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Grinding wheel, thaw, setting sun W1284 - Claude Monet

Grinding wheel, thaw, setting sun W1284 - Claude Monet

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Grinding wheel, thaw, setting sun W1284 - Claude Monet

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Grinding wheel, thaw, setting sun W1284 - Claude Monet
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Grinding wheel, thaw, setting sun W1284 - Claude Monet

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Claude Monet · Giverny · 1890 -1891 · W1284

Grindstone, thaw, setting sun W1284hand painted reproduction

A dark millstone stands in a field where the snow melts under the last pink, yellow and blue glow of the day. Painted in 1890 -1891, this 64.4 × 92.5 cm oil on canvas is kept at the Art Institute of Chicago under number 1983.166 and corresponds to Wildenstein 1284.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Grinding wheel, thaw, setting sun W1284 - Claude Monet - full view
Grindstone, thaw, setting sun W1284Claude Monet · 1890 -1891
1890 - 1891Dating
64.4 × 92.5 cmDimensions of the original
Oil on canvasOriginal technique
1983.166 · Wildenstein 1284Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Thawing transforms snow into a mirror of the setting sun

The single millstone occupies the center left and stands out in front of a strip of hills. Its broad base sinks into the humid field, while its conical summit crosses the horizon. A second low mass appears on the right, almost absorbed by the landscape.

The snow mixes pink, orange, blue and purple, reflected colors of a sun located outside the frame. The top of the millstone remains warm, but its front becomes red-brown and purple. A narrow yellow band above the hills concentrates evening light.

In W1284, the sun is not represented: its presence can be read in the colored snow, the yellow line of the horizon and the red embers of the millstone.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A silhouette crossing the horizon

The conical summit stands out against the sky, unlike several winter views where the millstones remain enclosed between the strips of the field and the hills.

02

The thaw rendered by color

The ground surface is neither white nor uniform. Touches of pink, orange and blue make you feel wet snow which reflects the sky and already lets the earth reappear.

03

A balance without symmetry

The large off-center grinding wheel is compensated by the small mass on the right and by the long luminous line of the sunset. The format breathes despite the weight of the main pattern.

Reference image

Read this specific version

Only one exact image of W1284 is used. The real WebP measures 3,000 × 2,090 px and allows you to observe the colored keys of the thaw without artificial enlargement.

Composition01

Preserve the dark mass of the grinding wheel

It should not become a flat brown. Red, purple, blue and orange overlap in the shadows and build a volume still crossed by light.

Color02

Keep the snow multi-colored

Pink and blue passages are essential for the thawing effect. Pure white that covers too much would remove reflections and unity with the sky.

Matter03

Keep the yellow stripe very narrow

The clearest light remains concentrated near the horizon. Spreading it throughout the sky would cause you to lose the precise sensation of a day coming to an end.

Documented benchmarks

Three pieces of information specific to this work

The Art Institute of Chicago documents Grindstone, thaw, setting sun, oil on canvas from 1890 -1891, 64.4 × 92.5 cm, inventory 1983.166 and Wildenstein 1284.

Series01

Grinding wheels as a measure of time

Monet works simultaneously on several canvases in front of the millstones of Giverny, then resumes their harmonies in the workshop. The stable pattern makes the seasons and times comparable.

Exposure02

A series revealed by Durand-Ruel in 1891

Fifteen Meules were brought together in the same room in May 1891. The critical and commercial success of this presentation marked a major step in Monet's career.

Support03

A prepared linen in landscape format number 30

The museum's technical study identifies a commercial canvas whose frame corresponds to several other supports used by Monet, a sign of work carried out in a group.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1284 version
  • The single millstone that crosses the horizon
  • The pink and blue snow of the thaw
  • The yellow line of the sunset behind the hills

Work sheet

Title Grindstone, thaw, setting sun W1284
Artist Claude Monet (1840 -1926)
Date 1890 - 1891
Original technique Oil on canvas
Dimensions 64.4 × 92.5 cm
Orientation Horizontal
Conservation Art Institute of Chicago, Chicago, Illinois, United States
Inventory 1983.166 · Wildenstein 1284
Your reproduction Handmade oil painting on canvas
Consult the official notice - Art Institute of Chicago · 1983.166

Presentation in your interior

A palette designed with the room

This harmony of powder pink, blue gray and red brown is suitable for a bedroom, living room or office. A greige, pale purple or warm white wall and medium wood prolong the atmosphere without weakening the silhouette.

Grinding wheel, thaw, setting sun W1284, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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