A side reading rather than a single center
The six-meter format requires several viewing times. Flower groups, clear intervals and iris verticals must maintain their relative distances.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · 1914 -1922 · Zürich panel · W1980
This twelve square meter panel envelops the eye in ash blues, mauves and water greens. The horizon line has disappeared. The leaves and flowers occupy the bottom, the reflections unfold in the center and the irises raise a few verticals on the right which prevent the scene from becoming entirely abstract.

Look at the work
The gaze often begins in the group of water lilies at the bottom, where light leaves surround several pinkish-red flowers. It then slides towards the vast central interval, constructed by small blue-gray, mauve and yellow covers which give the water a slow depth.
The ends don't function as closed edges. On the left, branches descend into the reflection; on the right, irises and foliage extend the composition out of the frame. Monet thus conceives the panel as a portion of a larger environment.
At this scale, the pool is no longer looked at from a bank: the painting places the viewer in the middle of its variations of light.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

The six-meter format requires several viewing times. Flower groups, clear intervals and iris verticals must maintain their relative distances.
Water lilies are constructed in layers of blue, green, white and red. Their colored weight must contrast with the more airy passages in the center without becoming decorative.
Branches and irises come out of the field. Faithful reproduction avoids creating dark borders or closed masses that would reduce the impression of immersion.
Details and visual documents
The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.


The official reference measures 1,200 × 395 px. The two photographs in the Kunsthaus measure 3,264 × 2,448 px and 6,000 × 4,000 px. The files remain at their actual resolution and have been converted to WebP without enlargement.
Documented benchmarks
These markers concern the W1980 panel kept in Zurich and allow us to understand its scale, its construction and its route.
The Kunsthaus keeps this oil on canvas under number 1952/0010. It is neither signed nor inscribed and corresponds to Wildenstein 1980.
After Monet's death, the work remained in the estate of Michel Monet. Bührle bought it in 1952 then gave it to the Kunsthaus Zürich the same year.
From 1914, Monet resumed his monumental project. The new workshop built in 1915 allows him to paint large panels in winter, according to studies carried out in front of the Giverny basin.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The Water Lilies Basin with iris, panel W1980 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1914 - 1922 |
| Original technique | Oil on canvas |
| Dimensions | 200 × 600 cm |
| Orientation | Panoramic |
| Conservation | Kunsthaus Zürich, Zürich, Switzerland |
| Inventory | 1952/0010 · Wildenstein 1980 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
The blue gray, mauve and sea green range visually enlarges a space while remaining soothing. This reproduction is particularly suitable for a large minimalist living room, bedroom or long circulation, with light oak and natural textiles.
Custom order
A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.
Select the desired size before ordering.
Your reproduction is hand-painted entirely in oil.
We send you a photo to validate the result before shipping.
You receive your canvas rolled, protected, and shipped with tracking.
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