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Apples and grapes W545 - Claude Monet

Apples and grapes W545 - Claude Monet

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Apples and grapes W545 - Claude Monet

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Apples and grapes W545 - Claude Monet
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Apples and grapes W545 - Claude Monet

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Claude Monet · Vétheuil · 1879 -1880 · W545

Apples and grapes W545hand painted reproduction

On a crumpled white tablecloth, a basket overflows with red and yellow apples mixed with bunches of light black grapes. Some fruits are placed in front of him; two isolated yellow pears on the right balance this compact mass. Painted in 1879 -1880, this oil on canvas measuring 67.6 × 89.5 cm belongs to the Metropolitan Museum of Art under number 57.1880. Painted in 1879 -1880, this oil on canvas measuring 67.6 × 89.5 cm belongs to the Metropolitan Museum of Art under number 57.183. It corresponds to Wildenstein 545.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Apples and grapes W545 - Claude Monet - full view
Apples and grapes W545Claude Monet · 1879 -1880
1879 - 1880Dating
67.6 × 89.5 cmDimensions of the original
Oil on canvasOriginal technique
57.183 · Wildenstein 545Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A still life where fruits, basketry and the folds of the tablecloth oppose their materials under a side light

The basket is slightly off-center to the left and forms a low ellipse. Dark clusters occupy its heart, surrounded by red, orange and yellow apples which move forward or backward depending on their value. In front, a small light cluster and several fruits break the symmetry, as if the composition had just been arranged.

The tablecloth does not serve as a neutral background: its white, gray, lilac and bluish folds cross the table diagonally long. On the right, its edge falls onto a piece of red-brown wooden furniture whose rigid lines contrast with the flexibility of the fabric. The dark background absorbs the upper contours and reinforces the shine of the fruits.

The bad weather that forces Monet to work indoors does not suspend his research on light: he concentrates it on the shine of the skins, the transparency of the grains and the colored shadows of the laundry.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The basket forms the center of gravity

Its ocher basketry connects the red fruits to the brown furniture. The braiding curves support the mass of the bunches without becoming too precise a decorative design.

02

The grapes are built in small touches

Black grains contain purple, blue and light highlights; white clusters mix yellow, pink and green. Their volume arises from these variations rather than from a regular outline.

03

The tablecloth leads the eye to the pears

Its diagonal folds start from the basket and open to the right. The two yellow fruits, spaced on this clear field, prevent the composition from weighing entirely on the left side.

Reference image

Read this specific version

The single image represents inventory 57.183 in its complete composition. Its native definition of 3000 × 2281 px is preserved without enlargement, then the JPEG file is re-encoded into a real WebP.

Composition01

Maintain the hierarchy between fruits and tablecloth

The whites of the fabric should remain colored and less shiny than the reflections placed on the apples and grains. A uniform pure white would crush the volumes.

Color02

Differentiate each grape family

The dark cluster remains compact and deep; the light grapes in the foreground are more transparent and dispersed. Their treatment must not become identical.

Matter03

Preserve the wide folds of the laundry

The material of the fabric is indicated by large passages, sometimes left open. Too much detail would give a photographic rendering foreign to Monet's touch.

Documented benchmarks

Three pieces of information specific to this work

The Metropolitan Museum of Art documents Apples and Grapes, oil on canvas from 1879 -1880, 67.6 × 89.5 cm, inventory 57.183 and Wildenstein catalog 545.

Context01

An indoor session imposed by bad weather

The Met states that Monet painted three table still lifes with baskets of apples and grapes during a rainy period of 1879 -1880, when the outdoors was momentarily impassable.

Testimony02

A "fruit painting" reported in November 1879

Marthe Hoschedé, Monet's future daughter-in-law, noted that he was actively working on his still lifes. This testimony places achievement at the heart of Vétheuil’s family life.

Collection03

Gift of Henry R. Luce in 1957

The painting is registered under number 57.183 in the European Paintings Department. It is on display at Met Fifth Avenue in gallery 818.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Wildenstein version 545 and inventory 57,183
  • The basket overflowing with apples and bunches
  • The two pears isolated on the right
  • The lilac and blue folds of the white tablecloth

Work sheet

Title Apples and grapes W545
Artist Claude Monet (1840 -1926)
Date 1879 - 1880
Original technique Oil on canvas
Dimensions 67.6 × 89.5 cm
Orientation Horizontal
Conservation Metropolitan Museum of Art, New York, United States
Inventory 57.183 · Wildenstein 545
Your reproduction Handmade oil painting on canvas
Consult the notice and the context of creation - Metropolitan Museum of Art · 57.183

Presentation in your interior

A palette designed with the room

This still life is suitable for a dining room, an elegant kitchen or a living room with natural materials. A cream, olive green or pinkish brown wall and a patinated gold or walnut frame reinforce the reds of the apples and the shadows of the grapes.

Apples and grapes W545, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
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Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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