A vertical composition with a high horizon
The rising path, the sunflower stems and the house stacked at the top give the canvas its upward momentum.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
Explore the subjects and styles associated with this reproduction.
Artwork description
Claude Monet · Vétheuil · 1881 · W685
A sunny path climbs between clumps of large sunflowers to Vétheuil's house. Earthenware pots punctuate the foreground, a child stands in the middle of the path and other figures appear on the steps. Dated by the National Gallery of Art from 1881, this oil on canvas of 151.5 × 121 cm bears the number 1970.17.45 and corresponds to Wildenstein 685.

Look at the work
The path widens at the bottom of the canvas then narrows to the stairs. Four large blue and white pots line the borders. Sunflowers rise on either side and lead the gaze towards the pink facade.
Shadows cross the path in blue, green and plum. The orange-yellows of the flowers respond to the purple roof and blue sky. Figures, foliage and architecture are defined by juxtaposed colors rather than closed contours.
The perspective promises an entrance into the garden, but the staircase and the high horizon constantly bring the eye back to the dense surface of colors and materials.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The rising path, the sunflower stems and the house stacked at the top give the canvas its upward momentum.
Their size decreases towards the steps. These objects that Monet took with him during his moves precisely punctuate the depth.
Blue, plum and green replace gray. The sun thus becomes a relationship of colors which animates the entire aisle.
Reference image
The National Gallery of Art public file has been converted into a real WebP of 2,398 × 3,000 px. This definition preserves the details of flowers, pots and figures.
Its widening towards the foreground should lead naturally to the steps and to the house.
Their yellows and oranges must remain distinct from the green foliage without becoming a repetitive pattern.
The child in the center and the group on the steps remain secondary but essential on the scale of the garden.
Documented benchmarks
The National Gallery of Art documents The Artist's Garden at Vétheuil, oil on canvas from 1881, 151.5 × 121 cm, Ailsa Mellon Bruce Collection, inventory 1970.17.45 and Wildenstein 685.
The painter obtains from the owner the possibility of planting the sloping land which descends from the house towards the Seine.
The National Gallery identifies the boy with the cart as one of the painter's young sons; other members of the household stand on the steps.
The dated signature appears at the bottom right, while the Wildenstein institution and catalog place the execution of this version in 1881.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The Artist's Garden in Vétheuil W685 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1881 |
| Original technique | Oil on canvas |
| Dimensions | 151.5 × 121 cm |
| Orientation | Vertical |
| Conservation | National Gallery of Art, Washington, United States |
| Inventory | 1970.17.45 · Wildenstein 685 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This large vertical format is suitable for a living room, stairwell or high entrance. A powder pink, sage green or soft blue wall and a matte gold frame extend its summer light.
Custom order
A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.
Select the desired size before ordering.
Your reproduction is hand-painted entirely in oil.
We send you a photo to validate the result before shipping.
You receive your canvas rolled, protected, and shipped with tracking.
Same artist
Continuez avec des œuvres connues du même artiste, sélectionnées pour comparer les sujets, les formats et les ambiances sans mélanger avec les styles génériques.