A deliberately cluttered framing in the foreground
The boats are cut by the edges and overlap. This proximity places the viewer on the beach, among the boats, rather than at a distance in front of a tourist view.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Étretat · 1885 · W1013
On Étretat beach, several fishing boats are pulled on the pebbles at the foot of the Amont cliff. Their green, white and brown hulls and pale sails spread out in front of a blue sea; the rocky arch and the chapel dominate the right side. Painted in 1885, this oil on canvas measuring 60 × 81 cm is kept at the Eugène-Boudin museum under number 64.1.2 and corresponds to Wildenstein 1013.

Look at the work
The foreground is occupied by fragments of hulls and sails which partially enter the frame. Further on, a large green boat placed at an angle leads towards the shore boats and creates a depth without a central axis.
The right cliff is painted gray, pink, brown and white, with verticals that suggest chalk breaks. The opening of the Porte d'Amont becomes a very dark blue area above the sea, while the small chapel punctuates the ridge.
Monet does not separate the work of fishermen from the landscape: the colored hulls, pebbles and chalk walls belong to the same movement of light.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The boats are cut by the edges and overlap. This proximity places the viewer on the beach, among the boats, rather than at a distance in front of a tourist view.
Descending lines make the height and erosion of the rock felt. Reflected blues and pinks prevent the chalk from turning white and flat.
Greens, mauves, browns and whites repeat from one shell to another. These distributed accents give rhythm to a beach whose tones otherwise remain very light.
Reference image
The only public image of the canvas is kept at 1,600 × 1,188 px then encoded as a real WebP. It is neither artificially enlarged nor replaced by a variant of Étretat.
This framing gives the impression of a larger fleet off-camera. Refocusing all boats would reduce the immersion and depth of W1013.
The arch should remain readable in the cliff without becoming a uniform black hole. Its colored edges belong to ambient light.
The shore is animated by irregular material. Smooth surfaces would eliminate the difference between wet beach, sea and rock wall.
Documented benchmarks
The Eugène-Boudin museum preserves Fishing boats, Étretat, oil on canvas from 1885, 60 × 81 cm, inventory 64.1.2 and Wildenstein 1013.
This version looks towards the cliff located northeast of the bay. Little Notre-Dame-de-la-Garde appears on the ridge and helps to precisely identify the pattern.
Monet then alternates views of cliffs, beaches and boats. He observes the same coastline from several heights and under different sea conditions.
The Eugène-Boudin museum brings together works linked to painters from the Normandy coast; this painting bears the inventory number 64.1.2.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Fishing boats, Étretat W1013 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1885 |
| Original technique | Oil on canvas |
| Dimensions | 60 × 81 cm |
| Orientation | Horizontal |
| Conservation | Eugène-Boudin Museum, Honfleur, France |
| Inventory | 64.1.2 · Wildenstein 1013 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This horizontal landscape is suitable for a living room, office or seaside home. A blue-gray, light sand or sage green wall and a natural wood frame accompany the Norman palette.
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