Parisian training and choice of landscape
Regnault, Watelet and study of drawing prepare a structured conception of nature. This milestone sheds light on the "Théodore Caruelle d’Aligny" collection by favoring atmosphere.
1798 -1871 · Rome, Fontainebleau and historical landscape
Discover Théodore Caruelle d'Aligny, hand reproduced in oil on canvas.
1798 -1871 · Rome, Fontainebleau and historical landscape
Théodore Caruelle d'Aligny was born in Saint-Aubin-des-Chaumes in 1798 and died in Lyon in 1871. He trained in Paris in the workshops of Jean-Baptiste Regnault and Louis Étienne Watelet, then chose landscape as his domain very early on. His long stays in Italy, in the 1820s and then in the mid-1830s, allowed him to study Rome, Naples, Amalfi and the great classical sites directly on the motif. He drew with Corot and shared with him a taste for clear construction, but his nature remained more severe, mineral and architectural. He drew with Corot and shared with him a taste for clear construction, but his nature remained more severe, mineral and architectural. A view taken in Amalfi, in the Gulf of Salerno, purchased by Louis-Philippe in 1835, pitted the rocky masses of the mountain against the brightly lit white city in the center. The real landscape becomes an ordered composition where each shot leads towards the light. In Prometheus, the mythological figure is part of a vast nature which gives torture its cosmic dimension. Caruelle d'Aligny also works in the forest of Fontainebleau and participates in the renewal of the French landscape before the rise of Barbizon, while remaining attached to the ideal of the historical landscape. Appointed director of the School of Fine Arts of Lyon in 1860, he transmitted a demanding conception of drawing, structure and classical memory. Appointed director of the Lyon School of Fine Arts in 1860, he transmitted a demanding conception of drawing, structure and classical memory. Appointed director of the Lyon School of Fine Arts in 1860, he transmitted a demanding conception of drawing, structure and classical memory. The selection "Théodore Caruelle d'Aligny" notably compares View taken in Amalfi, in the gulf of Salerno and Prometheus. Its reading favors the atmosphere.
Caruelle d'Aligny builds the landscape like a temple without walls: rock, tree and horizon take the place of architecture.
Course & style
Regnault, Watelet and study of drawing prepare a structured conception of nature. This milestone sheds light on the "Théodore Caruelle d’Aligny" collection by favoring atmosphere.
Rome, Amalfi, the outdoors and classical memory produce severe views with powerfully ordered plans.
Forest, mythology and teaching extend the historical landscape to the threshold of modernity.
The mineral mass organizes the composition with the stability of a building. This trait guides a reading of "Théodore Caruelle d'Aligny" centered on the atmosphere.
Successive shots and central light give the real site a timeless grandeur.
The mythological hero remains subordinate to the vast natural order which gives meaning to his action.
Contours, values and scale ratios govern color without drying out the atmosphere.
Explore by universe
Works, visual language and historical landmarks make up a journey exclusively devoted to Théodore Caruelle d'Aligny.
The mountains frame the white city and transform the actual topography into luminous architecture.
Landmark work by Théodore Caruelle d'Aligny. Reading of "Théodore Caruelle d'Aligny" through the atmosphere.The tortured body takes its measure in the face of a monumental landscape which broadens the story to cosmic order.
Landmark work by Théodore Caruelle d'AlignyThe dark opening, rocks and trees build solemn depth from the forces of the terrain alone.
Landmark work by Théodore Caruelle d'AlignyThe mineral mass organizes the composition with the stability of a building. This trait guides a reading of "Théodore Caruelle d'Aligny" centered on the atmosphere.
Reading key for Théodore Caruelle d'AlignySuccessive shots and central light give the real site a timeless grandeur.
Reading key for Théodore Caruelle d'AlignyThe mythological hero remains subordinate to the vast natural order which gives meaning to his action.
Reading key for Théodore Caruelle d'AlignyWorks to discover
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Yes. Each reproduction is hand painted in oil on canvas, without printing.
The painter uses the composition, values, colors and materials visible in the chosen work from the Théodore Caruelle d'Aligny collection, with particular attention paid to the atmosphere.
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Yes. Every reproduction is made by hand in painting at theoil on canvas by an experienced artist. This is neither a print nor a printed canvas.
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Yes. You can send us an image, museum reference, name of a work or photo to request one reproduction personalized.
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This selection brings together works designed for art lovers who want to rediscover the spirit of one painting famous in a hand painted canvas. Each reproduction can be adapted to the desired format and validated in photos before shipment.
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