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Apples, F254 - Vincent van Gogh
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Vincent van Gogh · September -October 1887 · Paris
Apples, F254Reproduction of oil painting on canvas
Yellow, red and pink apples spread over an almost entirely blue and green surface. Fruits and background seem to compete in intensity, with no horizon or container to separate them.
Hand paintedOil on canvasA verified WebP imagePhoto validation
Apples, F254Vincent van Gogh · September -October 1887 · Van Gogh Museum, Amsterdam
September - October 1887Dating
45.7 × 60.4 cmDimensions of the original
Oil on canvasOriginal technique
Van Gogh Museum, AmsterdamConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.
Look at the work
A still life where the bottom becomes as active as the fruits
The apples form an irregular arc that crosses the entire width. Some are seen from the front, others tilt towards their peduncle; their silhouettes touch each other without forming a mechanical row.
The dark background is never uniform. Multiple blues and greens intersect there, then yellow, orange, red and pink lines run through it like reflections, taking on the warm colors of the fruits.
Pommes is an oil on canvas measuring 45.7 × 60.4 cm painted in Paris in September - October 1887. Referenced F254/JH1342, it is kept at the Van Gogh Museum under number s0131V1962.
Composition, touch and color
Three observations specific to this painting
The museum presents the canvas as a veritable explosion of colors where foreground and background compete for attention. Van Gogh, however, unifies the whole by using the same colors in reverse order.
01
The background starts with cool tones
Blues and greens form its base, then touches of yellow, orange, red and pink are added above. The surface appears deep while remaining very material.
02
Apples follow the opposite process
Van Gogh first lays out the warm tones of the fruits, then punctuates them with green and blue accents. This inversion brings out each apple while connecting it to the bottom.
03
The absence of a horizon accentuates the color
We no longer know exactly whether the fruits rest on a table, a fabric or a painted surface. The viewer therefore concentrates on the rhythm of the shapes and touches.
Documented benchmarks
Precisely identify the original work
References F254/JH1342, dimensions 45.7 × 60.4 cm and inventory s0131V1962 identify this Parisian still life precisely documented by the Van Gogh Museum.
Paris
A palette that has become radically clearer and more varied
In 1887, the association of Impressionists and Neo-Impressionists pushed Van Gogh to experiment with colorful contrasts and distinct touches.
Method
A unit obtained by inversion of layers
The same hot and cold range appears everywhere, but in a different order between background and fruit. This process connects the two spaces without confusing them.
Composition
No basket contains apples
Freed from any container, they form their own architecture. Dark intervals and overlays give the group its depth.
The copy must retain the irregular arch of the apples, their mixtures of red and yellow, the cold accents on the skins and the exceptional richness of the blues and greens of the background.
Red, pink and yellow apples with irregular contours
The little green and blue touches on the fruit
The petrol blue background without horizon
Warm lines scattered in the background
The dark intervals between apples
Work sheet
Title
Apples, F254
Artist
Vincent van Gogh (1853 -1890)
Date
September - October 1887
Place of creation
Paris
Original technique
Oil on canvas
Dimensions
45.7 × 60.4 cm
Inventory
F254· JH1342· s0131V1962
Conservation
Van Gogh Museum, Amsterdam
Your reproduction
Handmade oil painting on canvas
From order to shipping
1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.
In your interior
A dense still life where warm colors shine in the blue
Petrol blue, dark emerald green, coral red, pink and golden yellow form a powerful accent for a contemporary kitchen, dining room or living room.
Frequently asked questions
Before ordering
Is this a canvas print?
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
How is the visual reference chosen?
The official high definition image from the Van Gogh Museum was prepared as a real WebP of 3,000 × 2,240 px.
Can I check the result before shipping?
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Are custom formats possible?
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
01Le plus fidèle aux détails
Tirage non encadré
Tirage Fine Art
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis,
élégant et plus accessible, idéal pour les détails et les nuances.
Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02Le plus décoratif
Cadre flottant doré
Canvas imprimé
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau,
avec plusieurs présentations adaptées au décor.
Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03Le plus artisanal
Mise en scène · cadre non inclus
Peinture à l’huile
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique :
ce n’est ni une impression numérique ni un poster sur toile.
Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition
Themes of the work
Explore the topics and styles associated with this reproduction.
Découvrez l’histoire et l’atmosphère de cette œuvre, puis choisissez une reproduction à l’huile réalisée à la main selon vos dimensions.
01
À propos de l’œuvre
Pommes, par Vincent van Gogh
Vincent van Gogh · September -October 1887 · Paris
Apples, F254Reproduction of oil painting on canvas
Yellow, red and pink apples spread over an almost entirely blue and green surface. Fruits and background seem to compete in intensity, with no horizon or container to separate them.
Hand paintedOil on canvasA verified WebP imagePhoto validation
Apples, F254Vincent van Gogh · September -October 1887 · Van Gogh Museum, Amsterdam
September - October 1887Dating
45.7 × 60.4 cmDimensions of the original
Oil on canvasOriginal technique
Van Gogh Museum, AmsterdamConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.
Look at the work
A still life where the bottom becomes as active as the fruits
The apples form an irregular arc that crosses the entire width. Some are seen from the front, others tilt towards their peduncle; their silhouettes touch each other without forming a mechanical row.
The dark background is never uniform. Multiple blues and greens intersect there, then yellow, orange, red and pink lines run through it like reflections, taking on the warm colors of the fruits.
Pommes is an oil on canvas measuring 45.7 × 60.4 cm painted in Paris in September - October 1887. Referenced F254/JH1342, it is kept at the Van Gogh Museum under number s0131V1962.
Composition, touch and color
Three observations specific to this painting
The museum presents the canvas as a veritable explosion of colors where foreground and background compete for attention. Van Gogh, however, unifies the whole by using the same colors in reverse order.
01
The background starts with cool tones
Blues and greens form its base, then touches of yellow, orange, red and pink are added above. The surface appears deep while remaining very material.
02
Apples follow the opposite process
Van Gogh first lays out the warm tones of the fruits, then punctuates them with green and blue accents. This inversion brings out each apple while connecting it to the bottom.
03
The absence of a horizon accentuates the color
We no longer know exactly whether the fruits rest on a table, a fabric or a painted surface. The viewer therefore concentrates on the rhythm of the shapes and touches.
Documented benchmarks
Precisely identify the original work
References F254/JH1342, dimensions 45.7 × 60.4 cm and inventory s0131V1962 identify this Parisian still life precisely documented by the Van Gogh Museum.
Paris
A palette that has become radically clearer and more varied
In 1887, the association of Impressionists and Neo-Impressionists pushed Van Gogh to experiment with colorful contrasts and distinct touches.
Method
A unit obtained by inversion of layers
The same hot and cold range appears everywhere, but in a different order between background and fruit. This process connects the two spaces without confusing them.
Composition
No basket contains apples
Freed from any container, they form their own architecture. Dark intervals and overlays give the group its depth.
The copy must retain the irregular arch of the apples, their mixtures of red and yellow, the cold accents on the skins and the exceptional richness of the blues and greens of the background.
Red, pink and yellow apples with irregular contours
The little green and blue touches on the fruit
The petrol blue background without horizon
Warm lines scattered in the background
The dark intervals between apples
Work sheet
Title
Apples, F254
Artist
Vincent van Gogh (1853 -1890)
Date
September - October 1887
Place of creation
Paris
Original technique
Oil on canvas
Dimensions
45.7 × 60.4 cm
Inventory
F254· JH1342· s0131V1962
Conservation
Van Gogh Museum, Amsterdam
Your reproduction
Handmade oil painting on canvas
From order to shipping
1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.
In your interior
A dense still life where warm colors shine in the blue
Petrol blue, dark emerald green, coral red, pink and golden yellow form a powerful accent for a contemporary kitchen, dining room or living room.
Frequently asked questions
Before ordering
Is this a canvas print?
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
How is the visual reference chosen?
The official high definition image from the Van Gogh Museum was prepared as a real WebP of 3,000 × 2,240 px.
Can I check the result before shipping?
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Are custom formats possible?
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Idéal pourSalonEntréeBureauHôtel
01
Peinte à la main
Une peinture à l’huile sur toile réalisée entièrement à la main, sans impression numérique.
02
Validée en photo
Vous recevez des photos détaillées et pouvez demander des ajustements.
03
Réalisée à votre format
Les dimensions sont calculées pour respecter les proportions de l’original.
You remain in control until your final validation reproduction.
1
Choose your format
Select the dimensions appropriate to the proportions of the work.
2
Your painting is hand-painted
Production at painting at oil on canvas by a specialized artist.
3
Validate your reproduction in photo
Receive detailed photos and request up to 7 sets of edits before validation.
4
Protected and tracked delivery
Your canvas is rolled in reinforced packaging, with tracking until delivery.
Frequently asked questions
Before ordering your reproduction
Everything you need to know about creating, retouching, validating and delivering your painting.
Is it actually hand-painted ?
Yes. Every reproduction is carried out at the painting at theoil on canvas by a specialized artist. This is neither a print nor a digital transfer.
Can I order a custom format?
Yes. Choose one of the formats offered or contact us for a particular dimension adapted to your wall and the proportions of the work.
When will I receive validation photos?
When the painting and the drying is complete, we send you detailed photos before any shipment so that you can validate the result.
How many touch-ups can I request?
You can request up to 7 sets of edits from the photos received, before giving your final validation.
How is the canvas packaged?
The canvas is shipped rolled, frameless, in reinforced packaging designed to protect it during international transport.
How to track delivery?
Upon shipment, you will receive a tracking number to track the delivery of your reproduction until its delivery.
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