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Barques de pêche à Étretat W1028 par Claude Monet, Seattle Art Museum

Fishing boats in Étretat W1028 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Étretat · 1885 · W1028

Fishing boats in Étretat W1028hand painted reproduction

Several fishing boats are pulled onto the pebble beach, their black, red, yellow and green hulls tight in the foreground. The masts and spars cross the stage diagonally in front of a sea whitened with foam, whose waves seem to prevent any exit. Painted in 1885 and signed "Claude Monet" at the bottom left, this oil on canvas measures 73.7 × 91.4 cm. It is kept at the Seattle Art Museum under number 92.88 and corresponds to Wildenstein 1028.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Fishing boats in Étretat W1028 - Claude Monet - full view
Fishing boats in Étretat W1028Claude Monet · 1885
1885Dating
73.7 × 91.4 cmDimensions of the original
Oil on canvasOriginal technique
92.88 · Wildenstein 1028Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Boats stopped on the shore facing a sea which occupies almost the entire background

The hulls are seen up close and overlap. A yellow and green boat enters from the lower right edge, while black and red boats run to the left. Their bows, masts and long pieces of wood form an oblique network which gives strong tension to the beach.

Behind this dense group, the sea offers no horizontal rest. Whites, water greens, pinks and grays wind in short, thick waves. The sky is almost absent: Monet places the viewer at the level of the boats and directly confronts their weight with the hustle and bustle of the sea.

The scene opposes two forces: the heavy stability of the hulls on the pebbles and the continuous movement of the waves which temporarily prevents departure.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A tight framework on maritime work

Monet shows neither tourists nor panorama of cliffs. The boats, their equipment and the state of the sea are enough to evoke the daily life of the fishermen of Étretat.

02

The diagonals prevent any immobility

Masts, poles and hull edges intersect at different angles. Even stranded boats seem to be subject to a visual thrust that responds to the movement of the waves.

03

Bright colors in gray light

Olive yellow, orange-red and green appear on the hulls, but they are broken by browns and blacks. The foam takes on roses and greens, connecting the boats to the sea.

Reference image

Read this specific version

The single image is an actual photograph of the canvas on display as part of it at the Seattle Art Museum. The file of 2,200 × 1,467 px is preserved without enlargement and encoded in real WebP.

Composition01

Respect the overlap of the hulls

Each boat must remain identifiable without being isolated. Coverings and differences in scale build the very short depth of the beach.

Color02

Maintain the network of masts and poles

Their precise angles organize the composition. Too regular lines would give the impression of a calm port, contrary to the energy of this version.

Matter03

Make foam thick

The waves are not a uniform background. Greenish whites, grays and pinks should remain in thick, broken touches to make the surf smell.

Documented benchmarks

Three pieces of information specific to this work

The Seattle Art Museum documents Fishing Boats at Étretat, oil on canvas from 1885, 73.7 × 91.4 cm, inventory 92.88 and Wildenstein catalog 1028.

Registration01

Claude Monet, bottom left

The signature is placed in the pebble area, under the first boat. The museum records this inscription without a date added to the name.

Museum commentary02

Human effort stopped by nature

The notice brings boats stranded in front of violent seas closer to the stubborn work of fishermen and that of Monet, all faced with unpredictable conditions.

Provenance03

From Monet's studio to the Seattle Art Museum

Desmond Fitzgerald acquired the painting from the artist before 1905. It then passed through the McKinney-Connor family and entered the museum in 1992 thanks to a donation from Sarah Hart.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1028 version
  • The boats are tight and partially superimposed
  • Diagonal masts and poles
  • The green and white sea behind the hulls

Work sheet

Title Fishing boats in Étretat W1028
Artist Claude Monet (1840 -1926)
Date 1885
Original technique Oil on canvas
Dimensions 73.7 × 91.4 cm
Orientation Horizontal
Conservation Seattle Art Museum, Seattle, United States
Inventory 92.88 · Wildenstein 1028
Your reproduction Handmade oil painting on canvas
Consult the instructions, commentary and provenance - Seattle Art Museum · 92.88

Presentation in your interior

A palette designed with the room

This expressive navy is suitable for a living room, library or office. A warm gray, sea green or sand wall and a patinated gold or dark wood frame highlight the colorful shells.

Fishing boats in Étretat W1028, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Fishing boats in Étretat W1028 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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