From Bergamo to Venice
Origins and unknown formation precede the first documentary trace. This milestone illuminates the "Palma the Old" collection by favoring light.
Around 1480 -1528 · Venetian beauties and sacred conversations
Discover Palma the Elder, hand-reproduced in oil on canvas.
Around 1480 -1528 · Venetian beauties and sacred conversations
Jacopo Negretti, called Palma the Elder to distinguish him from his great-nephew Palma the Younger, was born around 1480 in the Bergamo region. His training remains unknown. He was documented in Venice in 1510 and apparently continued his entire career there until his death in 1528. His style dialogues with Giorgione and Titian without merging with them. Palma developed two particularly popular formats. The horizontal sacra conversazione brings together the Virgin, Child and several saints in an open landscape; the figures do not play a dramatic action, but share a calm presence, linked by color and light. The figures do not play a dramatic action, but share a calm presence, linked by color and light. The figures do not play a dramatic action, but share a calm presence, linked by color and light. The figures do not play a dramatic action, but share a calm presence, linked by color and light. The figures do not play a dramatic action, but share a calm presence, linked by color and light. The figures do not play a dramatic action, but share a calm presence, linked by color and light. The figures do not play a dramatic action, but share a calm presence, linked by color and light. The partially revealed. Long described as portraits of courtesans or ideal beauties, these images can combine portrait, love poetry and allegory. A blonde looks sideways, discovers a shoulder or holds flowers; velvet, silk, skin and hair become the real actors in the painting. Palma also produced male portraits and altarpieces, notably for Venice and the territories of Bergamo. His workshop was successful, and several attributions remained discussed due to the proximity to the great Venetian colorists. His workshop was successful, and several attributions remained discussed due to the proximity to the great Venetian colorists. His workshop was successful, and several attributions remained discussed due to the proximity to the great Venetian colorists. However, the artist's brief career was enough to establish a type of beauty and sacred conversation that was lastingly influential. There selection "Palma the Old" offers its own route on this subject. Its reading favors light.
Palma the Old builds harmony less through rigid design than through the circulation of a warm color between skin, fabric, landscape and sky.
Course & style
Jacopo Negretti, called Palma the Elder to distinguish him from his great-nephew Palma the Younger, was born around 1480 in the Bergamo region. His training remains unknown. He was documented in Venice in 1510 and apparently continued his entire career there until his death in 1528. His style dialogues with Giorgione and Titian without merging with them. Palma developed two particularly popular formats. The horizontal sacra conversazione brings together the Virgin, Child and several saints in an open landscape; the figures do not play a dramatic action, but share a calm presence, linked by color and light. The figures do not play a dramatic action, but share a calm presence, linked by color and light. The figures do not play a dramatic action, but share a calm presence, linked by color and light. The figures do not play a dramatic action, but share a calm presence, linked by color and light. The figures do not play a dramatic action, but share a calm presence, linked by color and light. The figures do not play a dramatic action, but share a calm presence, linked by color and light. The figures do not play a dramatic action, but share a calm presence, linked by color and light. The partially revealed. Long described as portraits of courtesans or ideal beauties, these images can combine portrait, love poetry and allegory. A blonde looks sideways, discovers a shoulder or holds flowers; velvet, silk, skin and hair become the real actors in the painting. Palma also produced male portraits and altarpieces, notably for Venice and the territories of Bergamo. His workshop was successful, and several attributions remained discussed due to the proximity to the great Venetian colorists. His workshop was successful, and several attributions remained discussed due to the proximity to the great Venetian colorists. His workshop was successful, and several attributions remained discussed due to the proximity to the great Venetian colorists. However, the artist's brief career was enough to establish a type of beauty and sacred conversation that was lastingly influential.
Origins and unknown formation precede the first documentary trace. This milestone illuminates the "Palma the Old" collection by favoring light.
Female portraits and sacred conversations establish a personal color.
Religious commissions, portraits and landscapes consolidated his reputation.
Golden hair, warm skin and light fabric form a luminous accord. This line guides a reading of "Palma the Old" centered on light.
The close framing gives the model a sensual and direct presence.
Hills, trees and sky open the sacred conversation.
Red, green and blue connect the characters without hard outline.
Explore by universe
Feminine beauty, poet portrait, sacra conversazione and landscape show the extent of her contribution to Venetian painting.
Gesture, shoulder and flowers construct an image between portrait and poetry.
For brilliance. Reading "Palma the Old" by light.Book, laurel and gaze combine resemblance and humanist vocation.
For characterVirgo and saints exist in harmony without theatrical drama.
For serenityThe decor connects the warmth of the figures to the light of Veneto.
For spaceGolden hair, warm skin and light fabric form a luminous accord. This line guides a reading of "Palma the Old" centered on light.
Reading key for Palma the ElderThe close framing gives the model a sensual and direct presence.
Reading key for Palma the ElderWorks to discover
The associated reproductions will appear here as soon as they are put online in this new collection.
Our method
Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
Choose wisely
A Renaissance gold, walnut or dark red frame and a horizontal or vertical format depending on the subject will enhance the fabrics and Venetian color.
Frequently asked questions
Yes. Each reproduction is hand painted in oil on canvas, without printing.
The painter uses the composition, values, colors and materials visible in the chosen work from the Palma le Vieux collection, with particular attention paid to light.
Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
Detailed photographs are sent before shipping; you can request edits before sending.
reproduction custom
Send us an image, a museum reference or the name of a work: we can make one reproduction personalized.
Buying guide
From your choice to delivery, you stay in control thanks to photo validation and included retouching.
Select the painting and the dimensions suitable for your interior.
Your reproduction is made by hand, in painting at oil on canvas.
You receive a photo and can request up to 7 sets of edits.
After validation, it is protected, rolled and sent with FedEx tracking.
Advice & guarantees
Simple answers on the painting by hand, formats, alterations and delivery of your reproduction.
The essential points before choosing your reproduction.
Yes. Every reproduction is made by hand in painting at theoil on canvas by an experienced artist. This is neither a print nor a printed canvas.
Yes. Before shipping, we send you a detailed photo of the canvas. Up to 7 sets of edits are included to adjust the rendering before your validation.
The estimated date is displayed near the buy button. It includes the time of painting, your photo validation then FedEx tracked delivery.
Yes, you can choose a standard format or ask us for a custom size to suit your space.
Depending on the options available, the canvas can be delivered alone, mounted on a frame or prepared for framing. Details are shown on the product page.
Yes. You can send us an image, museum reference, name of a work or photo to request one reproduction personalized.
Some useful guidelines for choosing a work, its format and the location that will best highlight it.
This selection brings together works designed for art lovers who want to rediscover the spirit of one painting famous in a hand painted canvas. Each reproduction can be adapted to the desired format and validated in photos before shipment.
The available formats allow the work to be adapted to a more specific living room, bedroom, office or decorative project. There painting is carried out at theoil on canvas with particular attention to colors, textures and general balance.
If you are looking for a similar work, a similar artist or a specific format, you can ask for advice. Reproductions can be adjusted before sending using photo validation.