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Self-portrait, F345 - Vincent van Gogh

Self-portrait, F345 - Vincent van Gogh

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses
Self-portrait, F345 - Vincent van Gogh

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Self-portrait, F345 - Vincent van Gogh
Dimensions et finition sélectionnées Simulation d’échelle · décor indicatif

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Self-portrait, F345 - Vincent van Gogh

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Vincent van Gogh · Spring 1887 · Paris

Self-portrait, F345Reproduction of oil painting on canvas

Van Gogh depicts himself halfway through the bust, his face turned towards the viewer and his green gaze deeply fixed. Hundreds of little blue, green, red and orange touches vibrate the bottom, the jacket, the hair and the beard.

Hand paintedOil on canvasA verified WebP imagePhoto validation
Self-portrait F345 JH1249 - Vincent van Gogh
Self-portrait, F345Vincent van Gogh · Spring 1887 · Art Institute of Chicago
Spring 1887Dating
41 × 32.5 cmDimensions of the original
Oil on artist's cardboard mounted on panelOriginal technique
Art Institute of ChicagoConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.

Look at the work

A face built in a swarm of complementary touches

The light head occupies the center of the cardboard, framed by a very dense blue-green background. The shoulders form an oblique base where the red-brown jacket is fragmented into a mosaic of colors.

The forehead and cheeks retain more light, but no passage is perfectly smooth. Short strokes follow the hair, eyebrows, nose and beard, then disperse freely around the figure.

Self-portrait F345/JH1249 is an oil on artist's cardboard mounted on a 41 × 32.5 cm panel painted in Paris in 1887. The Art Institute of Chicago preserves it under number 1954.326.

Composition, touch and color

Three observations specific to this painting

The museum connects the tight touch of this self-portrait to the discovery of Georges Seurat's pointillism. Van Gogh retains the separation of colors, but uses it with a very personal intensity.

01

Green eyes dominate the mosaic

Surrounded by reds and pinks, they are the most stable point on a surface where almost every other color seems to move.

02

The beard contrasts orange and blue

The red features of the chin and cheeks advance on the cold accents of the background and collar, reinforcing the relief of the face without black shadow.

03

The jacket extends the background method

Blue green, red, orange and purple juxtapose even in the garment; the limit between the silhouette and its environment remains vibrant.

Documented benchmarks

Precisely identify the original work

The current Art Institute notice gives 1887, 41 × 32.5 cm, the artist's cardboard support mounted on panel and the number 1954.326.

Paris

At least twenty-four self-portraits

The museum reminds us that Van Gogh painted himself very often during his two years in Paris, due to not being able to regularly pay for models.

Pointillism

A personal response to Seurat

The discovery of La Grande Jatte encourages this divided touch; Van Gogh, however, replaces the scientific method with very mobile and emotional traits.

Collection

The Joseph Winterbotham Fund

Entering the Art Institute in 1954, the painting is numbered 1954.326 and belongs to the collection of thirty-five works in the Winterbotham Collection.

Consult the notice of the Art Institute of Chicago →

Your reproduction

What the painter must preserve

The copy must preserve the green look, the light oval of the forehead, the orange beard, the separate touches of the background, the mosaic of the jacket and the balance between reds, greens and blues.

  • The two green eyes fixed on the viewer
  • Red lines around the eyelids
  • The orange beard built touch by touch
  • The blue-green background punctuated with red
  • The mosaic jacket in complementary colors

Work sheet

Title Self-portrait, F345
Artist Vincent van Gogh (1853 -1890)
Date Spring 1887
Place of creation Paris
Original technique Oil on artist's cardboard mounted on panel
Dimensions 41 × 32.5 cm
Inventory F345 · JH1249 · 1954.326
Conservation Art Institute of Chicago
Your reproduction Handmade oil painting on canvas

From order to shipping

1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.

In your interior

A self-portrait of glowing blue, green and orange

Deep blue, emerald green, orange, carmine red and cream give an immediate presence to a living room, office, library or modern art wall.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.

How is the visual reference chosen?

The open image from the institutional photograph was prepared in 2,373 × 3,000 px then converted into a real WebP in order to preserve the material and colors of the pointillism.

Can I check the result before shipping?

Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.

Are custom formats possible?

Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.

Self-portrait, F345, painted for your interior

An oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.

Hand painted · Oil on canvas · Photo validation
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Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

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Compare the finishes

Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

Même artiste

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Voir tous les tableaux de Vincent van Gogh
Voir tous les tableaux de Vincent van Gogh