Self-portrait, F345 - Vincent van Gogh

Self-portrait, F345 - Vincent van Gogh

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Self-portrait, F345 - Vincent van Gogh

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Self-portrait, F345 - Vincent van Gogh
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Self-portrait, F345 - Vincent van Gogh

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Vincent van Gogh · Spring 1887 · Paris

Self-portrait, F345Reproduction of oil painting on canvas

Van Gogh represents himself in a bust, his face slightly turned and his gaze directed towards the viewer. His red beard, green eyes and dark jacket emerge from a blue-green background dotted with red and orange dots.

Hand paintedOil on canvasA verified WebP imagePhoto validation
Self-portrait, F345 - Vincent van Gogh in front of a dotted blue-green background, Art Institute of Chicago
Self-portrait, F345Vincent van Gogh · Spring 1887 · Art Institute of Chicago
Spring 1887Dating
41 × 32.5 cmDimensions of the original
Oil on artist's cardboard mounted on panelOriginal technique
Art Institute of ChicagoConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.

Look at the work

A face motionless in the center of a surface that pulsates with color

The light head occupies the top of the composition, while the triangular bust widens to the lower edge. The contours of the face remain firm, but the jacket and the background fragment into hundreds of touches.

The red and blue dots become denser around the hair and shoulders. The green eyes, placed almost on the horizontal axis of the painting, become the most stable point in the middle of this vibration.

Painted in Paris in the spring of 1887, this Self-portrait is an oil on artist's cardboard mounted on a panel measuring 41 × 32.5 cm. Work F345/JH1249 is kept at the Art Institute of Chicago under number 1954.326.

Composition, touch and color

Three observations specific to this painting

The Art Institute directly links the tight touch of this portrait to the discovery of Georges Seurat's pointillism. Van Gogh, however, transformed the optical method into personal writing, more nervous and expressive.

01

The background never remains neutral

Blues, greens, reds and oranges alternate in dots and small dashes. Their density creates a vibrant depth without decoration or horizon line.

02

The beard responds to blue by contrast

Reds, oranges and yellows build the hairs in separate touches. Faced with the surrounding blue-green, the lower face gains an almost luminous intensity.

03

The jacket is painted as a dark mosaic

Red brown, black, green and blue fit together in chevrons and dashes. The garment remains readable while sharing the rhythm of the background.

Documented benchmarks

Precisely identify the original work

Number 1954.326 and references F345/JH1249 identify the Chicago pointillist self-portrait. Its support is prepared cardboard, today mounted on a panel fitted with a reinforcing frame.

Paris

One of at least twenty-four Parisian self-portraits

The museum recalls that Van Gogh painted himself very often during his two years in Paris, a period when he did not always have paid models.

Seurat

A personal response to pointillism

Van Gogh adopted dots and small touches after seeing Neo-Impressionist research, but he varied their size and direction to intensify the presence of the face.

Look

Green eyes dominate the colored surface

Among the reds, blues and oranges, the two eyes remain precisely drawn. The museum presents them as the anchor of the entire composition.

Consult the official notice of the Art Institute of Chicago →

Your reproduction

What the painter must preserve

The copy must preserve the severe design of the face, the green eyes, the orange beard, the blue-green range of the background and the difference in rhythm between dots, dashes and oblique touches.

  • The green gaze directed towards the viewer
  • The red beard in separate touches
  • The blue halo around the forehead
  • The red and orange dots on the bottom
  • The dark jacket treated in mosaic

Work sheet

Title Self-portrait, F345
Artist Vincent van Gogh (1853 -1890)
Date Spring 1887
Place of creation Paris
Original technique Oil on artist's cardboard mounted on panel
Dimensions 41 × 32.5 cm
Inventory F345 · JH1249 · 1954.326
Conservation Art Institute of Chicago
Your reproduction Handmade oil painting on canvas

From order to shipping

1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.

In your interior

A magnetic portrait where deep blue meets beard fire

Petrol blue, dark green, burnt orange, red and brown make up a strong presence for a contemporary office, library or living room.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.

How is the visual reference chosen?

The public domain image of 4,747 × 6,000 px was reduced to 2,374 × 3,000 px and then encoded as a real WebP, without artificial enlargement.

Can I check the result before shipping?

Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.

Are custom formats possible?

Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.

Self-portrait, F345, painted for your interior

An oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.

Hand painted · Oil on canvas · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Art Institute of Chicago Decorative Paintings Dutch Paintings - Top 500 Masterpieces

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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Voir tous les tableaux de Vincent van Gogh