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Toyokuni, books and first series form a vast imagination. This milestone sheds light on the "Utagawa Kuniyoshi" collection by favoring drawing.
1797 -1861 · Warriors, monsters, cats and popular imagination
Discover Utagawa Kuniyoshi, hand reproduced in oil on canvas.
1797 -1861 · Warriors, monsters, cats and popular imagination
Born in Edo in 1797 into a family of silk dyers, Utagawa Kuniyoshi showed a talent for drawing very early on and entered the studio of Utagawa Toyokuni I. His beginnings were difficult, but the series of One Hundred and Eight Heroes of Suikoden, published from the end of the 1820s, brought him immense success. Tattooed bodies, fights and weapons fill the leaf with new energy; the hero is no longer posed, he crosses space. Kuniyoshi extends this power to historical and fantastic triptychs. In Takiyasha the Witch and the Ghost of the Skeleton, a giant apparition connects the three leaves into a single theatrical scene. He experiments with the Western perspective, the shadows and complex framing while remaining deeply attached to Japanese and Chinese legends. Tenpo reforms limiting luxurious images and certain political subjects stimulate his taste for detouring. Fish, cats or objects take human form; visual games and caricatures allow us to comment on society under the guise of humor. A passionate cat lover, he populates his studio and his prints with them. Kuniyoshi also creates landscapes, beauties and illustrations, then trains numerous students, including Yoshitoshi. His ability to combine popular culture, technical challenge and satire made him one of the most inventive artists of the end of Edo. The "Utagawa" selection Kuniyoshi" offers a specific journey on this subject. His reading favors drawing.
Kuniyoshi welcomes everything into the print: the hero, the monster and the cat each become an opportunity to distort the space and surprise the eye.
Course & style
Born in Edo in 1797 into a family of silk dyers, Utagawa Kuniyoshi showed a talent for drawing very early on and entered the studio of Utagawa Toyokuni I. His beginnings were difficult, but the series of One Hundred and Eight Heroes of Suikoden, published from the end of the 1820s, brought him immense success. Tattooed bodies, fights and weapons fill the leaf with new energy; the hero is no longer posed, he crosses space. Kuniyoshi extends this power to historical and fantastic triptychs. In Takiyasha the Witch and the Ghost of the Skeleton, a giant apparition connects the three leaves into a single theatrical scene. He experiments with the Western perspective, the shadows and complex framing while remaining deeply attached to Japanese and Chinese legends. Tenpo reforms limiting luxurious images and certain political subjects stimulate his taste for detouring. Fish, cats or objects take human form; visual games and caricatures allow us to comment on society under the guise of humor. A passionate cat lover, he populates his studio and his prints with them. Kuniyoshi also creates landscapes, beauties and illustrations, then trains numerous students, including Yoshitoshi. His ability to combine popular culture, technical challenge and satire made him one of the most inventive artists of the end of Edo.
Toyokuni, books and first series form a vast imagination. This milestone sheds light on the "Utagawa Kuniyoshi" collection by favoring drawing.
Suikoden, warriors and triptychs impose monumental energy.
Reforms, chats, caricatures and students are constantly renewing the workshop.
Body, weapon or wave suddenly crosses several leaves. This line guides a reading of "Utagawa Kuniyoshi" centered on drawing.
Skeleton, monster or hero goes beyond ordinary proportions.
Animal and object imitate humans to circumvent censorship.
Tattoo, armor and pattern enrich the story as closely as possible.
Explore by universe
Warrior, monster, cat and landscape show how ukiyo-e becomes epic, satire and visual laboratory at the same time.
The hero crosses the sheet in a tense composition.
For energy. Reading "Utagawa Kuniyoshi" through drawing.Ghost and skeleton occupy space like gigantic actors.
For the fantasticThe animal becomes portrait, alphabet, actor or satire.
For humorWestern depth and Japanese patterns create a hybrid space.
For inventionBody, weapon or wave suddenly crosses several leaves. This line guides a reading of "Utagawa Kuniyoshi" centered on drawing.
Reading key for Utagawa KuniyoshiSkeleton, monster or hero goes beyond ordinary proportions.
Reading key for Utagawa KuniyoshiWorks to discover
The associated reproductions will appear here as soon as they are put online in this new collection.
Our method
Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
Choose wisely
A black, dark red or natural wood frame and a triptych format will give full force to the diagonals, monsters and colorful details.
Frequently asked questions
Yes. Each reproduction is hand painted in oil on canvas, without printing.
The painter uses the composition, values, colors and materials visible in the chosen work from the Utagawa Kuniyoshi collection, with particular attention paid to drawing.
Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
Detailed photographs are sent before shipping; you can request edits before sending.
reproduction custom
Send us an image, a museum reference or the name of a work: we can make one reproduction personalized.
Buying guide
From your choice to delivery, you stay in control thanks to photo validation and included retouching.
Select the painting and the dimensions suitable for your interior.
Your reproduction is made by hand, in painting at oil on canvas.
You receive a photo and can request up to 7 sets of edits.
After validation, it is protected, rolled and sent with FedEx tracking.
Advice & guarantees
Simple answers on the painting by hand, formats, alterations and delivery of your reproduction.
The essential points before choosing your reproduction.
Yes. Every reproduction is made by hand in painting at theoil on canvas by an experienced artist. This is neither a print nor a printed canvas.
Yes. Before shipping, we send you a detailed photo of the canvas. Up to 7 sets of edits are included to adjust the rendering before your validation.
The estimated date is displayed near the buy button. It includes the time of painting, your photo validation then FedEx tracked delivery.
Yes, you can choose a standard format or ask us for a custom size to suit your space.
Depending on the options available, the canvas can be delivered alone, mounted on a frame or prepared for framing. Details are shown on the product page.
Yes. You can send us an image, museum reference, name of a work or photo to request one reproduction personalized.
Some useful guidelines for choosing a work, its format and the location that will best highlight it.
This selection brings together works designed for art lovers who want to rediscover the spirit of one painting famous in a hand painted canvas. Each reproduction can be adapted to the desired format and validated in photos before shipment.
The available formats allow the work to be adapted to a more specific living room, bedroom, office or decorative project. There painting is carried out at theoil on canvas with particular attention to colors, textures and general balance.
If you are looking for a similar work, a similar artist or a specific format, you can ask for advice. Reproductions can be adjusted before sending using photo validation.