Shadows as lines of flight
They cut the walk in successive diagonals. Their reduced spacing towards the bottom, which reinforces the feeling of depth.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · The Argenteuil promenade around 1872 · Musée d'Orsay
The promenade runs along the Argenteuil basin under a row of trees, while sailboats, pontoons and washboats enliven the Seine. Above, an immense cumulus sky occupies almost two thirds of the canvas. Monet brings together leisure, traffic and landscape in very constructed light.

Look at the work
On the left, the trunks and their shadows cross the path in a regular succession. Several walkers decrease towards the road bridge. This very readable depth responds to the line of the river and the sailboats which also tighten towards the bottom.
On the right appear the pontoon of a bathing establishment then a wash boat. The bridge closes the horizon, framed by its toll pavilions. The large white and gray masses of the clouds dominate the composition and give all human activity a lighter scale.
The animation of the pool remains orderly: trees, walkers, sails and clouds each advance at a different pace.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
They cut the walk in successive diagonals. Their reduced spacing towards the bottom, which reinforces the feeling of depth.
Figures, boats and constructions are concentrated near the low horizon. This density leaves the sky with its monumentality.
Monet simplified the five-arch bridge instead of seven and increased the height of the toll lodges to clarify the structure.
Reference image
The high definition reference corresponds to the RF 2010 canvas, W225. It makes walkers, the alternation of shadows, sailboats, the road bridge and the very nuanced construction of the clouds visible.
The sky takes up the majority of the format, but the lines of flight of the promenade and the pool prevent the scene from losing its depth.
Sails and clouds use different creams, grays and blues; no light area is left uniform.
The grasses and reflections are placed by small gestures, the clouds by larger masses and the trunks by vertical lines.
Documented benchmarks
The Musée d'Orsay keeps this painting under the RF 2010 inventory and the Wildenstein 225 reference.
The shore offers views of the road bridge, water activities, bathing establishment and wash boat.
Monet presented this view at the exhibition organized in 1876, two years after the group's first demonstration.
The painting entered the national collections in 1911 through the bequest of Count Isaac de Camondo.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The Argenteuil Basin W225 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | Around 1872 |
| Original technique | Oil on canvas |
| Dimensions | 60 × 81 cm |
| Orientation | Horizontal |
| Conservation | Musée d'Orsay, Paris, France |
| Inventory | RF 2010 · Wildenstein 225 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Its deep greens, gray blue and large luminous clouds bring space to a dining room, living room or office. An oak, soft black or bluish gray frame highlights the width of the scene particularly well.
Custom order
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Your reproduction is hand-painted entirely in oil.
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You receive your canvas rolled, protected, and shipped with tracking.
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