Appear with big heads
Twenty-eight portraits on mica impose a radical psychological vision. This milestone sheds light on the "Tôshûsai Sharaku" collection by favoring figures.
Active 1794 -1795 · Portraits of kabuki and enigma of ukiyo-e
Discover Tôshûsai Sharaku, hand reproduced in oil on canvas.
Active 1794 -1795 · Portraits of kabuki and enigma of ukiyo-e
Tôshûsai Sharaku remains one of the major enigmas of Japanese art. No certain document reveals his identity before the appearance, in May 1794, of a spectacular set of portraits of actors published in Edo by Tsutaya Jûzaburo. For about ten months, until the beginning of 1795, Sharaku designed nearly one hundred and forty prints then disappeared. For about ten months, until the beginning of 1795, Sharaku designed nearly one hundred and forty prints and then disappeared. An often discussed hypothesis identified him with Saito Jûrobei, a Noh actor serving the Awa estate, but the debate remained open. His first large acting heads, printed on a dark mica background, broke with the usual idealization. His first large acting heads, printed on a dark mica background, broke with the usual idealization. His first large acting heads, printed on a dark mica background, broke with the usual idealization. His first large acting heads, printed on a dark mica background, broke with the usual idealization. Contracted eyebrows, asymmetrical mouths, noses, wrinkles and tense fingers simultaneously convey the character of the actor and the intensity of the role. Sharaku does not caricature to ridicule: he observes the unstable transformation by which a person becomes a character. His following series broaden the framing, show several actors and respond more to commercial conventions, without losing psychological tension. The brevity of this production has given rise to numerous explanations, from failure with the public to a return to a theatrical career. Above all, it gives him an exceptional coherence: Sharaku appears, upsets the portrait of kabuki, then lets his faces continue the show alone. The "Tôshûsai Sharaku" selection offers its own journey on this subject. Her reading favors figures.
Sharaku looks at where the invisible mask cracks: the actor is still playing, but his personal face is already crossing the role.
Course & style
Tôshûsai Sharaku remains one of the major enigmas of Japanese art. No certain document reveals his identity before the appearance, in May 1794, of a spectacular set of portraits of actors published in Edo by Tsutaya Jûzaburo. For about ten months, until the beginning of 1795, Sharaku designed nearly one hundred and forty prints then disappeared. For about ten months, until the beginning of 1795, Sharaku designed nearly one hundred and forty prints and then disappeared. An often discussed hypothesis identified him with Saito Jûrobei, a Noh actor serving the Awa estate, but the debate remained open. His first large acting heads, printed on a dark mica background, broke with the usual idealization. His first large acting heads, printed on a dark mica background, broke with the usual idealization. His first large acting heads, printed on a dark mica background, broke with the usual idealization. His first large acting heads, printed on a dark mica background, broke with the usual idealization. Contracted eyebrows, asymmetrical mouths, noses, wrinkles and tense fingers simultaneously convey the character of the actor and the intensity of the role. Sharaku does not caricature to ridicule: he observes the unstable transformation by which a person becomes a character. His following series broaden the framing, show several actors and respond more to commercial conventions, without losing psychological tension. The brevity of this production has given rise to numerous explanations, from failure with the public to a return to a theatrical career. Above all, it gives him an exceptional coherence: Sharaku appears, disrupts the portrait of kabuki, then lets his faces continue the show alone.
Twenty-eight portraits on mica impose a radical psychological vision. This milestone sheds light on the "Tôshûsai Sharaku" collection by favoring figures.
Entire figures and groups follow the new seasons of kabuki.
The last sheets appear without leaving a certain biography.
Asymmetry and ride distinguish the actor beyond the theatrical type. This trait guides a reading of "Tôshûsai Sharaku" centered on the figures.
Tight finger or open palm prolongs the tension of the role.
The dark surface isolates the head like a stage apparition.
The costume imposes a code that the expression seems to overflow.
Explore by universe
Face, gesture, role and identity show how a few months of prints have renewed the theatrical portrait.
Individual traits resist the expected mask of the character.
For presence. Reading of "Tôshûsai Sharaku" by the figures.One hand is enough to recall all the drama played out on stage.
For tensionCostume, wig and pose identify the piece and the moment.
For the theaterThe absence of biography forces us to return to the images themselves.
For investigationAsymmetry and ride distinguish the actor beyond the theatrical type. This trait guides a reading of "Tôshûsai Sharaku" centered on the figures.
Reading key for Tôshûsai SharakuTight finger or open palm prolongs the tension of the role.
Reading key for Tôshûsai SharakuWorks to discover
The associated reproductions will appear here as soon as they are put online in this new collection.
Our method
Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
Choose wisely
A black, matte silver or dark wood frame and a vertical format will reinforce the mica, faces and fixed gestures.
Frequently asked questions
Yes. Each reproduction is hand painted in oil on canvas, without printing.
The painter uses the composition, values, colors and materials visible in the chosen work from the Tôshûsai Sharaku collection, with particular attention paid to the figures.
Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
Detailed photographs are sent before shipping; you can request edits before sending.
reproduction custom
Send us an image, a museum reference or the name of a work: we can make one reproduction personalized.
Buying guide
From your choice to delivery, you stay in control thanks to photo validation and included retouching.
Select the painting and the dimensions suitable for your interior.
Your reproduction is made by hand, in painting at oil on canvas.
You receive a photo and can request up to 7 sets of edits.
After validation, it is protected, rolled and sent with FedEx tracking.
Advice & guarantees
Simple answers on the painting by hand, formats, alterations and delivery of your reproduction.
The essential points before choosing your reproduction.
Yes. Every reproduction is made by hand in painting at theoil on canvas by an experienced artist. This is neither a print nor a printed canvas.
Yes. Before shipping, we send you a detailed photo of the canvas. Up to 7 sets of edits are included to adjust the rendering before your validation.
The estimated date is displayed near the buy button. It includes the time of painting, your photo validation then FedEx tracked delivery.
Yes, you can choose a standard format or ask us for a custom size to suit your space.
Depending on the options available, the canvas can be delivered alone, mounted on a frame or prepared for framing. Details are shown on the product page.
Yes. You can send us an image, museum reference, name of a work or photo to request one reproduction personalized.
Some useful guidelines for choosing a work, its format and the location that will best highlight it.
This selection brings together works designed for art lovers who want to rediscover the spirit of one painting famous in a hand painted canvas. Each reproduction can be adapted to the desired format and validated in photos before shipment.
The available formats allow the work to be adapted to a more specific living room, bedroom, office or decorative project. There painting is carried out at theoil on canvas with particular attention to colors, textures and general balance.
If you are looking for a similar work, a similar artist or a specific format, you can ask for advice. Reproductions can be adjusted before sending using photo validation.