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Julian, Beaux-Arts and Ranson build a classic loom attentive to the decorative surface. This milestone sheds light on the "Roger de La Fresnaye" collection by favoring figures.
1885 -1925 · Paris, Section d'Or and French Cubism
Discover Roger de La Fresnaye, hand reproduced in oil on canvas.
1885 -1925 · Paris, Section d'Or and French Cubism
Roger de La Fresnaye was born in Le Mans in 1885 and died in Grasse in 1925. Coming from an officer's family, he studied at the Académie Julian then at the École des beaux-arts before joining the Académie Ranson, where Maurice Denis and Paul Sérusier opened it to a decorative construction of the surface. From 1910, the discovery of Cézanne and cubism transformed his language. He participated in the Section d'Or group and exhibited at the Salons des Indépendants and d'Automne. Unlike 1910, the discovery of Cézanne and cubism transformed his language. He participated in the Section d'Or group and exhibited at the Salons des Indépendants and d'Automne. Unlike an almost monochrome analytical cubism, La Fresnaye retained light colors, readable volumes and a strong link with the subject. Still life in the coffee maker breaks down tables and objects into firm plans without deleting their daily presence. The Canal, a Breton landscape and the village beyond Meulan transpose this geometric structure into nature: hills, houses and water become interlocking masses. Naked in a landscape connects the tradition of the classical figure to a modernized space. His masterpiece The Conquest of the Air, painted in 1913, famous aviation, flag and contemporary sociability in a cubist monumentality. Mobilized in 1914, La Fresnaye contracted a serious lung disease which then limited his work. Mobilized in 1914, La Fresnaye contracted a serious lung disease which then limited his work. After the war, his painting partially moved away from Cubism towards a more linear drawing and meditative figuration. His short career reveals a balanced modernity, where geometry and emotion continually remain linked. The "Roger de La Fresnaye" selection notably compares Le Canal, a Breton landscape and Nus dans un landscape. His reading favors figures.
La Fresnaye never dissolves the world in geometry: the cubist plan clarifies the object, the body and the landscape.
Course & style
Julian, Beaux-Arts and Ranson build a classic loom attentive to the decorative surface. This milestone sheds light on the "Roger de La Fresnaye" collection by favoring figures.
Cézanne, colorful geometry and large Salons lead to the most ambitious compositions.
Fragile health reduces production and promotes more stripped-down and meditative figuration.
Plans and curves structure the subject without making it unrecognizable. This line guides a reading of "Roger de La Fresnaye" centered on the figures.
Blues, greens, ochres and reds distinguish La Fresnaye from dark analytical cubism.
Canal, village, coffee maker or plane show that modernity begins in lived forms.
Nude, portrait and classic landscape survive through a profoundly renewed composition.
Explore by universe
Works, visual language and historical landmarks make up a route exclusively devoted to Roger de La Fresnaye.
Water, shore and houses fit together in colorful planes without losing the breath of the place.
Landmark work by Roger de La Fresnaye. Reading of "Roger de La Fresnaye" by the figures.The nude tradition meets a nature reconstructed by rhythms, curves and volumes.
Landmark work by Roger de La FresnayeHouses and relief are ordered into simple masses which give the panorama modern stability.
Landmark work by Roger de La FresnayeCoffee maker, table and accessories remain familiar while becoming an architecture of plans.
Landmark work by Roger de La FresnayePlans and curves structure the subject without making it unrecognizable. This line guides a reading of "Roger de La Fresnaye" centered on the figures.
Reading key for Roger de La FresnayeBlues, greens, ochres and reds distinguish La Fresnaye from dark analytical cubism.
Reading key for Roger de La FresnayeWorks to discover
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Frequently asked questions
Yes. Each reproduction is hand painted in oil on canvas, without printing.
The painter uses the composition, values, colors and materials visible in the chosen work from the Roger de La Fresnaye collection, with particular attention paid to the figures.
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Detailed photographs are sent before shipping; you can request edits before sending.
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Yes. Every reproduction is made by hand in painting at theoil on canvas by an experienced artist. This is neither a print nor a printed canvas.
Yes. Before shipping, we send you a detailed photo of the canvas. Up to 7 sets of edits are included to adjust the rendering before your validation.
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Yes, you can choose a standard format or ask us for a custom size to suit your space.
Depending on the options available, the canvas can be delivered alone, mounted on a frame or prepared for framing. Details are shown on the product page.
Yes. You can send us an image, museum reference, name of a work or photo to request one reproduction personalized.
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This selection brings together works designed for art lovers who want to rediscover the spirit of one painting famous in a hand painted canvas. Each reproduction can be adapted to the desired format and validated in photos before shipment.
The available formats allow the work to be adapted to a more specific living room, bedroom, office or decorative project. There painting is carried out at theoil on canvas with particular attention to colors, textures and general balance.
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