Antibes W1192 - Claude Monet

Antibes W1192 - Claude Monet

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Antibes W1192 - Claude Monet

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Antibes W1192 - Claude Monet
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Antibes W1192 - Claude Monet

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Claude Monet · Antibes · 1888 · W1192

Antibes W1192hand painted reproduction

A wind-beaten pine stands out in front of the Gulf of Juan and the Estérel mountains, bringing together in the same view the green shadow of the cape and the brilliance of the Mediterranean. Painted in 1888, this oil on canvas measuring 65.5 × 92.4 cm is kept at the Courtauld Gallery under the number P.1948.SC.276 and corresponds to Wildenstein 1192.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Antibes W1192 - Claude Monet - full view
Antibes W1192Claude Monet · 1888
1888Dating
65.5 × 92.4 cmDimensions of the original
Oil on canvasOriginal technique
P.1948.SC.276 · Wildenstein 1192Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The dark pine gives a monumental scale to the light of the Mediterranean

The trunk enters from the lower edge, bends to the left then spreads its branches above the bay. Behind this very close foreground, the sea forms a large horizontal opening, while the Estérel gently closes the distance.

Deep greens, blues and purples structure the tree; oranges, pinks and yellows appear in the ground and branches. The sea and sky are lighter, constructed by touches of blue, mauve and cream that make the southern light vibrate.

The motif is not a simple view of Antibes: Monet contrasts the force of a wind-bent tree with the almost immaterial expanse of the gulf, making the atmosphere visible.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A tree placed like a frame

The pine divides the canvas without exactly occupying the center. Its branches guide the gaze towards the sea and prevent the panorama from becoming a succession of horizontal bands.

02

A depth based on saturation

The darkest and most intense colors remain in the foreground. The bay and mountains recede because their blues are lighter, colder and less contrasting.

03

Mediterranean light translated without uniform white

Monet disperses pink, blue, yellow and purple even in bright areas. Clarity comes from the proximity of colors and not from a smoothed surface.

Reference image

Read this specific version

Only one exact image of W1192 is used throughout the file. The real WebP measures 2,200 × 1,558 px and retains its native definition, without artificial enlargement.

Composition01

Respect the twist of the pine

The trunk and branches have precise inflections. Straightening or symmetrizing them would remove the tension produced by the sea wind.

Color02

Store the oranges in the foreground

These warm accents respond to greens and blues. They give the rocky ground its warmth without turning the whole scene into a sunset.

Matter03

Keep the Estérel light but readable

Mountains must remain distinct from the sea while maintaining a small difference in value. A hard contour would reduce atmospheric depth.

Documented benchmarks

Three pieces of information specific to this work

The Courtauld Gallery documents Antibes, oil on canvas from 1888, 65.5 × 92.4 cm, inventory P.1948.SC.276 and Wildenstein 1192.

Location01

From Cap d'Antibes towards the Gulf of Juan and the Estérel

The Courtauld notice places the view towards the southwest. The pine pushed by the wind belongs to the cape, while the Estérel range appears beyond the water.

Campaign02

A new palette for the South in 1888

Monet stayed for several months in the south of France and sought to bring a light very different from that of Normandy. He then evokes the need for a palette of diamonds and precious stones.

Collection03

Legacy Samuel Courtauld in 1948

The work enters the collection through the bequest of Samuel Courtauld. It is today exhibited in London under number P.1948.SC.276.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1192 version
  • The exact curve of wind-beaten pine
  • The clear Juan Gulf behind the tree
  • The blue mountains of Estérel

Work sheet

Title Antibes W1192
Artist Claude Monet (1840 -1926)
Date 1888
Original technique Oil on canvas
Dimensions 65.5 × 92.4 cm
Orientation Horizontal
Conservation Courtauld Gallery, London, United Kingdom
Inventory P.1948.SC.276 · Wildenstein 1192
Your reproduction Handmade oil painting on canvas
Consult the official notice - Courtauld Gallery · P.1948.SC.276

Presentation in your interior

A palette designed with the room

This Mediterranean view is suitable for a living room, office or dining room. A warm white, gray blue or deep green wall and a natural wood frame extend its contrast.

Antibes W1192, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet Courtauld Gallery French painting – French artists

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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