
The selection associated with the Barnes Foundation broadens Modigliani's usual vision. Madame Hanka Zborowska leaning on a chair places the merchant's wife in an oblique pose where arms, back and face balance. Jeanne Hébuterne, painted in 1919, belongs to the late images of his companion, made present by a light dress, a long neck and an almost immobile restraint. Nude lying from behind reverses the frontality of many nudes: the curve of the back and the orientation of the head organizes intimacy without direct gaze. Cypress trees and houses in Cagnes, also dated 1919, finally recalls that Modigliani painted some landscapes during his stay in the South. Vertical trunks, houses tight and colorful planes transpose the same construction to the terrain as to the figures.
Build the Zborowski circle
The merchant, his wife and their friends become regular models. This milestone sheds light on the "Modigliani at the Barnes Foundation" collection by prioritizing space.
Renew the nude
Back, framing and contour shift the direct relationship to the viewer.
Discover Cagnes
The light of the South opens the palette and a rare landscape chapter.
01
Diagonal chair
The furniture supports the pose and prevents the figure from floating. This line guides a space-centered reading of "Modigliani at the Barnes Foundation".
02
Continuous back
Long curve replaces frontal gaze exchange.
03
Light dress
At Jeanne, clothing builds a calm and luminous mass.
04
Vertical cypresses
Trees play the structuring role of the neck in portraits in the landscape.
Explore by universe
From the face to the landscape
Chair, back, dress and cypress connect merchant's circle, nudity, intimacy and southern stay.
Chair01
Anchor Hanka
The armrest and body make up a system of obliques.
For the portrait. Reading "Modigliani at the Barnes Foundation" through space.Back02
Refuse frontality
The nude curve makes intimacy silent rather than provocative.
For the bodyJane03
Immobilize the light
The light clothing and the measured background give a late presence.
For 1919Cypress04
Portrait a place
Trees and houses receive architecture comparable to the figures.
For CagnesHanka leans back in the chair05
Mrs. Hanka Zborowska leaning on a chair
The furniture structures the installation and gives the figure a very calculated oblique stability.
Modigliani's landmark work at the Barnes FoundationJeanne in the late light06
Jeanne Hébuterne
Modigliani's companion appeared in 1919 in a restraint constructed by clothing and neck.
Modigliani's landmark work at the Barnes Foundation
Works to discover
Four works by Modigliani at the Barnes Foundation
The active selection combines Hanka Zborowska, Jeanne Hébuterne, a backless and the landscape of Cagnes to vary people, bodies and place.
Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
From the work to your interior
1
Choice of workSubject, orientation and dimensions adapted to your wall.
2
Oil paintingManual production, layer after layer.
3
Photo validationYou examine the finished table.
4
RetouchingAdjustments remain possible before sending.
Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
Choose wisely
Choose a reproduction of Modigliani à la Barnes
Dark, vertical frame for portraits; sober horizontal format for the nude. The landscape of Cagnes accepts a light wood which accompanies its southern palette.
Frequently asked questions
Before choosing your Modigliani at the Barnes Foundation
Are reproductions painted with oil paint?
Yes. Each reproduction is hand painted in oil on canvas, without printing.
How to restore space in a reproduction of Modigliani at the Barnes Foundation?
The painter takes up the composition, values, colors and materials visible in the chosen work from the Modigliani collection at the Barnes Foundation, with particular attention paid to space.
Can I order a work by Modigliani from the Barnes Foundation in a custom format?
Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
How do I validate my reproduction of Modigliani at the Barnes Foundation?
Detailed photographs are sent before shipping; you can request edits before sending.
Hand-painted
Photo before shipping
Touch-ups possible
Tracked FedEx shipping
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Frequently Asked Questions
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Are the reproductions hand-painted?
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Guide to the Modigliani at the Barnes Foundation collection
Some guidelines for choosing a reproduction from this collection, comparing similar styles, and preparing your order.
Why choose a reproduction from this collection?
This selection brings together artworks designed for art lovers who want to recapture the spirit of a famous painting in a hand-painted canvas. Each reproduction can be adapted to the desired format and validated by photo before shipping.
A canvas prepared for your home
The available formats allow the artwork to be adapted to a living room, bedroom, office, or a more specific decorative project. The painting is executed in oil on canvas with particular attention to colors, textures, and overall balance.
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