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Argenteuil Station W242 - Claude Monet

Argenteuil Station W242 - Claude Monet

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Argenteuil Station W242 - Claude Monet

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Argenteuil Station W242 - Claude Monet
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Argenteuil Station W242 - Claude Monet

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Claude Monet · Railway modernity in 1872 · Tavet-Delacour Museum

Argenteuil Station W242hand painted reproduction

A dark locomotive enters Argenteuil station under a cloud of white steam. Rails, posts and telegraph wires divide the space, while buildings and hills dissolve into blue grays: five years before Saint-Lazare, Monet already made the railway a pattern of light.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Argenteuil Station W242 - Claude Monet - full view
Argenteuil Station W242Claude Monet · 1872
1872Dating
47.5 × 71 cmDimensions of the original
Oil on canvasOriginal technique
P.1968.1 · Wildenstein 242Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The steam transforms the station into a landscape

The locomotive occupies the right edge, very close to the viewer. Its chimney releases a white and gray plume which mixes with the clouds. A few yellow threads highlight the circles and edges of the machine, enough to render its volume without exhaustive mechanical description.

The rails start from the foreground then converge towards a series of black wagons punctuated by red lights. Posts, cables and buildings follow one another under a heavy sky. In the background, a purple hill closes the perspective and absorbs some of the steam.

The train is not placed in front of the landscape: its smoke, its colors and its vanishing lines create the modern landscape.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A locomotive cut off by the frame

The close framing gives it immediate strength. Its black volume balances the light masses of vapor which occupy the upper right part.

02

The rails as acceleration of the gaze

Their diagonals start widely from the bottom of the canvas and tighten towards the wagons. They give a rapid depth, adapted to the railway subject.

03

Reds as signals

A few scarlet dots appear on wagons and near tracks. They guide the eye in a range dominated by grays, blues and blacks.

Reference image

Read this specific version

The high definition reference corresponds to the W242 canvas kept in Pontoise. It reveals the traces of cable design, the material of the vapors and the small red accents which punctuate the wagons.

Composition01

An almost tactile sky

The clouds are placed in wide gray and white passages; the more opaque steam passes through them without a perfectly stable limit.

Color02

Colorful blacks

Locomotive and wagons combine purple, blue, brown and dark green to maintain relief in deep values.

Matter03

A very direct execution

Rails, posts and roofs are sometimes indicated with a single gesture; this economy maintains the impression of movement.

Documented benchmarks

Three pieces of information specific to this work

The painting is identified by the references P.1968.1 and Wildenstein 242; it belongs to the collections of the Val-d'Oise department and is entrusted to the Tavet-Delacour museum.

Subject01

Argenteuil station

The line connects the town to Paris-Saint-Lazare and plays a major role in its development as a place of residence, industry and leisure.

Period02

A railway study from 1872

Monet explores the rails, the locomotive and the steam here five years before the set of views of Saint-Lazare station painted in 1877.

Collection03

Tavet-Delacour Museum, Pontoise

This 47.5 × 71 cm oil on canvas bears inventory P.1968.1 and number 242 of the Wildenstein catalog raisonné.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Keep the locomotive very close to the right edge and contrast it with the clear steam.
  • Respect the exact convergence of rails, wagons and posts.
  • Construct the fumes with distinct whites, grays, blues and purples.
  • Place the little red accents of the wagons, essential to the rhythm of the depth.

Work sheet

Title Argenteuil Station W242
Artist Claude Monet (1840 -1926)
Date 1872
Original technique Oil on canvas
Dimensions 47.5 × 71 cm
Orientation Horizontal
Conservation Tavet-Delacour Museum, Pontoise, France
Inventory P.1968.1 · Wildenstein 242
Your reproduction Handmade oil painting on canvas
Consult the official notice - Tavet-Delacour Museum /Wikimedia Commons

Presentation in your interior

A palette designed with the room

Its blue grays, purple blacks and rare reds fit into an office, loft or living room with sober lines. A matte black, patinated steel or dark walnut frame accompanies its industrial modernity particularly well.

Argenteuil Station W242, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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