A large, clear area without emptiness
Blues and grays contain many purple, pink and green covers. Simplifying them would lose the slow depth that occupies the center of the panel.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · 1914 -1922 · Zürich · W1980
A mist of blue, mauve and pink covers almost the entire pool. Water lilies concentrate in the lower part, while irises rise on the right and branches descend from the upper edge. For six meters, Monet makes the horizon disappear and transforms the water into floating space.

Look at the work
The surface is wide open and clear. Long touches of blue, gray and lilac circulate from one end to the other, with pink and pale yellow patterns. At the bottom, the leaves group around small red and white flowers which give a scale of immense extent.
On the right, the irises form several blue-green verticals which respond to the foliage hanging in the upper part. Their presence maintains a fragile distinction between the plants at the edge of the pool and their reflections. The rest of the composition remains deliberately without shore or sky.
Irises do not frame the pelvis: their stems become the last vertical landmarks in a painting where water and air merge.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Blues and grays contain many purple, pink and green covers. Simplifying them would lose the slow depth that occupies the center of the panel.
Their group must remain focused and vertical. Dispersing them throughout the composition would remove the asymmetry that gives movement to the panorama.
Leaves and flowers punctually fix the surface. Their outline remains open and their density changes gradually, without regular alignment.
Details and visual documents
The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.


The official reference measures 1,200 × 395 px. Actual photographs of the Kunsthaus measure 3,264 × 2,448 px and 6,000 × 4,000 px. No magnification was applied; all three files are real WebPs.
Documented benchmarks
These facts concern this precise version and are verified from the notice of the institution which keeps it.
The Kunsthaus Zürich dates this oil on canvas from 1914 -1922. It measures 200 × 600 cm, bears neither signature nor inscription and is registered under the 1980 number of the catalog raisonné.
Monet had a workshop built in Giverny large enough to work with large panels in winter, based on studies carried out in front of the basin. W1980 belongs to this monumental phase.
In 1918, Monet decided to offer the French state a set of Water Lilies in homage to Georges Clemenceau. The two large panels now kept in Zurich were painted in this same context of immersive decoration.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The Water Lilies Basin with iris, Zürich W1980 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1914 - 1922 |
| Original technique | Oil on canvas |
| Dimensions | 200 × 600 cm |
| Orientation | Panoramic |
| Conservation | Kunsthaus Zürich, Zürich, Switzerland |
| Inventory | 1952/0010 · Wildenstein 1980 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Misty blue, mauve, sea green and faded pink create a bright and calm atmosphere. The panoramic format accompanies contemporary interiors, stone or pearl gray walls and light wood base units.
Custom order
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