The world of Stanisław Ignacy WitkiewiczDistorted faces, acidic colors and multiplied identities make Witkacy one of the most unique creators of the Polish avant-garde.
1885 - 1939Life and career
Warsaw, Zakopane, Krakow, Academy of Fine Arts, Russia, Formists and Portrait FirmMain homes
Formism, Pure form, portrait, pastel, painting, drawing, photography, theater, literature, philosophy, grotesque and experimentationPractical
° 6,000Paintings, pastel portraits, drawings, photographs, compositions, illustrations, lost works and visual works created, overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
1885 -1939 · Zakopane, formism and psychological theater of portraiture
Distorted faces, acidic colors and multiplied identities make Witkacy one of the most unique creators of the Polish avant-garde.
Stanisław Ignacy Witkiewicz, known as Witkacy, was born in Warsaw in 1885 and died in 1939. Son of the painter, critic and architect Stanisław Witkiewicz, he grew up in Zakopane in an intense intellectual environment and received an artistic education largely organized by his father. Painter, photographer, playwright, novelist, philosopher and theorist, he thought of the arts as different paths towards a fundamental experience of existence. After a stint at the Krakow Academy and the upheavals of the First World War, he participated in Polish formism and developed his theory of Pure Form. After a stint at the Krakow Academy and the upheavals of the First World War, he participated in Polish formism and developed his theory of Pure Form. After a stint at the Krakow Academy and the upheavals of the First World War, he participated in Polish formism and developed his theory of Pure Form. After a stint at the Krakow Academy and the upheavals of the First World War, he participated in Polish formism and developed his theory of Pure Form. After a stint at the Krakow Academy and the upheavals of the First World War, he participated in Polish formism and developed visual. From 1925, his Portrait Firm offered several codified categories, realism relating to psychological distortion and almost abstract composition. The portraits of Nena Stachurska, Jadwiga Janczewska and Tadeusz Langier show a nervous line, contrasting colors and annotations which record the conditions of the session. Witkacy distinguishes this commercial production from his pure art while inventing one of the most penetrating corpora of modern portraiture. The selection "Stanisław Ignacy Witkiewicz" notably compares Multiple Self-Portrait and Portrait of Nena Stachurska. His reading favors the material.
Witkacy does not fix a face: it depicts the struggle between appearance, character and the dizziness of existing.
Course & style
Journey, subjects and pictorial language
Zakopane, photography and independent training
Paternal education, travel and first essays combined images, literature and theoretical reflection very early on. This milestone sheds light on the "Stanisław Ignacy Witkiewicz" collection by favoring the material.
War, Russia and Pure Form
Historical experience, formism and theory construct an art of tension rather than imitation.
Portrait firm and total work
Codified types, pastels, theater, novels and philosophy compose a creative activity of exceptional intensity.
01
Nervous line
The outline accelerates, distorts and reflects the psychic instability of the model. This line guides a reading of "Stanisław Ignacy Witkiewicz" centered on matter.
02
Mental color
Acidic accords and contrasts serve the complexion less than the interior intensity.
03
Multiple identity
Mirrors, poses and variations show the person as a moving construction.
04
Codified portrait
Types, dates and annotations turn every order into a documented experience.
Explore by universe
Six readings specific to Stanisław Ignacy Witkiewicz
Works, visual language and historical landmarks make up a journey exclusively devoted to Stanisław Ignacy Witkiewicz.
Multiplied identity01
Multiple self-portrait
The play of mirrors transforms the painter into an observer, model and visual device at the same time.
Landmark work by Stanisław Ignacy Witkiewicz. Reading of "Stanisław Ignacy Witkiewicz" through the material.Psychological intensity02
Portrait of Nena Stachurska
The face seems to emerge from a colored field where the line records presence and tension.
Landmark work by Stanisław Ignacy WitkiewiczIntimate memory03
Portrait of Jadwiga Janczewska
The proximity of the model and the stylization of the drawing give the portrait a particular emotional charge.
Landmark work by Stanisław Ignacy WitkiewiczAmplified character04
Portrait of Tadeusz Langier
Distortion, color and gaze construct a presence that is more psychological than descriptive.
Landmark work by Stanisław Ignacy WitkiewiczStyle05
Nervous line
The outline accelerates, distorts and reflects the psychic instability of the model. This line guides a reading of "Stanisław Ignacy Witkiewicz" centered on matter.
Reading key for Stanisław Ignacy WitkiewiczStyle06
Mental color
Acidic accords and contrasts serve the complexion less than the interior intensity.
Reading key for Stanisław Ignacy Witkiewicz
Works to discover
Works by Stanislaw Ignacy Witkiewicz
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