Naarden, Haarlem and first landscapes
Guild, Van de Velde and early landscapes build a vocabulary of shore and sky. This milestone sheds light on the "Salomon van Ruysdael" collection by favoring the material.
around 1602 -1670 · Haarlem and Dutch river landscape
Discover Salomon van Ruysdael, hand reproduced in oil on canvas.
around 1602 -1670 · Haarlem and Dutch river landscape
Salomon van Ruysdael was born in Naarden around 1602 and died in Haarlem in 1670. Son of a Mennonite carpenter named De Gooyer, he adopted the name Ruysdael with his brothers, associated with an estate near Blaricum. His training remains unknown, but his first landscapes reveal the influence of Esaias van de Velde. He joined the guild of Saint Luke of Haarlem in 1623 and quickly became one of the landscapers praised by the city's chroniclers. With Pieter Molijn and Jan van Goyen, in the 1630s he developed a tonal painting based on a reduced range, a low horizon and a vast sky. With Pieter Molijn and Jan van Goyen, he developed a tonal painting in the 1630s based on a reduced range, a low horizon and a vast sky. With Pieter Molijn and Jan van Goyen, he developed a tonal painting in the 1630s based on a reduced range, a low horizon and a vast sky. With Pieter Molijn and Jan van Goyen, in the 1630s he joined the guild of Saint Luke of Haarlem in 1623 and quickly became one of the landscapers praised by the city's chroniclers. With Pieter Molijn and Jan van Goyen, he developed in front of Gennep Castle make daily transport the discreet center of the landscape: horses, travelers and boats connect the two banks. In The Golden Navy, setting sun, warm light crosses water, clouds and sails until the objects melt into general harmony. Ruysdael travels to the United Provinces and paints many riverside towns, but he freely adapts their elements. Active in the guild, the dye trade and civic affairs, he became a prosperous man. His landscapes from the 1640s prepared the classic generation of his nephew Jacob van Ruisdael, Cuyp and Hobbema, he became a prosperous man. His landscapes from the 1640s prepared the classic generation of his nephew Jacob van Ruisdael, Cuyp and Hobbema. The selection "Salomon van Ruysdael" notably compares Vue de Deventer and The Arrival of the Baccalaureate. His reading favors the material.
At Van Ruysdael, the ferry does not interrupt the landscape: it reveals how water, the city and daily life belong to the same rhythm.
Course & style
Guild, Van de Velde and early landscapes build a vocabulary of shore and sky. This milestone sheds light on the "Salomon van Ruysdael" collection by favoring the material.
Tight palette, low horizon and unified atmosphere renew Dutch realism.
Ferries, towns and large sunsets accompany a successful artistic and commercial career.
A large part of the surface belongs to clouds, which regulate light and depth. This line guides a reading of "Solomon van Ruysdael" centered on matter.
Brown, green and gray bring the elements together in a coherent atmosphere.
The baccalaureate introduces movement, exchange and figures without transforming the landscape into a genre scene.
Identifiable architecture and pictorial invention unite in a credible but free topography.
Explore by universe
Works, visual language and historical landmarks make up a journey exclusively devoted to Salomon van Ruysdael.
The urban profile unfolds under an immense sky which gives the site its atmospheric depth.
Landmark work by Salomon van Ruysdael. Reading of "Salomon van Ruysdael" through the material.Travelers, boat and shore recount an ordinary journey in calm nature.
Landmark work by Salomon van RuysdaelThe evening merges water, sail and cloud in a warm harmony of great softness.
Landmark work by Salomon van RuysdaelFortifications, mouth and crossing connect the memory of the place to daily circulations.
Landmark work by Salomon van RuysdaelA large part of the surface belongs to clouds, which regulate light and depth. This line guides a reading of "Solomon van Ruysdael" centered on matter.
Reading key for Salomon van RuysdaelBrown, green and gray bring the elements together in a coherent atmosphere.
Reading key for Salomon van RuysdaelWorks to discover
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Yes. Each reproduction is hand painted in oil on canvas, without printing.
The painter uses the composition, values, colors and materials visible in the chosen work from the Salomon van Ruysdael collection, with particular attention paid to the material.
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Yes. Every reproduction is made by hand in painting at theoil on canvas by an experienced artist. This is neither a print nor a printed canvas.
Yes. Before shipping, we send you a detailed photo of the canvas. Up to 7 sets of edits are included to adjust the rendering before your validation.
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Yes, you can choose a standard format or ask us for a custom size to suit your space.
Depending on the options available, the canvas can be delivered alone, mounted on a frame or prepared for framing. Details are shown on the product page.
Yes. You can send us an image, museum reference, name of a work or photo to request one reproduction personalized.
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This selection brings together works designed for art lovers who want to rediscover the spirit of one painting famous in a hand painted canvas. Each reproduction can be adapted to the desired format and validated in photos before shipment.
The available formats allow the work to be adapted to a more specific living room, bedroom, office or decorative project. There painting is carried out at theoil on canvas with particular attention to colors, textures and general balance.
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