The world of Roger de La FresnayeGeometric shots, light color and attachment to the visible world give Roger de La Fresnaye a unique voice within French Cubism.
1885 - 1925Life and career
Le Mans, Paris, Académie Ranson, Section d'Or, Brittany, Meulan and GrasseMain homes
Cubism, Golden Section, painting, drawing, sculpture, landscape, still life, figure, color, geometry, aviation and classical traditionPractical
°1,000Paintings, drawings, watercolors, sculptures, studies, landscapes, figures, lost works and created works, overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
1885 -1925 · Paris, Section d'Or and French Cubism
Geometric shots, light color and attachment to the visible world give Roger de La Fresnaye a unique voice within French Cubism.
Roger de La Fresnaye was born in Le Mans in 1885 and died in Grasse in 1925. Coming from an officer's family, he studied at the Académie Julian then at the École des beaux-arts before joining the Académie Ranson, where Maurice Denis and Paul Sérusier opened it to a decorative construction of the surface. From 1910, the discovery of Cézanne and cubism transformed his language. He participated in the Section d'Or group and exhibited at the Salons des Indépendants and d'Automne. Unlike 1910, the discovery of Cézanne and cubism transformed his language. He participated in the Section d'Or group and exhibited at the Salons des Indépendants and d'Automne. Unlike an almost monochrome analytical cubism, La Fresnaye retained light colors, readable volumes and a strong link with the subject. Still life in the coffee maker breaks down tables and objects into firm plans without deleting their daily presence. The Canal, a Breton landscape and the village beyond Meulan transpose this geometric structure into nature: hills, houses and water become interlocking masses. Naked in a landscape connects the tradition of the classical figure to a modernized space. His masterpiece The Conquest of the Air, painted in 1913, famous aviation, flag and contemporary sociability in a cubist monumentality. Mobilized in 1914, La Fresnaye contracted a serious lung disease which then limited his work. Mobilized in 1914, La Fresnaye contracted a serious lung disease which then limited his work. After the war, his painting partially moved away from Cubism towards a more linear drawing and meditative figuration. His short career reveals a balanced modernity, where geometry and emotion continually remain linked. The "Roger de La Fresnaye" selection notably compares Le Canal, a Breton landscape and Nus dans un landscape. His reading favors figures.
La Fresnaye never dissolves the world in geometry: the cubist plan clarifies the object, the body and the landscape.
Course & style
Journey, subjects and pictorial language
Academies and Nabi education
Julian, Beaux-Arts and Ranson build a classic loom attentive to the decorative surface. This milestone sheds light on the "Roger de La Fresnaye" collection by favoring figures.
Cubism and the Golden Section
Cézanne, colorful geometry and large Salons lead to the most ambitious compositions.
War, disease and getting back on track
Fragile health reduces production and promotes more stripped-down and meditative figuration.
01
Readable geometry
Plans and curves structure the subject without making it unrecognizable. This line guides a reading of "Roger de La Fresnaye" centered on the figures.
02
Light color
Blues, greens, ochres and reds distinguish La Fresnaye from dark analytical cubism.
03
Modern world
Canal, village, coffee maker or plane show that modernity begins in lived forms.
04
Reconstructed tradition
Nude, portrait and classic landscape survive through a profoundly renewed composition.
Explore by universe
Six readings specific to Roger de La Fresnaye
Works, visual language and historical landmarks make up a route exclusively devoted to Roger de La Fresnaye.
Geometric Brittany01
The Canal, Breton landscape
Water, shore and houses fit together in colorful planes without losing the breath of the place.
Landmark work by Roger de La Fresnaye. Reading of "Roger de La Fresnaye" by the figures.Figure and modernity02
Naked in a landscape
The nude tradition meets a nature reconstructed by rhythms, curves and volumes.
Landmark work by Roger de La FresnayeCubist village03
Landscape with a village, the hills beyond Meulan
Houses and relief are ordered into simple masses which give the panorama modern stability.
Landmark work by Roger de La FresnayeReconstructed object04
Still life in the coffee maker
Coffee maker, table and accessories remain familiar while becoming an architecture of plans.
Landmark work by Roger de La FresnayeStyle05
Readable geometry
Plans and curves structure the subject without making it unrecognizable. This line guides a reading of "Roger de La Fresnaye" centered on the figures.
Reading key for Roger de La FresnayeStyle06
Light color
Blues, greens, ochres and reds distinguish La Fresnaye from dark analytical cubism.
Reading key for Roger de La Fresnaye
Works to discover
Works by Roger de La Fresnaye
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3
Photo validationYou examine the finished table.
4
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Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
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Frequently asked questions
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Are reproductions painted with oil paint?
Yes. Each reproduction is hand painted in oil on canvas, without printing.
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The painter uses the composition, values, colors and materials visible in the chosen work from the Roger de La Fresnaye collection, with particular attention paid to the figures.
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Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
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Detailed photographs are sent before shipping; you can request edits before sending.
Hand-painted
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