The world of Eiffel Towers by Robert DelaunayRobert Delaunay tilts the Eiffel Tower: seen from above, below or behind a curtain, the metal structure becomes a prism where Paris fragments and is rebuilt through color.
1885 - 1941Life of Robert Delaunay
1909 - 1912First major series of Eiffel Towers
1889Inauguration of the Parisian monument
3,500 3,500Paintings, drawings, decorations and studies - overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
1909 -1928 · Paris, fragmentation and modern icon
Robert Delaunay tilts the Eiffel Tower: seen from above, below or behind a curtain, the metal structure becomes a prism where Paris fragments and is rebuilt through color.
Built for the Universal Exhibition of 1889, the Eiffel Tower still embodies modernity when Robert Delaunay began painting it around 1909. The monument dominates Paris, but its openwork structure, its curves and its diagonals resist the fixed point of view. Delaunay makes it the subject of a series at a time when he dialogues with Cubism without renouncing color. Neighboring buildings bend, several angles coexist and the tower sometimes seems to rise, sometimes fall towards the viewer. This fragmentation does not destroy the icon; it reflects an urban experience made of movement, speed and simultaneous views. In Paris, Woman and Eiffel Tower, the figure connects intimacy and metropolis. The Eiffel Tower and the Jardins du Champ-de-Mars inscribe the monument in its territory, while the red Eiffel Tower transforms metal into an incandescent axis. The Curtain Tower reminds us that several views are designed from a window: the domestic space frames the modern city. After the first series, Delaunay deepens with Sonia Delaunay the simultaneism, where the color contrasts produce rhythm and light. The tower then reappears with discs, plane or wheel, integrated into a network of contemporary signs. Repeating the monument is not copying it: each version tests a new relationship between structure, look and color. The "Eiffel Towers" selection Robert Delaunay notably compares Paris, Femme et Tour Eiffel and The Eiffel Tower and the Gardens of the Champ-de-Mars. His reading favors color.
Delaunay does not represent the Eiffel Tower as a still object: he paints all the directions that the modern gaze can take around it.
Course & style
Journey, subjects and pictorial language
Built for the Universal Exhibition of 1889, the Eiffel Tower still embodies modernity when Robert Delaunay began painting it around 1909. The monument dominates Paris, but its openwork structure, its curves and its diagonals resist the fixed point of view. Delaunay makes it the subject of a series at a time when he dialogues with Cubism without renouncing color. Neighboring buildings bend, several angles coexist and the tower sometimes seems to rise, sometimes fall towards the viewer. This fragmentation does not destroy the icon; it reflects an urban experience made of movement, speed and simultaneous views. In Paris, Woman and Eiffel Tower, the figure connects intimacy and metropolis. The Eiffel Tower and the Jardins du Champ-de-Mars inscribe the monument in its territory, while the red Eiffel Tower transforms metal into an incandescent axis. The Curtain Tower reminds us that several views are designed from a window: the domestic space frames the modern city. After the first series, Delaunay deepens with Sonia Delaunay the simultaneism, where the color contrasts produce rhythm and light. The tower then reappears with discs, plane or wheel, integrated into a network of contemporary signs. Repeating the monument does not mean copying it: each version tests a new relationship between structure, gaze and color.
Choose modern icon
The tower becomes the laboratory from an unstable urban point of view. This milestone sheds light on the "Eiffel Towers by Robert Delaunay" collection by favoring color.
Fragment Paris
Cubism, windows and multiple angles tip monument and buildings.
Bringing together tour, disc and aviation
Simultaneousism places architecture in a constellation of modern signs.
01
Mobile low angle
The gaze rises along the structure while changing axis. This line guides a reading of "Eiffel Towers by Robert Delaunay" centered on color.
02
Curved architecture
Buildings and tower bend to translate the energy of perception.
03
Structural red
The color detaches the metal and transforms the monument into a signal.
04
Frame window
Curtain and opening connect private interior and Paris show.
Explore by universe
See the Eiffel Tower according to Robert Delaunay
Woman, Gardens, Red and Curtains show four ways to move the icon between portrait, territory, signal and window.
Figure01
Connecting woman and metropolis
The portrait shares space with the monument, symbol of a modern identity.
For dialogue. Reading "Eiffel Towers by Robert Delaunay" through color.Gardens02
Locate the tower
The Champ-de-Mars gives scale, perspective and breathing to the structure.
For spaceRed03
Transform into a signal
The incandescent color makes the tower an active axis in Paris.
For energyWindow04
Look from within
The curtains depict the passage between home and city.
For the point of viewPortrait · Paris05
Paris, Women and Eiffel Tower
The female figure and the tower share a fragmented modern space.
Landmark work of Eiffel Towers by Robert DelaunayTerritory · Gardens06
The Eiffel Tower and the Champ-de-Mars Gardens
The Champ-de-Mars measures the elevation of the monument in the capital.
Landmark work of Eiffel Towers by Robert Delaunay
Works to discover
Reproductions of the Eiffel Towers by Robert Delaunay
Four active and distinct compositions are retained among the numerous variants: Paris, Femme and Eiffel Tower, the Jardins du Champ-de-Mars, the red Eiffel Tower and The Curtain Tower.
Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
From the work to your interior
1
Choice of workSubject, orientation and dimensions adapted to your wall.
2
Oil paintingManual production, layer after layer.
3
Photo validationYou examine the finished table.
4
RetouchingAdjustments remain possible before sending.
Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
Choose wisely
Choosing an Eiffel Tower by Robert Delaunay
A black, white or dark red frame and vertical format will highlight the simultaneous structure, diagonals and contrasts.
Frequently asked questions
Before choosing your Eiffel Towers by Robert Delaunay
Are reproductions painted with oil paint?
Yes. Each reproduction is hand painted in oil on canvas, without printing.
How to restore color in a reproduction of Eiffel Towers by Robert Delaunay?
The painter uses the composition, values, colors and materials visible in the chosen work from Robert Delaunay's Tours Eiffel collection, with particular attention paid to color.
Can I order a work from Tours Eiffel by Robert Delaunay in a personalized format?
Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
How do I validate my reproduction of Robert Delaunay's Eiffel Towers?
Detailed photographs are sent before shipping; you can request edits before sending.
Hand-painted
Photo before shipping
Touch-ups possible
Tracked FedEx shipping
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Frequently Asked Questions
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Are the reproductions hand-painted?
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Guide to the Eiffel Towers by Robert Delaunay collection
Some guidelines for choosing a reproduction from this collection, comparing similar styles, and preparing your order.
Why choose a reproduction from this collection?
This selection brings together artworks designed for art lovers who want to recapture the spirit of a famous painting in a hand-painted canvas. Each reproduction can be adapted to the desired format and validated by photo before shipping.
A canvas prepared for your home
The available formats allow the artwork to be adapted to a living room, bedroom, office, or a more specific decorative project. The painting is executed in oil on canvas with particular attention to colors, textures, and overall balance.
Touch‑ups and custom requests
If you are looking for a similar artwork, a similar artist, or a specific format, you can ask for advice. Reproductions can be adjusted before shipping thanks to photo validation.
