Observe family and society of the Ancien Régime
First effigies establish a precise and sober resemblance. This milestone sheds light on the "Portraits of Jacques-Louis David" collection by favoring figures.
1770 -1825 · Family, society and neoclassical truth
Discover Portraits of Jacques-Louis David, hand reproduced in oil on canvas.
1770 -1825 · Family, society and neoclassical truth
Jacques-Louis David dominates the history painting of his time, but the portrait constitutes the most continuous and sometimes the freest part of his work. He paints parents, in-laws, friends, scholars, women of society and actors of successive regimes. The neoclassical drawing retains great clarity, without reducing the models to types. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Séri profile become means of defining a modern presence. Récamier's unfinished portrait even reveals the painter's process and his refusal to overload the effigy. After the Revolution and the Empire, portraits of exiles and relatives continue this observation. Together, they tell the story of a society disrupted through individuals rather than through major events. The selection "Portraits of Jacques-Louis David" notably compares Portrait of Gaspard Meyer (1749-after 1799) - Jacques-Louis David and Portrait of Émilie Sériziat, née Pécoul (around 1770-1804) - Jacques-Louis David and Portrait of Émilie Sériziat, née Pécoul (around 1770-1804) and his son Émile (1793-died at a young age), respectively sister-in-law and nephew of the artist - Jacques-Louis David. His reading favors figures.
David's portrait is neoclassical in its clarity, but modern in the silence it leaves around a person who no longer needs allegory.
Course & style
Jacques-Louis David dominates the history painting of his time, but the portrait constitutes the most continuous and sometimes the freest part of his work. He paints parents, in-laws, friends, scholars, women of society and actors of successive regimes. The neoclassical drawing retains great clarity, without reducing the models to types. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Sériziat and her son appear in a lively exchange where gestures, flowers and clothes express family intimacy. Émilie Séri profile become means of defining a modern presence. Récamier's unfinished portrait even reveals the painter's process and his refusal to overload the effigy. After the Revolution and the Empire, portraits of exiles and relatives continue this observation. Together, they tell the story of a society disrupted through individuals rather than through major events.
First effigies establish a precise and sober resemblance. This milestone sheds light on the "Portraits of Jacques-Louis David" collection by favoring figures.
Revolution, Directory and Empire change costumes, statuses and expectations.
Brussels tightens the portrait around friendship and memory.
A simple space detaches the silhouette without freezing it. This line guides a reading of "Portraits of Jacques-Louis David" centered on the figures.
Book, flower or gesture of rest completes the character of the face.
Clothing ranks while building large masses.
Certain effigies show how drawing and color bring out the presence.
Explore by universe
Family, bourgeoisie, living room and learned couple form a gallery where public status and private proximity respond to each other.
Mother and child escape rigidity thanks to gestures and accessories.
For the intimate. Reading of "Portraits of Jacques-Louis David" by the figures.The painter grants his in-laws a frankness without caricature.
For memoryThe chaise longue and the white dress invent a stripped-down elegance.
For modernityThe intellectual couple appears in remarkable visual equality.
For thoughtGaspard Meyer is defined by direct observation, without invasive attributes.
Landmark work of Portraits of Jacques-Louis DavidÉmilie Sériziat and her son animate the portrait through a concrete emotional relationship.
Landmark work of Portraits of Jacques-Louis DavidWorks to discover
Gaspard Meyer, Émilie Sériziat, Henriette de Verninac and Juliette Récamier reveal several degrees of proximity and social representation.




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Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
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A discreet black, walnut or gold frame and a vertical format will preserve the silence of the background, the sharpness of the design and the expression of the hands.
Frequently asked questions
Yes. Each reproduction is hand painted in oil on canvas, without printing.
The painter uses the composition, values, colors and materials visible in the chosen work from the Portraits collection by Jacques-Louis David, with particular attention paid to the figures.
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These answers reassure visitors who are discovering the concept of hand-painted reproductions.
Yes, our reproductions are oil paintings on canvas by experienced artists. Each canvas is hand-painted, not printed.
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The time depends on the format and complexity of the artwork. The painting generally takes several weeks, then the canvas is shipped with tracking.
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Depending on the options available, the canvas can be delivered alone, mounted on a stretcher, or prepared for framing. Details are indicated on the product page.
Yes. You can send us an image, a museum reference, the name of an artwork, or a photo to request a custom reproduction.
Some guidelines for choosing a reproduction from this collection, comparing similar styles, and preparing your order.
This selection brings together artworks designed for art lovers who want to recapture the spirit of a famous painting in a hand-painted canvas. Each reproduction can be adapted to the desired format and validated by photo before shipping.
The available formats allow the artwork to be adapted to a living room, bedroom, office, or a more specific decorative project. The painting is executed in oil on canvas with particular attention to colors, textures, and overall balance.
If you are looking for a similar artwork, a similar artist, or a specific format, you can ask for advice. Reproductions can be adjusted before shipping thanks to photo validation.