The Robert Lewis Reid UniverseFemale figures, flower gardens and mural painting made Robert Lewis Reid a major decorator of American Impressionism.
1862 - 1929Life and career
Stockbridge, Boston, New York, Paris, artist colonies and Library of CongressMain homes
American impressionism, mural, portrait, female figure, landscape, oil, pastel, garden, flower, public decor and teachingPractical
°1,500Paintings, portraits, landscapes, pastels, drawings, studies, murals, lost works and created works, overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
1862 -1929 · New York, American impressionism and great settings
Female figures, flower gardens and mural painting made Robert Lewis Reid a major decorator of American Impressionism.
Robert Lewis Reid was born in Stockbridge, Massachusetts, in 1862 and died in Clifton Springs in 1929. He studied at the School of the Museum of Fine Arts in Boston, then at the Art Students League in New York before moving to Paris. At the Académie Julian, Gustave Boulanger and Jules-Joseph Lefebvre consolidated his academic drawing; At the same time, stays in France clarified his palette. Returning to the United States, Reid taught at the Cooper Union and the Art Students League while developing a career as a painter and decorator. A member of the Ten American Painters from 1898, he shared with his colleagues the desire to have independent American impressionism recognized. Flowers of apple Tree and Summer Breezes combine feminine figure, light dress, foliage and moving light. The subject remains readable, but the touch dissolves the contours in a decorative atmosphere. Landscape with waterfall shows another facet: rock, water and vegetation become rhythms of values and material. In his Self-Portrait, the artist abandons the flowery idyll for a darker and direct confrontation. Reid is also known for his murals at the Library of Congress, in hotels, courthouses and public buildings. After a stroke in 1927, he abandoned the flowery idyll for a darker and more direct confrontation. Reid is also known for his murals at the Library of Congress, in hotels, courthouses and public buildings. After a stroke in 1927, he abandoned the flowery idyll for a darker and more direct confrontation. Reid is also known for his murals at the Library of Congress, in hotels, courthouses and public buildings. After a stroke in 1927, he relearned how to paint with his left hand. His work thus links impressionist intimacy and mastery academic and monumental ambition. The "Robert Lewis Reid" selection notably compares Self-portrait and Landscape with waterfall. His reading favors the material.
Reid makes light a habitable setting: she crosses the flowers, touches the dress and connects the figure to the garden.
Course & style
Journey, subjects and pictorial language
Boston, New York and Julian Academy
American training and Parisian academicism give Reid drawing, profession and international openness. This milestone sheds light on the "Robert Lewis Reid" collection by favoring the material.
Return, Teaching and Ten American Painters
Clear palette, garden figures and impressionist network establish his place in American art.
Public settings and maturity
Murals, landscapes and resumption of painting after illness continue an exceptionally diverse practice.
01
Flowery figure
The pattern appears among the branches and petals as a pattern integrated into the garden. This trait guides a reading of "Robert Lewis Reid" centered on the material.
02
Fragmented light
Clear touches distribute reflections and air without completely dissolving the design.
03
Monumental decor
Allegory and surface rhythm adapt its language to major public architectures.
04
Elegant palette
Whites, pinks, greens and blues create a refined atmosphere without losing their intensity.
Explore by universe
Six readings specific to Robert Lewis Reid
Works, visual language and historical landmarks make up a journey exclusively devoted to Robert Lewis Reid.
Artist's eye01
Self-portrait
The direct framing and dark range reveal a more introspective presence than its garden scenes.
Landmark work by Robert Lewis Reid. Reading of "Robert Lewis Reid" through the material.Water and matter02
Landscape with waterfall
The movement of water and rock masses organize an energetic and luminous nature.
Landmark work by Robert Lewis ReidImpressionist spring03
Apple blossoms
Flowering branches, figure and clear light make up a decorative harmony of the outdoors.
Landmark work by Robert Lewis ReidGarden and movement04
Summer breezes
Clothing, foliage and moving fingerboard give a visual shape to the air passing through the stage.
Landmark work by Robert Lewis ReidStyle05
Flowery figure
The pattern appears among the branches and petals as a pattern integrated into the garden. This trait guides a reading of "Robert Lewis Reid" centered on the material.
Reading key for Robert Lewis ReidStyle06
Fragmented light
Clear touches distribute reflections and air without completely dissolving the design.
Reading key for Robert Lewis Reid
Works to discover
Works by Robert Lewis Reid
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Are the reproductions hand painted?
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A canvas prepared for your interior
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