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Apple trees in bloom in Giverny W1621 - Claude Monet

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Apple trees in bloom in Giverny W1621 - Claude Monet

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Apple trees in bloom in Giverny W1621 - Claude Monet

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Apple trees in bloom in Giverny W1621 - Claude Monet

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Claude Monet · around 1899 -1900 · Giverny · W1621

Apple trees in bloom in Giverny W1621hand painted reproduction

Apple trees laden with white and pink flowers cover almost the entire sky. Their red-brown trunks frame an alley that extends from the lower right towards a light area in the center. On the ground, touches of red, blue and yellow transform the Giverny garden into a colorful carpet without erasing its depth.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Apple trees in bloom in Giverny W1621 - Claude Monet - full view
Apple trees in bloom in Giverny W1621Claude Monet · around 1899 -1900
around 1899 -1900Dating
90 × 92 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1621Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The path passes through a flowering orchard where branches fill the space like a vault

The large trunk on the right forms the main anchor. It rises diagonally, divides into red branches and joins those of the trees on the left above the path. The flowers are painted in small touches of white, pink and pale blue which allow fragments of green and turquoise sky to circulate.

The pink path starts in the lower right corner then narrows towards the center. On each side, the flowerbeds mix bright green, red, purple, yellow and white. Monet varies the size and direction of the keys to distinguish the dense foreground from the more diffused light at the bottom of the garden.

The perspective of the path gives firm depth to an area almost entirely covered with flowers, leaves and branches.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Apple trees in flower in Giverny W1621 - Claude Monet
01

A vault of branches without decorative design

The red and brown branches change thickness and sometimes disappear under the flowers. They must remain irregular to build the volume of the trees without forming a fixed pattern.

02

A pink alley that organizes depth

The path widens sharply downward and cools as it moves away. Its design must remain legible under the colorful covers of the garden.

03

Flowers suggested by temperatures

White, pink, blue, red and yellow are distributed in short touches. Reproducing each flower as an isolated shape would cause the general vibration of the orchard to lose.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

Flowering branches and garden material - detail of Apple trees in bloom in Giverny W1621 - Claude Monet
Flowering branches and garden materialThe detail shows the superpositions of white, pink, blue and green which construct the flowers without enclosing them. The red-brown branches remain visible between the light keys.
The pink alley and the flowerbeds in the foreground - detail of Apple trees in flower in Giverny W1621 - Claude Monet
The pink alley and the massifs in the foregroundThe path is distinguished by warm roses surrounded by greens, reds and purples. The larger touches at the bottom gradually tighten towards the bottom.

The actual photograph at the Tel Aviv Museum of Art measures 9,384 × 8,820 px. The main view has been reduced to 5,000 × 4,699 px to stay below the Shopify image limit, without any enlargement. Native details each measure 2,600 × 2,409 px and remain below the Shopify image limit, without any enlargement. Native details each measure 2,600 × 2,400 px and all three files are true WebPs.

Documented benchmarks

Three pieces of information specific to this work

These markers bring together concordant information from the catalog raisonné and the photograph documented at the Tel Aviv Museum of Art.

Identification01

Apple trees in bloom in Giverny, Wildenstein 1621

The work is dated around 1899 -1900 and measures 90 × 92 cm. The open documentation identifies it as an oil on canvas kept at the Tel Aviv Museum of Art and links it to number 1621 of Monet's catalog raisonné.

Giverny02

A garden transformed into an open-air workshop

Based in Giverny since 1883, Monet gradually organized the plantings around his house. In this canvas, the garden is not a simple botanical decoration: the path, the growth of the trees and the masses of flowers become the elements of a very constructed composition.

Visual document03

A real photograph of 9,384 × 8,820 px

The high-definition source was photographed at the Tel Aviv Museum of Art and made available by Anagoria on Wikimedia Commons. It allows you to observe the key, colors and almost square format with much more precision than the old 2000 px file.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Wildenstein 1621 identification and 90 × 92 cm format
  • The actual photograph of the Tel Aviv Museum of Art as a reference
  • The pink alley kept visible under the profusion of flowers
  • The red-brown branches preserved irregular among the flowers

Work sheet

Title Apple trees in bloom in Giverny W1621
Artist Claude Monet (1840 -1926)
Date around 1899 -1900
Original technique Oil on canvas
Dimensions 90 × 92 cm
Orientation Almost square
Conservation Tel Aviv Museum of Art, Tel Aviv, Israel
Inventory Wildenstein 1621
Your reproduction Handmade oil painting on canvas
View documented photography - Wikimedia Commons /Tel Aviv Museum of Art

Presentation in your interior

A palette designed with the room

Earth pink, fresh green, bluish white, red brown and purple give this reproduction a very colorful spring presence. The almost square format is suitable for a dining room, entrance or living room, with cream, sage or powder pink walls.

Apple trees in bloom in Giverny W1621, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Tirage Fine Art

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Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
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Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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