The world of Raja Ravi VarmaAcademic realism, Mahabharata stories and widely distributed images make Raja Ravi Varma a pioneer of Indian visual modernity.
1848 - 1906Life and career
Kilimanoor, Travancore, Baroda, Mysore, Bombay and princely courts of IndiaMain homes
Academic painting, Hindu mythology, portrait, oil on canvas, lithography, epic, costume, landscape, workshop and popular distributionPractical
°7,000Paintings, portraits, mythologies, drawings, studies, lithographs, court commissions and works created, overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
1848 -1906 · Kilimanoor and Princely India
Academic realism, Mahabharata stories and widely distributed images make Raja Ravi Varma a pioneer of Indian visual modernity.
Raja Ravi Varma was born in 1848 at Kilimanoor Palace, in the princely state of Travancore, and died in 1906. Very early encouraged by his family, he learned local techniques then observed European oil painting in 1869 with the portraitist Theodore Jensen. Ravi Varma soon associated academic modeling, perspective and Western material with characters from epics, puranas and Sanskrit literature. His portraits of sovereigns, aristocrats and women from different regions gave costume, jewelry and Sanskrit literature a new precision. His portraits of sovereigns, aristocrats and women from different regions give costume, jewelry and posture new precision. His portraits of sovereigns, aristocrats and women from different regions give costume, jewelry and posture new precision. His portraits of sovereigns, aristocrats and women from different regions give costume, jewelry and posture new precision. His portraits of sovereigns, aristocrats and women from different regions give costume, jewelry and posture new precision. His portraits of sovereigns, aristocrats and women from different regions give costume, jewelry and posture new precision. His portraits of sovereigns, aristocrats and women from different regions give costume, jewelry and posture new precision. His portraits of sovereigns fabrics. Damayanti transposes a heroine from the Mahabharata into an individualized body, accessible to the contemporary eye. Elongated woman combines intimacy, decor and pose with unusual freedom. Ravi Varma travels widely to respond to the classes of Travancore, Baroda, Mysore and other states. Awarded in 1873 and then recognized in international exhibitions, he also understands the importance of reproduction. In 1873, then recognized in international exhibitions, he also understood the importance of reproduction. In 1894, he founded a lithographic press which widely distributed his gods, goddesses and heroines. These images entered homes, calendars and popular culture, giving lasting form to the modern religious imagination. His work thus connects painting with court, mythology, portrait and first Indian mass culture. The "Raja Ravi Varma" selection notably compares Portrait of a Lady and Damayanti. His reading favors figures.
Ravi Varma makes the myth visible and close: academic technique gives flesh to epics, while lithography transforms the painting into collective memory.
Course & style
Journey, subjects and pictorial language
Kilimanoor, Travancore and oil learning
Local traditions, observation of Jensen and first portraits provide a new technical synthesis. This milestone sheds light on the "Raja Ravi Varma" collection by favoring figures.
Princely courses, awards and mythologies
Travels, portraits and episodes from the great epics impose a modern image of historical and sacred India.
Lithographic press and national distribution
Religious compositions leave palaces and circulate in homes, calendars and popular culture.
01
Myth incarnate
Gods and heroines acquire volume, expression and presence through academic realism. This trait guides a figure-centered reading of "Raja Ravi Varma".
02
Identity fabric
Sari, embroidery and jewelry situate the model while giving rhythm and color to the portrait.
03
Central woman
Literary heroine or contemporary model carries the emotion and narration of the composition.
04
Multiplied image
Lithography transforms a painted invention into a visual language shared across India.
Explore by universe
Six readings specific to Raja Ravi Varma
Works, visual language and historical landmarks make up a journey exclusively devoted to Raja Ravi Varma.
Elegance and identity01
Portrait of a lady
Costume, jewelry and light give the model an individual presence as well as social dignity.
Landmark work by Raja Ravi Varma. Reading of "Raja Ravi Varma" through the figures.Heroine of the Mahabharata02
Damayanti
The epic character becomes a sensitive and present woman thanks to gesture, gaze and academic modeling.
Landmark work by Raja Ravi VarmaPrivacy and decor03
Woman lying down
The relaxed pose and treatment of the fabrics move the portrait towards a modern scene of intimacy.
Landmark work by Raja Ravi VarmaFemale portrait04
Woman holding a fan
The accessory, the sari and the posture compose an image of restrained elegance, precisely individualized.
Landmark work by Raja Ravi VarmaStyle05
Myth incarnate
Gods and heroines acquire volume, expression and presence through academic realism. This trait guides a figure-centered reading of "Raja Ravi Varma".
Reading key for Raja Ravi VarmaStyle06
Identity fabric
Sari, embroidery and jewelry situate the model while giving rhythm and color to the portrait.
Reading key for Raja Ravi Varma
Works to discover
Works by Raja Ravi Varma
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