Glycines, Marmottan Monet Museum W1903 - Claude Monet

Glycines, Marmottan Monet Museum W1903 - Claude Monet

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Glycines, Marmottan Monet Museum W1903 - Claude Monet

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Glycines, Marmottan Monet Museum W1903 - Claude Monet
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Glycines, Marmottan Monet Museum W1903 - Claude Monet

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Comprendre les formats

Trois rendus pour une même œuvre

Claude Monet · 1919 -1920 · Marmottan Monet Museum · W1903

Glycines, Marmottan Monet Museum W1903hand painted reproduction

Three meters of canvas become a veil of wisteria suspended above a purple mist. Monet renounces any single center: green, blue and pink clusters appear in places, then dissolve in a light surface where the material retains the movement of the brush.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Glycines, Marmottan Monet Museum W1903 - Claude Monet - full view
Glycines, Marmottan Monet Museum W1903Claude Monet · 1919 -1920
1919 - 1920Dating
100 × 300 cmDimensions of the original
Oil on canvasOriginal technique
5124 · Wildenstein 1903Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A frieze of hanging flowers crosses a space almost without horizon

The plant strip mainly occupies the upper part. It goes further to the right, where the white and purple clusters form a denser waterfall. On the left, the mass becomes rarer and allows a large lilac area to breathe, covered with bluish grays and very pale greens.

No trunk, no bank and almost no sky allow us to locate the gaze. The long oblique and vertical touches suggest the hanging flowers, while the horizontal passages at the bottom maintain the frieze format. Orange and red accents prevent the cold palette from becoming uniform.

The subject remains recognizable, but the canvas already functions as a continuous field: the wisteria are no longer in front of a decoration, they become the very space of the painting.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Glycines, Marmottan Monet Museum W1903 - Claude Monet
01

A panoramic rhythm without a focal point

The gaze moves from one cluster to another across the entire width. Faithful reproduction should preserve purple breaths between flower masses instead of uniformly filling the surface.

02

Colorful whites, never neutral

Light areas combine lilac, blue gray, pink and sea green. Pure white would flatten the light and cause the depth created by the translucent layers to lose.

03

A free but organized material

The dangling keys describe the clusters; wider passages stabilize the background. Their direction and density must vary without transforming the work into indistinct interference.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

White, mauve and orange clusters - detail of Glycines, Marmottan Monet Museum W1903 - Claude Monet
White, mauve and orange clustersThe right detail reveals thicker pendulous touches, interrupted by reds and blues. Flowers are read by accumulation of material rather than by contours.
Glycines W1903 by Claude Monet photographed at the Marmottan Monet Museum
The work photographed at the museumThe actual photograph shows the exceptional width of the canvas and the surface variations that the frontal reproduction reproduces less clearly.

The full view measures 4570 × 1468 px, the detail 1800 × 1200 px and the actual photograph 5268 × 1686 px. No files have been enlarged; all three images are real WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Inventory 5124 of the Marmottan Museum

This unsigned oil on canvas measures 100 × 300 cm. The Marmottan Monet Museum dates it from 1919 -1920 and Daniel Wildenstein's catalog raisonné records it under number 1903.

Decorative project02

A frieze linked to the Great Decorations

Monet considers wisteria as a floral band that can extend, above the large panels of water lilies, the immersion created by its decorative cycle. The very elongated format retains this frieze logic.

Transmission03

The legacy of Michel Monet in 1966

Remaining in the ensemble preserved by the artist's family, the painting entered the Marmottan Monet Museum with the legacy of Michel Monet. It thus joins the main world collection devoted to the late work of his father.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Marmottan Monet Museum, inventory 5124
  • The original panoramic ratio of 100 × 300 cm
  • The deep purple breaths preserved between the clusters
  • Whites tinged with pink, blue and sea green

Work sheet

Title Glycines, Marmottan Monet Museum W1903
Artist Claude Monet (1840 -1926)
Date 1919 - 1920
Original technique Oil on canvas
Dimensions 100 × 300 cm
Orientation Horizontal panoramic
Conservation Marmottan Monet Museum, Paris, France
Inventory 5124 · Wildenstein 1903
Your reproduction Handmade oil painting on canvas
Consult the official notice - Marmottan Monet Museum

Presentation in your interior

A palette designed with the room

Misty mauve, sea green, gray blue and powder pink make up a bright and calm palette. This panoramic reproduction is particularly suitable for a large wall above a sofa, sideboard or headboard.

Glycines, Marmottan Monet Museum W1903, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Impressionist

Compare the finishes

Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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Voir tous les tableaux de Claude Monet