The shore guides reading without becoming a path
Its green curve leads towards the distance and separates the grasses from the reflective waters. The oblique shadows on the ground give the rhythm of the foreground.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Jeufosse · 1884 · W916
The Seine describes a gentle curve between a grassy bank on the left and a row of trees ablaze with yellow, orange, pink and green. Their colors extend into the water in fragmented touches, while the mauve blue hillsides fade into the distance. Signed and dated "Claude Monet 84", this oil on canvas measuring 60 × 73 cm is kept in the Museum Barberini under the number MB-Mon-17. It corresponds to Wildenstein 916.

Look at the work
The left bank enters from the lower corner into large green areas crossed by blue shadows. Its sinuous outline accompanies the river to the distant hillside. On the right, the trees take up more space and their branches almost blend into the sky, producing a luminous mass rather than a succession of isolated trunks.
The yellow, pink and green reflections descend into the water then break into horizontal gestures. In the center, a gray and blue area remains more open and gives the river its depth. The distant hill, painted very soft purple, contrasts its stability with the close vibration of the leaves.
The Museum Barberini describes the leaves as a patchwork of multicolored touches whose pure contrasts create a sparkle relayed by the movement of the reflections.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
Its green curve leads towards the distance and separates the grasses from the reflective waters. The oblique shadows on the ground give the rhythm of the foreground.
Lemon yellow, orange, pink, green and blue often remain juxtaposed. Their optical blend produces seasonal shine without drawing each leaf.
The same colors appear in the river, stretched and interrupted by horizontal touches. They suggest the current and prevent a still mirror effect.
Reference image
The single image exactly represents the MB-Mon-17 inventory. The 1800 × 1474 px file is kept at its native definition, without interpolation, then encoded as a real WebP.
The foliage should contain clearly noticeable pinks, greens and blues. A continuous yellow would remove the vibrations described by the museum.
The central opening should remain legible between the dark bank and the reflections. It gives air to the composition and leads to the distant hillside.
The touches of the foliage rise and intersect; those of the reflection flatten and become spaced out. This difference makes you feel the passage from one material to another.
Documented benchmarks
The Museum Barberini documents Autumn in Jeufosse, oil on canvas from 1884, 60 × 73 cm, MB-Mon-17 inventory and Wildenstein 916 catalog.
The signature and date are placed in the green bank, at the lower edge. They directly connect the canvas to the Jeufosse campaign of 1884.
The museum places this view in a lasting search on the river. Here, the season renews the pattern thanks to the contrasts of the foliage and their passage through the water.
The painting then passed through the galleries of Paris and New York, then several private collections. It entered the Hasso Plattner collection after its 2013 sale.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Autumn in Jeufosse W916 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1884 |
| Original technique | Oil on canvas |
| Dimensions | 60 × 73 cm |
| Orientation | Horizontal |
| Conservation | Museum Barberini, Hasso Plattner collection, Potsdam, Germany |
| Inventory | MB-Mon-17 · Wildenstein 916 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This fall landscape is suitable for a living room, dining room or library. An olive green, blue gray or linen wall and a patinated walnut or gold frame reinforce the yellows without making the whole thing too hot.
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