Groups of flowers moved throughout the work
Technical review shows that Monet added, removed and moved water lilies at several stages. Their irregular distribution is therefore an essential construction.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
Explore the subjects and styles associated with this reproduction.
Artwork description
Claude Monet · 1917 -1919 · Chicago · Wildenstein 1889
No shore, no horizon: the entire canvas becomes the surface of the pool. Islets of pink and cream water lilies float in a green, turquoise, rust and purple network where vertical reflections are constantly covered by new layers.

Look at the work
Water lily groups are distributed around a quieter, lilac blue center. On the left, the leaves accumulate in thick masses; on the right, pink flowers punctuate darker greens. These two hearths maintain the balance of a format twice as wide as it is tall.
Under the flowers, the directions cross. The long greenish descents suggest the reflected trees, while blue and yellow horizontal gestures reaffirm the surface of the water. Brown and orange areas appear under the upper layers and give the whole an almost mineral depth.
The eye no longer looks at the pool from its bank: it enters a surface where depth, reflection and matter simultaneously occupy the same plane.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Technical review shows that Monet added, removed and moved water lilies at several stages. Their irregular distribution is therefore an essential construction.
The surface was largely constructed by thick wet-on-dry applications. Green, blue, rust and purple strata must remain noticeable.
The preparation and thinner layers remain visible near the corners. Faithful reproduction should not even out these breaths.
Details and visual documents
The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.


The official view measures 3000 × 1947 px. The two details of 1400 × 900 px are direct cropping of the same photograph. No files have been enlarged; all three images are real WebPs.
Documented benchmarks
These facts concern this precise version and are verified from the notice of the institution which keeps it.
This oil on canvas measures 130.2 × 201.9 cm. A succession stamp, formerly visible at the bottom right, has since been removed. The work is a gift from Mrs. Harvey Kaplan.
This format belongs to the surface studies of the basin which accompanied the development of the monumental panels offered to France in 1922 and installed at the Orangerie in 1927.
The format slightly exceeds the largest standard dimensions announced at the time. The off-white background remains visible in places under a very textured material.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The Water Lilies Basin |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1917 - 1919 |
| Original technique | Oil on canvas |
| Dimensions | 130.2 × 201.9 cm |
| Orientation | Horizontal panoramic |
| Conservation | Art Institute of Chicago, Chicago, United States |
| Inventory | 1982.825 · Wildenstein 1889 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This large horizontal format creates an immersive presence above a sofa, console or headboard. Moss, turquoise, rust and pink greens match cream, light earth, midnight blue or natural wood walls.
Custom order
A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.
Select the desired size before ordering.
Your reproduction is hand-painted entirely in oil.
We send you a photo to validate the result before shipping.
You receive your canvas rolled, protected, and shipped with tracking.
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