Portrait the Roman circle
Courtesans and prelates appear in a network of models and sponsors. This milestone sheds light on the "Portraits of Caravaggio" collection by favoring atmosphere.
Around 1597 -1608 · courtesan, prelate and grand master
Discover Portraits of Caravaggio, hand reproduced in oil on canvas.
Around 1597 -1608 · courtesan, prelate and grand master
The autonomous portrait occupies a rarer and sometimes fragilely documented place in the work of Caravaggio. Fillide Melandroni, famous Roman courtesan and model of several compositions, was painted in the late 1590s; the original painting was destroyed in Berlin in 1945 and its image survives through photography and reprints. The portraits of Maffeo Barberini, future Urban VIII, belong to the network of Roman sponsors, but certain versions and attributions were the subject of debate. In Malta, the Portrait of Fra Antonio Martelli combines the elderly face, cross and black coat of a knight of the Order. The Portrait of Alof de Wignacourt, grand master, adds the armor and a young page including the gaze subtly moves the ceremony. Chiaroscuro not only serves to dramatize: it extracts each model from its rank while making this rank visible. The "Portraits of Caravaggio" selection notably compares Fillide Melandroni /Portrait of a Courtesan and Portrait of Maffeo Barberini. His reading favors atmosphere.
A portrait of Caravaggio doesn't just light up a face: it tests the distance between a person and the role they should play.
Course & style
The autonomous portrait occupies a rarer and sometimes fragilely documented place in the work of Caravaggio. Fillide Melandroni, famous Roman courtesan and model of several compositions, was painted in the late 1590s; the original painting was destroyed in Berlin in 1945 and its image survives through photography and reprints. The portraits of Maffeo Barberini, future Urban VIII, belong to the network of Roman sponsors, but certain versions and attributions were the subject of debate. In Malta, the Portrait of Fra Antonio Martelli combines the elderly face, cross and black coat of a knight of the Order. The Portrait of Alof de Wignacourt, grand master, adds the armor and a young page including the gaze subtly moves the ceremony. Chiaroscuro not only serves to dramatize: it extracts each model from its rank while making this rank visible.
Courtesans and prelates appear in a network of models and sponsors. This milestone sheds light on the "Portraits of Caravaggio" collection by favoring atmosphere.
The flight after the death of Ranuccio Tomassoni moved the quarry to Naples then Malta.
Martelli and Wignacourt combine resemblance, armor, cross and authority.
The person emerges without architectural distraction. This trait guides a reading of "Portraits of Caravaggio" centered on the atmosphere.
Forehead, cheek and gaze become the true place of rank.
The white sign cuts the habit and identifies the institution.
At Wignacourt, the child breaks the ceremonial closure.
Explore by universe
Courtesan, cardinal, knight and grand master connect Roman model, patronage, exile, Malta and material history of works.
The photograph preserves the memory of an original destroyed during the war.
For history. Reading "Portraits of Caravaggio" through the atmosphere.The versions remind us that Caravaggio's corpus remains debated.
For researchThe marked face responds to the black rigor of the Order.
For the knightThe grand master dominates, while the page introduces another look.
For powerThe original portrait destroyed in 1945 remains known through photography and repetitions, an essential case of material memory.
Landmark work of Portraits of CaravaggioThe future pope belongs to the Roman circle, but the attributive story invites us to look at each version precisely.
Landmark work of Portraits of CaravaggioWorks to discover
The active selection brings together Fillide Melandroni, Maffeo Barberini, Fra Antonio Martelli and Alof de Wignacourt.




Our method
Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
Choose wisely
Deep black or brown frame, without shiny gold. Soft side lighting will preserve blacks and skin passages without producing frontal reflection.
Frequently asked questions
Yes. Each reproduction is hand painted in oil on canvas, without printing.
The painter uses the composition, values, colors and materials visible in the chosen work from the Portraits of Caravaggio collection, with particular attention paid to the atmosphere.
Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
Detailed photographs are sent before shipping; you can request edits before sending.
reproduction custom
Send us an image, a museum reference or the name of a work: we can make one reproduction personalized.
Buying guide
From your choice to delivery, you stay in control thanks to photo validation and included retouching.
Select the painting and the dimensions suitable for your interior.
Your reproduction is made by hand, in painting at oil on canvas.
You receive a photo and can request up to 7 sets of edits.
After validation, it is protected, rolled and sent with FedEx tracking.
Advice & guarantees
Simple answers on the painting by hand, formats, alterations and delivery of your reproduction.
The essential points before choosing your reproduction.
Yes. Every reproduction is made by hand in painting at theoil on canvas by an experienced artist. This is neither a print nor a printed canvas.
Yes. Before shipping, we send you a detailed photo of the canvas. Up to 7 sets of edits are included to adjust the rendering before your validation.
The estimated date is displayed near the buy button. It includes the time of painting, your photo validation then FedEx tracked delivery.
Yes, you can choose a standard format or ask us for a custom size to suit your space.
Depending on the options available, the canvas can be delivered alone, mounted on a frame or prepared for framing. Details are shown on the product page.
Yes. You can send us an image, museum reference, name of a work or photo to request one reproduction personalized.
Some useful guidelines for choosing a work, its format and the location that will best highlight it.
This selection brings together works designed for art lovers who want to rediscover the spirit of one painting famous in a hand painted canvas. Each reproduction can be adapted to the desired format and validated in photos before shipment.
The available formats allow the work to be adapted to a more specific living room, bedroom, office or decorative project. There painting is carried out at theoil on canvas with particular attention to colors, textures and general balance.
If you are looking for a similar work, a similar artist or a specific format, you can ask for advice. Reproductions can be adjusted before sending using photo validation.