A light arch on a purple underside
The pale pink railing and the dark curve must remain linked. Whitening the deck too much would artificially loosen it; too much darkening its underside would crush the light in the pool.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · 1900 · Musée d'Orsay · W1629
The Japanese bridge draws a double pink and purple curve above a pool covered with water lilies. The reeds and willows close the sides, but the surface of the water remains open in the center: greens, blues, pinks and whites compose a dense light without mechanical reflection.

Look at the work
The arch crosses the upper part of the painting. Its light railing stands out against blue-green vegetation, while its purple-red underside gives weight to the curve. The verticals of the reeds and willows frame this movement without forming a rigid architecture.
In the water, the leaves are divided into irregular groups. Pink and white flowers are brief accents, set among deep greens and red highlights. The horizontal touches of the pool contrast with the vertical gestures of the plants on the banks.
The bridge still organizes the depth, but the water already draws the eye towards an autonomous surface where flowers, reflections and material can no longer be separated.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

The pale pink railing and the dark curve must remain linked. Whitening the deck too much would artificially loosen it; too much darkening its underside would crush the light in the pool.
Plants climb on both sides and move closer to the bridge. Their red brown, green and blue create an active border without completely closing the central gap.
Leaves and flowers form groups separated by water passages. Their irregular spacing maintains depth and avoids the repetitive decorative effect.
Details and visual documents
The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.


The full view measures 3699 × 3231 px, the native detail 2300 × 1500 px and the actual photograph 3456 × 2304 px. No files have been enlarged; all three images are WebP.
Documented benchmarks
These facts concern this precise version and are verified from the notice of the institution which keeps it.
This 1900 oil on canvas measures 90 × 100.5 cm, or 101 × 111.7 cm with its frame. The Musée d'Orsay keeps it under number RF 2005; it corresponds to Wildenstein 1629.
Durand-Ruel bought the painting directly from Monet on November 21, 1900. Count Isaac de Camondo acquired it the next day, then bequeathed it to the French state in 1911.
Accepted with the Camondo legacy, the work is attributed to the Louvre, exhibited from 1914, then transferred to the Jeu de Paume in 1947 and to the Musée d'Orsay in 1986.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The Water Lilies Basin, pink harmony W1629 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1900 |
| Original technique | Oil on canvas |
| Dimensions | 90 × 100.5 cm |
| Orientation | Horizontal |
| Conservation | Musée d'Orsay, Paris, France |
| Inventory | RF 2005 · Wildenstein 1629 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Deep green, old pink, purple and blue gray give this reproduction a rich and enveloping presence. It accompanies dark woods, natural linen, brass and cream, sage green or old pink walls.
Custom order
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Your reproduction is hand-painted entirely in oil.
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