Oblique circulation in the middle of the pelvis
The pink and blue passage is not centered. It slides from top to bottom changing width, giving movement to a subject without horizon or bank.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · 1917 -1919 · private collection · W1897
A pink, orange and light blue diagonal crosses the pool between two expanses of foliage. On the left, the red flowers stand out against lemon greens; on the right, a very dark vertical reflection descends behind large oval leaves. The panoramic format brings these two regimes of light closer together and transforms the surface of the water into a continuous field of colorful gestures.

Look at the work
The left part is animated by small nervous touches. Yellow green, carmine red, blue and purple draw tight leaves and several floral foci. As the gaze reaches the center, the shapes open: the pinks, blues and oranges become wider, as if reflected light temporarily repels the vegetation.
On the right, the key changes direction. A dark green reflection falls vertically from the upper edge, while the large leaves in the foreground spread out in yellow-green ovals bordered with brown. A few pink flowers, widely spaced, prevent this mass from closing. The signature remains visible in the light border of the lower right.
The unity of the panel does not come from a dominant color, but from the continuous passage between short key, vertical reflection and wide floating curves.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

The pink and blue passage is not centered. It slides from top to bottom changing width, giving movement to a subject without horizon or bank.
The small, fragmented marks on the left side respond to the dark verticals and large leaves on the right side. Preserving this difference prevents the canvas from becoming uniform.
The brightest red flowers are concentrated in the upper left quarter. Elsewhere, Monet uses only a few pinks and oranges to guide the eye without creating a regular decoration.
Details and visual documents
The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.


The Sotheby's catalog photograph measures 2,000 × 1,027 px. Details of 950 × 900 px come directly from the left half and right half, without enlargement. All three files are true controlled and decodable WebPs.
Documented benchmarks
These facts concern this precise version and are verified from the notice of the institution which keeps it.
Sotheby's dates this painting from 1917 -1919, indicates a format of 100 × 200 cm and indicates the signature Claude Monet at the bottom right. The work appears under number 1897 in the Wildenstein catalog raisonné.
Staying with Michel Monet, the work passed through the Maeght Gallery and the dealer Sam Salz in 1965. She then joined several American collections, including the Fran & Ray Stark Foundation, before its acquisition by a New York collection.
The painting was exhibited at the Metropolitan Museum in 1966 and 1968, then at the Los Angeles County Museum of Art in 1991. It also appears in Monet: The Late Years at the Kimbell Art Museum and at the de Young Museum in 2019.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The Water Lilies Basin, private collection W1897 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1917 - 1919 |
| Original technique | Oil on canvas |
| Dimensions | 100 × 200 cm |
| Orientation | Panoramic horizontal |
| Conservation | Private collection, New York, United States |
| Inventory | Wildenstein 1897 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Olive green, cobalt blue, salmon pink, carmine red and deep brown create an enveloping presence. This panoramic reproduction requires a long, open wall, ideally above a low sofa, bed or sideboard, gently lit from the side.
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