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Le Bassin aux nymphéas de Claude Monet, 1917–1919 – Musée Marmottan Monet 5165, Wildenstein 1888/1

The Water Lilies Basin, Marmottan W1888/1 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

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Artwork description

Reproduction details

Claude Monet · 1917 -1919 · Marmottan Monet Museum · W1888/1

The Water Lily Basin, Marmottan W1888/1hand painted reproduction

A sheet of olive green leaves and red flowers juts out from the left, while a large purple reflection opens the right side. At the bottom, a large, almost white leaf seems isolated in the water. This spectacular asymmetry can also be explained by the material history of the canvas: damaged during the Second World War, it lost around eighty centimeters on its right side.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Water Lilies Basin, Marmottan W1888/1 - Claude Monet - full view
The Water Lily Basin, Marmottan W1888/1Claude Monet · 1917 -1919
1917 - 1919Dating
130 × 120 cm in its current stateDimensions of the original
Oil on canvasOriginal technique
inv. 5165 · Wildenstein 1888/1Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A diagonal of water lilies meets the edge of an amputated composition

Leaves accumulate from the upper left corner and form a wide diagonal towards the center. The red flowers, small but saturated, are grouped in irregular foci. Beneath them, the greens change from moss yellow to deep blue; purple lines and a few whites break the masses without drawing each leaf separately.

The right half is much more open. Long lavender, gray and green layers descend into the water, crossed by darker reflections. The large light leaf at the bottom right now seems close to the edge; the old photograph described by the museum shows that it was at the base of a composition which extended much further to the right.

The current edge is part of the history of the work: understanding the lost part allows us to read the large diagonal left by Monet differently.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of The Water Lilies Basin, Marmottan W1888/1 - Claude Monet
01

A mass of leaves organized diagonally

Water lilies do not form a uniform carpet. Their density decreases from the top left towards the center, creating an oblique thrust that the original right part was to extend.

02

Very pure reds on broken greens

The flowers are placed in touches of carmine and coral above olive greens, yellows and blues. Their rarity and distribution must remain faithful to maintain the rhythm.

03

A large purple area made of vertical reflections

Right is not a plain background. Purple, warm gray, green and blue alternate in long layers which circulate the water behind the leaves.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The Water Lilies room at the Marmottan Monet Museum - detail of Le Bassin aux nymphéas, Marmottan W1888/1 - Claude Monet
The Water Lilies room at the Marmottan Monet MuseumThe view taken in the museum places the work among the large late paintings from the Giverny collection and allows us to appreciate their scale in relation to visitors.
Olive green leaves and red flower centers - detail of Le Bassin aux nymphéas, Marmottan W1888/1 - Claude Monet
Olive green leaves and red flower centersThe detail shows the alternation of yellow, green, blue and purple impasto. Red flowers are often placed on a dark shadow which increases their brightness without surrounding them with an outline.

The reference view measures 1500 × 1632 px. The actual photograph of the room provided a native framing of 1500 × 1150 px and the detail measures 900 × 1000 px. No files have been artificially enlarged; all three media are true decodable WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Marmottan 5165, Wildenstein 1888/1

The museum dates the work from 1917 -1919, indicates an oil on canvas measuring today 130 × 120 cm and indicates the stamp of the workshop at the bottom left. It corresponds to number 1888/1 of the Wildenstein catalog raisonné.

Material history02

About 80 cm lost during the war

Although Giverny's paintings were sheltered, some were hit by shrapnel during World War II. The Marmottan Monet Museum specifies that this painting lost approximately eighty centimeters from its right part.

Primitive composition03

An old photograph preserves its memory

The museum archives and a version preserved in Switzerland make it possible to restore the initial organization: the diagonal coming from the lower left began a curve to the right and led the gaze to the nymphéa today close to the lower edge.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Marmottan, inv. 5165 and W1888/1
  • The current dimensions of 130 × 120 cm clearly distinguished from the original composition
  • The diagonal of leaves and flowers preserved without regularization
  • Purple reflections treated as an active ingredient, never as a flat surface

Work sheet

Title The Water Lily Basin, Marmottan W1888/1
Artist Claude Monet (1840 -1926)
Date 1917 - 1919
Original technique Oil on canvas
Dimensions 130 × 120 cm in its current state
Orientation Vertical, composition now truncated
Conservation Marmottan Monet Museum, Paris, France
Inventory inv. 5165 · Wildenstein 1888/1
Your reproduction Handmade oil painting on canvas
Consult the official notice - Marmottan Monet Museum

Presentation in your interior

A palette designed with the room

Olive green, coral red, mauve, deep blue and moss yellow give this reproduction a dense and contemporary presence. Its vertical format is suitable for a narrow wall or living room composition, with natural materials and side light that reveals impasto.

The Water Lilies Basin, Marmottan W1888/1, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
The Water Lilies Basin, Marmottan W1888/1 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

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4

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