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Le Bassin aux nymphéas, le soir de Claude Monet, 1914–1922 – Kunsthaus Zürich 1952/0064, W1964–1965
  • Le Bassin aux nymphéas, le soir de Claude Monet, 1914–1922 – Kunsthaus Zürich 1952/0064, W1964–1965
  • Le Bassin aux nymphéas, le soir photographié au Kunsthaus Zürich – vue frontale du panneau monumental
  • Le Bassin aux nymphéas, le soir présenté dans une salle du Kunsthaus Zürich – photographie réelle
  • Le Bassin aux nymphéas, le soir de Claude Monet, 1914–1922 – Kunsthaus Zürich 1952/0064, W1964–1965
  • Le Bassin aux nymphéas, le soir photographié au Kunsthaus Zürich – vue frontale du panneau monumental
  • Le Bassin aux nymphéas, le soir présenté dans une salle du Kunsthaus Zürich – photographie réelle
The Water Lilies Basin, in the evening W1964 -1965 - Claude Monet

The Water Lilies Basin, in the evening W1964 -1965 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

Après le choix du format Validation photo avant expédition
Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet Eau et littoraux impressionnistes French painting – French artists Impressionist Impressionist gardens and flowers Impressionist Landscapes Japonism Kunsthaus Zürich Lake and pond landscapes

Artwork description

Reproduction details

Claude Monet · 1914 -1922 · Zürich · W1964 -1965

The Water Lilies Basin, evening W1964 -1965hand painted reproduction

Six meters wide, the pool tilts into late-day light. A deep yellow opens near the center, surrounded by petroleum blues, reds and purples. No horizon, no bank and almost no outline stabilize the scene: the water lilies and their reflections occupy the entire visual field.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Water Lilies Basin, evening W1964 -1965 - Claude Monet - full view
The Water Lilies Basin, evening W1964 -1965Claude Monet · 1914 -1922
1914 - 1922Dating
200 × 600 cmDimensions of the original
Oil on canvasOriginal technique
1952/0064 · Wildenstein 1964 -1965Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A yellow gap crosses the blues and reds of a basin that has become an interior landscape

The composition unfolds in two continuous panels. The central area, yellow and olive green, forms a luminous opening which extends vertically. Around it, the blues and reds densify towards the edges and give the vast format symmetrical breathing without exact repetition.

Water lily leaves appear in small blue-green masses, especially in dark parts. Horizontal touches suggest the surface, while more vertical gestures bring down the reflections. This superposition prevents us from immediately knowing where the water ends and reflected vegetation begins.

The evening light does not come from a visible sky: it seems to rise from the pool and open the paint from the inside.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Le Bassin aux nymphéas, in the evening W1964 -1965 - Claude Monet
01

A luminous center held by values

Yellow should not be isolated as a bright spot. It mixes with greens, oranges and purples which ensure the transition to darker areas.

02

Two panels, one continuity

The central junction remains visible in the real object, but the movement of reflections passes through both parts. The colors must respond to each other without creating two separate compositions.

03

Nighttime colors still transparent

Petrol blue, garnet red and purple dominate the edges. Shadows must retain variations and warm touches so as not to become black or opaque.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The canvas photographed from the front at the Kunsthaus - detail of Le Bassin aux nymphéas, in the evening W1964 -1965 - Claude Monet
The canvas photographed from the front at the KunsthausThis real photograph restores the continuity of the two panels and the relationship between the yellow heart, the deep reds and the blues. Photo Paradise Chronicle, 2023, Wikimedia Commons, CC BY-SA 4.0.
The monumental panel in the room - detail of Le Bassin aux nymphéas, in the evening W1964 -1965 - Claude Monet
The monumental panel in the roomThe room view gives a concrete measure to the 200 × 600 cm of the work. Photo Jean Housen, 2022, Wikimedia Commons, CC BY-SA 4.0.

The numerical reference measures 1,200 × 396 px. Actual photographs of the Kunsthaus measure 3,806 × 1,254 px and 6,000 × 4,000 px. They are preserved at their native definition, converted into true WebPs and clearly distinguished from frontal reproduction.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Zürich 1952/0064, Wildenstein 1964 -1965

The Kunsthaus Zürich dates this monumental diptych from 1914 -1922. The oil on canvas measures 200 × 600 cm, bears neither signature nor inscription and corresponds to the 1964 and 1965 numbers of the catalog raisonné.

Provenance02

From Monet's workshop to the Kunsthaus

Staying with the artist, the ensemble passed to the estate of Michel Monet in 1926. Emil Georg Bührle bought it in 1952 then offered it the same year to the Zürcher Kunstgesellschaft.

Actual scale03

Twelve square meters of paint

Photographs taken at the Kunsthaus show the true scale of the panel. Its width far exceeds the size of a spectator and transforms the Giverny basin into an environment rather than a landscape window.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact diptych of the Kunsthaus, 1952/0064 and W1964 -1965
  • The original panoramic ratio of 200 × 600 cm
  • The yellow gap integrated into the reds, greens and blues
  • The continuity of reflections on either side of the central junction

Work sheet

Title The Water Lilies Basin, evening W1964 -1965
Artist Claude Monet (1840 -1926)
Date 1914 - 1922
Original technique Oil on canvas
Dimensions 200 × 600 cm
Orientation Panoramic
Conservation Kunsthaus Zürich, Zürich, Switzerland
Inventory 1952/0064 · Wildenstein 1964 -1965
Your reproduction Handmade oil painting on canvas
Consult the official notice - Kunsthaus Zürich

Presentation in your interior

A palette designed with the room

Petrol blue, garnet red, purple and golden yellow give this reproduction a spectacular presence. The panoramic format is suitable for a large open wall, above a low sofa or in a long entrance, with soft lighting that reveals the material.

The Water Lilies Basin, in the evening W1964 -1965, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
The Water Lilies Basin, in the evening W1964 -1965 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

How does your order work?

A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

We send you a photo to validate the result before shipping.

4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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