The purple cluster forms the central axis
Its tight grains and dark contours give weight to still life, then draw the eye towards the lighter green clusters.
2 · Exemple de la sélection
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Préparation de la sélection…
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3 · Mise en situation
Reproduction d’art premium
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Trois fichiers JPG haute résolution : le fichier original, une version optimisée pour l’impression et une version optimisée pour les écrans. Jusqu’à 7 680 px sur le côté long, 300 DPI et sans filigrane.
Imprimez l’œuvre chez vous ou auprès de l’imprimeur de votre choix, ou utilisez la version écran sur ordinateur, tablette et téléphone.
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Comprendre les formats
Vincent van Gogh · Autumn 1887 · Paris
A heavy purple cluster crosses the center of a light blue tablecloth, surrounded by green grapes, yellow lemons, pears and red apples. Around the fruits, brushstrokes form currents which make the table almost moving.
Look at the work
The large bouquet of purple grapes connects the two halves of the composition. Red apples occupy the lower edge, while yellow and green fruits balance the upper part.
The tablecloth is not a neutral background: its blue, purple and white lines revolve around the fruits. The shadows take on their complement and reinforce the sensation of vibration.
Painted in Paris in the fall of 1887, this 46.5 × 55.2 cm oil on canvas is F382/JH1337. It is kept at the Art Institute of Chicago under number 1949.215.
Composition, touch and color
Van Gogh simplifies his objects, thickens the material and organizes the whole thing into pairs of complementary colors. The yellows face the purples, the blues the oranges, and the reds the greens.
Its tight grains and dark contours give weight to still life, then draw the eye towards the lighter green clusters.
Apples, lemons and pears are not melted by smooth gradients: their volumes are born from short touches of red, yellow, green and blue.
The pulsing pattern of brush strokes describes curves around the fruit and transforms the table into an active surface rather than a simple support.
Documented benchmarks
The Art Institute places this still life among the seasonal fruit paintings painted by Van Gogh in Paris during the fall of 1887.
Yellow-purple, blue-orange and red-green are distributed throughout the fruits, shadows and tablecloth to mutually intensify each color.
The painting may have appeared in the exhibition of young artists organized by Van Gogh in a Parisian restaurant in November-December 1887.
Given to the museum by Kate L. Brewster, the work is now on view in Gallery 241 of the Art Institute of Chicago.
Your reproduction
The copy must preserve the individual shape of the grains, the central purple mass, the colored reflections of the apples, the complementary contrasts and the circular movement of the tablecloth.
| Title | Grapes, lemons, pears and apples, F382 |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | Autumn 1887 |
| Place of creation | Paris |
| Original technique | Oil on canvas |
| Dimensions | 46.5 × 55.2 cm |
| Inventory | F382 · JH1337 · 1949.215 |
| Conservation | Art Institute of Chicago |
| Your reproduction | Handmade oil painting on canvas |
In your interior
Plum purple, lavender blue, lemon yellow, olive green and brick red make up a rich palette for a kitchen, dining room or living room.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The Art Institute of Chicago image, 3000 × 2484 px, was encoded as a true WebP at its native definition, without artificial enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
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Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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