The Richard Edward Miller UniverseFemale figures, spotted light and refined decor make Richard Edward Miller a major voice of American impressionism in Giverny.
1875 - 1943Life and career
Saint-Louis, Paris, Giverny, Pasadena, Provincetown and American artistic coloniesMain homes
American impressionism, female figure, interior, garden, oil, academic drawing, color, decorative pattern, kimono, parasol and teachingPractical
° 2,000Paintings, figures, portraits, interiors, gardens, drawings, illustrations, studies, lost works and created works, overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
1875 -1943 · Saint-Louis, Paris, Giverny and Provincetown
Female figures, spotted light and refined decor make Richard Edward Miller a major voice of American impressionism in Giverny.
Richard Edward Miller was born in Saint-Louis in 1875 and died in St. Augustine in 1943. He studied at the St. Louis School of Fine Arts and worked as an illustrator at the Post-Dispatch before obtaining a scholarship to Paris. At the Académie Julian, between 1898 and 1901, he trained with Jean-Paul Laurens and Benjamin-Constant. His first figures retained a solid academic design, but his palette became clearer through contact with impressionism. In Giverny, Miller frequented Frederick Frieseke, Guy Rose and Claude Monet. Like several American painters in the colony, he preferred Frederick Frieseke, Guy Rose and Claude Monet to large landscapes. Like several American painters in the colony, he preferred Frederick Frieseke, Guy Rose and Claude Monet to large landscapes. Like several American painters in the colony, he preferred Frederick Frieseke, Guy Rose and Claude Monet to large landscapes. Like several American painters in the colony, he preferred Frederick Frieseke, Guy Rose and Claude Monet to large landscapes. Like several American painters in the colony, he preferred Frederick Frieseke, Guy Rose and Claude Monet. Like several American painters in the colony, he frequented Frederick Frieseke, Guy with earrings and Woman at the Table organize mirror, furniture, dress and light in decorative patterns. The Chinese statuette introduces the exotic object as an accent of color and rhythm. The Parasol filters the exterior light into moving spots while maintaining a solidly constructed figure. Miller asserts that the mission of art is not to tell but to provide a pleasant optical sensation; diagonals, fabrics and contrasts support this ambition. Returning to the United States in 1914, he taught in Pasadena then moved to Provincetown, where he continued painting and transmission. His work thus combines Academy discipline, French light and decorative intimacy american. The "Richard Edward Miller" selection notably compares Woman with her dressing table with earrings and Woman at the table. His reading favors drawing.
Miller constructs intimacy like a living setting: the dress, the mirror and the parasol organize the color while the light makes the figure breathe.
Course & style
Journey, subjects and pictorial language
Saint-Louis, fine arts and illustration
Drawing, press and first awards prepare an international ambition. This milestone sheds light on the "Richard Edward Miller" collection by favoring drawing.
Paris, Académie Julian and Giverny
Academic training, Frieseke, Monet and French gardens transform the palette and subjects.
Pasadena, Provincetown and transmission
American return, teaching and artist colonies extend a decorative and luminous impression.
01
Structured figure
Academic drawing maintains the presence of the body within an impressionist surface. This line guides a reading of "Richard Edward Miller" centered on drawing.
02
Spotted light
Reflections of the garden and the parasol fragment the color without dissolving the model.
Reading, doing your hair or staying at the table becomes a calm moment without an imposed story.
Explore by universe
Six readings specific to Richard Edward Miller
Works, visual language and historical landmarks make up a journey exclusively devoted to Richard Edward Miller.
Mirror and privacy01
Woman at her dressing table with earrings
The gesture, the reflection and the fabrics transform the toilet into a luminous decorative composition.
Landmark work by Richard Edward Miller. Reading of "Richard Edward Miller" through drawing.Quiet interior02
Woman at the table
The calm posture and diagonals of the furniture organize a moment of interiority without strong narration.
Landmark work by Richard Edward MillerObject and color03
The Chinese Statuette
The exotic object, figure and fabrics create a carefully constructed play of chromatic accents.
Landmark work by Richard Edward MillerGiverny Garden04
The Parasol
The filtered light and firm design combine impressionistic outdoors and decorative elegance.
Landmark work by Richard Edward MillerStyle05
Structured figure
Academic drawing maintains the presence of the body within an impressionist surface. This line guides a reading of "Richard Edward Miller" centered on drawing.
Reading key for Richard Edward MillerStyle06
Spotted light
Reflections of the garden and the parasol fragment the color without dissolving the model.
Reading key for Richard Edward Miller
Works to discover
Works by Richard Edward Miller
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Are the reproductions hand painted?
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Collection guide Richard edward miller
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A canvas prepared for your interior
The available formats allow the work to be adapted to a more specific living room, bedroom, office or decorative project. There painting is carried out at theoil on canvas with particular attention to colors, textures and general balance.
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