The world of Portraits and Figures by Piet MondrianLong before the grids, Mondrian painted close, symbolist models and figures: his portraits show how frontality, color and interiority prepare another form of balance.
1872 - 1944Life of Piet Mondrian
1895 - 1910Portraits, commissions and figure studies
1910 - 1911Design of the Evolution triptych
°1,500Paintings, drawings and studies - overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
1895 -1911 · Order, self-portrait, symbolism and spiritual quest
Long before the grids, Mondrian painted close, symbolist models and figures: his portraits show how frontality, color and interiority prepare another form of balance.
Piet Mondrian's portraits recall a lesser-known part of his training. In the 1890s and 1900s, the young artist earned his living by commissions, painted relatives and carried out academic studies. He knows how to render a face, a fabric and a pose with precision, but is already looking for a more stable presence than the anecdote. His self-portraits construct the painter's identity through direct gaze, the sobriety of the background and an increasing attention to the architecture of the face. Female figures around 1908-1911 are marked by direct gaze, the sobriety of the background and an increasing attention to the architecture of the face. Female figures around 1908-1911 are marked by direct gaze, the sobriety of the background and an increasing attention to the architecture of the face. Female figures around 1908-1911 are marked by direct gaze, the sobriety of the background and an increasing attention to the architecture of the face. Female figures around 1908-1911 are marked by luminism and Dutch symbolism. The colors stand out from the natural complexion; the model can become an app stage of spiritual evolution. The Evolution triptych, designed in 1910 -1911, pushes this ambition on a large scale: three frontal figures associate the body with a theosophical journey, from the material world to a higher consciousness. With eyes open or closed, the triangles and blues do not tell a precise story, but organize degrees of interiority. Studies like Girl Looking to Her Left or Marin do not tell a precise story, but organize degrees of interiority. Studies like Girl Looking to Her Left or Marin do not tell a precise story, but organize degrees of interiority. Studies like Girl Looking to Her Left or Marin show the other side of this practice, more direct and everyday. Even when Mondrian abandoned the figure after leaving for Paris in 1912, he retained this search for balance between particular and universal. abstract, but the frontality, the tension of the axes and the desire for spiritual harmony remain. The selection "Portraits and figures of Piet Mondrian" notably compares Self-portrait and Evolution. Its reading favors atmosphere.
Mondrian's figures are not the opposite of his abstractions: they show the moment when a face already begins to become balance, rhythm and universal presence.
Course & style
Journey, subjects and pictorial language
Piet Mondrian's portraits recall a lesser-known part of his training. In the 1890s and 1900s, the young artist earned his living by commissions, painted relatives and carried out academic studies. He knows how to render a face, a fabric and a pose with precision, but is already looking for a more stable presence than the anecdote. His self-portraits construct the painter's identity through direct gaze, the sobriety of the background and an increasing attention to the architecture of the face. Female figures around 1908-1911 are marked by direct gaze, the sobriety of the background and an increasing attention to the architecture of the face. Female figures around 1908-1911 are marked by direct gaze, the sobriety of the background and an increasing attention to the architecture of the face. Female figures around 1908-1911 are marked by direct gaze, the sobriety of the background and an increasing attention to the architecture of the face. Female figures around 1908-1911 are marked by luminism and Dutch symbolism. The colors stand out from the natural complexion; the model can become an app stage of spiritual evolution. The Evolution triptych, designed in 1910 -1911, pushes this ambition on a large scale: three frontal figures associate the body with a theosophical journey, from the material world to a higher consciousness. With eyes open or closed, the triangles and blues do not tell a precise story, but organize degrees of interiority. Studies like Girl Looking to Her Left or Marin do not tell a precise story, but organize degrees of interiority. Studies like Girl Looking to Her Left or Marin do not tell a precise story, but organize degrees of interiority. Studies like Girl Looking to Her Left or Marin show the other side of this practice, more direct and everyday. Even when Mondrian abandoned the figure after leaving for Paris in 1912, he retained this search for balance between particular and universal. abstract, but the frontality, the tension of the axes and the desire for spiritual harmony remain.
Master the portrait
Orders and studies establish resemblance, modeling and sobriety of the pose. This milestone sheds light on the "Portraits and Figures of Piet Mondrian" collection, favoring atmosphere.
Spiritualize color
Luminism and theosophy transform the model into an interior presence.
Leave the figure
Cubism then De Stijl shift the quest for balance towards non-figuration.
01
Calm frontality
The stable pose limits the narrative and focuses attention on presence. This line guides a reading of "Portraits and Figures of Piet Mondrian" centered on the atmosphere.
02
Constructed look
Open, diverted or closed, the eye indicates different degrees of interiority.
03
Spiritual blue
The cold color detaches the figure from the everyday world.
04
Axis of the body
Head, torso and hands are organized according to an increasingly firm verticality.
Explore by universe
Meet the figures of Piet Mondrian
Self-portrait, triptych, young girl and sailor show four relationships between identity, spirituality and pictorial construction.
Artist01
Affirm the look
The self-portrait establishes a direct presence without superfluous decor.
For identity. Reading "Portraits and Figures of Piet Mondrian" through the atmosphere.Symbol02
Staging evolution
Three frontal figures give shape to a spiritual journey.
For ambitionStudy03
Capture a retained movement
The girl turned aside balance observation and simplification.
For softnessProfession04
Portrait the sailor
The daily figure retains a sober and monumental gravity.
For presenceIdentity · Self-portrait05
Self-portrait
The painter's gaze imposes itself in a deliberately sober construction.
Landmark work of Portraits and Figures by Piet MondrianSpirituality · Evolution06
Evolution
The monumental triptych combines frontality, blue and inner awakening.
Landmark work of Portraits and Figures by Piet Mondrian
Works to discover
Reproductions of Mondrian's portraits and figures
Four active and distinct works bring together a self-portrait, Evolution, a young girl looking left and a sailor.
Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
From the work to your interior
1
Choice of workSubject, orientation and dimensions adapted to your wall.
2
Oil paintingManual production, layer after layer.
3
Photo validationYou examine the finished table.
4
RetouchingAdjustments remain possible before sending.
Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
Choose wisely
Choose a Mondrian figure
A discreet dark, black or gold wooden frame and a vertical format will emphasize the pose, the look and the symbolist harmonies.
Frequently asked questions
Before choosing your Portraits and figures of Piet Mondrian
Are reproductions painted with oil paint?
Yes. Each reproduction is hand painted in oil on canvas, without printing.
How to restore the atmosphere in a reproduction of Portraits and Figures by Piet Mondrian?
The painter uses the composition, values, colors and materials visible in the chosen work from the Portraits and Figures collection by Piet Mondrian, with particular attention paid to the atmosphere.
Can I order a work of Portraits and Figures by Piet Mondrian in a personalized format?
Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
How do I validate my reproduction of Portraits and Figures by Piet Mondrian?
Detailed photographs are sent before shipping; you can request edits before sending.
Hand-painted
Photo before shipping
Touch-ups possible
Tracked FedEx shipping
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Portraits and figures of Piet MondrianToutes les œuvres de cette collection
Find answers to frequently asked questions and essential information about our hand-painted reproductions.
Frequently Asked Questions
These answers reassure visitors who are discovering the concept of hand-painted reproductions.
Are the reproductions hand-painted?
Yes, our reproductions are oil paintings on canvas by experienced artists. Each canvas is hand-painted, not printed.
Can I request touch-ups?
Yes. Before shipping, we send you a photo of the completed painting. You can then request adjustments if necessary.
How long does it take to receive the canvas?
The time depends on the format and complexity of the artwork. The painting generally takes several weeks, then the canvas is shipped with tracking.
Can I order a custom size?
Yes, you can choose a standard format or request a custom size adapted to your space.
Are the paintings delivered framed?
Depending on the options available, the canvas can be delivered alone, mounted on a stretcher, or prepared for framing. Details are indicated on the product page.
Can I send my own image?
Yes. You can send us an image, a museum reference, the name of an artwork, or a photo to request a custom reproduction.
Guide to the Portraits and figures of Piet Mondrian collection
Some guidelines for choosing a reproduction from this collection, comparing similar styles, and preparing your order.
Why choose a reproduction from this collection?
This selection brings together artworks designed for art lovers who want to recapture the spirit of a famous painting in a hand-painted canvas. Each reproduction can be adapted to the desired format and validated by photo before shipping.
A canvas prepared for your home
The available formats allow the artwork to be adapted to a living room, bedroom, office, or a more specific decorative project. The painting is executed in oil on canvas with particular attention to colors, textures, and overall balance.
Touch‑ups and custom requests
If you are looking for a similar artwork, a similar artist, or a specific format, you can ask for advice. Reproductions can be adjusted before shipping thanks to photo validation.
