Glycines, panoramic panel W1903 - Claude Monet

Glycines, panoramic panel W1903 - Claude Monet

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Glycines, panoramic panel W1903 - Claude Monet

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Glycines, panoramic panel W1903 - Claude Monet
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Glycines, panoramic panel W1903 - Claude Monet

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Claude Monet · 1919 -1920 · Marmottan Monet Museum · inventory 5124

Glycines, panoramic panel W1903hand painted reproduction

In this three-meter panel, the flowering is concentrated in height and allows a vast lilac field to extend below. The width forces the eye to circulate: the wisteria appear like successive layers of sea green, white, blue and pink, without clearly imposed beginning or end.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Glycines, panoramic panel W1903 - Claude Monet - full view
Glycines, panoramic panel W1903Claude Monet · 1919 -1920
1919 - 1920Dating
100 × 300 cmDimensions of the original
Oil on canvasOriginal technique
5124 · Wildenstein 1903Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The large purple void gives the hanging clusters their lightness and scale

The left part is the most open. A few orange-red branches cross a blue-gray veil before the flowers thicken towards the center. This slow progression prevents the frieze from becoming a regular decorative band.

On the right, the clusters go down almost to the middle of the canvas. Yellowish whites, pinks and blues accumulate on a pale green background. Further down, small brown and green traces are enough to prolong the movement without filling the area with mist.

The strength of the panel comes as much from what Monet paints as from what he lets breathe: the lilac mist gives the clusters their suspension and transforms the width into duration.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Glycines, panoramic panel W1903 - Claude Monet
01

Increasing density from left to right

The flowers remain rare at first then become heavier. This progression must be preserved so that the eye actually crosses three meters of the composition.

02

Warm accents inside a cold range

Fine red and orange touches appear among the blues and greens. They structure the branches and awaken the palette without becoming continuous lines.

03

The void as a pictorial element

The lower purple area is not unfinished: it contains gray, pink and green covers. Erasing or standardizing them would destroy the light depth of the panel.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The purple veil and the left branches - detail of Glycines, panoramic panel W1903 - Claude Monet
The purple veil and the left branchesThe close-up reveals blue-gray and pink covers under the thin orange branches. The clusters remain deliberately spaced and the canvas breathes between the keys.
Photographic view of Glycines W1903 by Claude Monet at the Marmottan Monet Museum
The actual width of the panel at the museumThe photograph of the original allows us to understand the scale of the panoramic format and the continuity of the material over the entire length of the work.

The full view measures 4570 × 1468 px, the left detail 1800 × 1200 px and the actual photograph 5268 × 1686 px. No files have been enlarged; all are real WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Format01

A monumental panel measuring 100 × 300 cm

The one to three report explains the frieze organization and lateral circulation of the gaze. The painting is unsigned and bears the inventory number 5124 at the Marmottan Monet Museum.

Catalog raisonné02

The Wildenstein 1903 version

Number 1903 precisely distinguishes this panel from other Glycines painted at the end of Monet's life, notably taller or more strongly blue compositions.

Conservation03

A late work transmitted by Michel Monet

The painting was not dispersed after the artist's death. Michel Monet preserved it and then bequeathed it to the museum in 1966 with the exceptional collection of works remaining in the family.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Inventory 5124 and Wildenstein reference 1903
  • The panoramic format of 100 × 300 cm
  • The progression of density between left and right
  • The lilac area preserved nuanced and non-uniform

Work sheet

Title Glycines, panoramic panel W1903
Artist Claude Monet (1840 -1926)
Date 1919 - 1920
Original technique Oil on canvas
Dimensions 100 × 300 cm
Orientation Horizontal panoramic
Conservation Marmottan Monet Museum, Paris, France
Inventory 5124 · Wildenstein 1903
Your reproduction Handmade oil painting on canvas
Consult the official notice - Marmottan Monet Museum

Presentation in your interior

A palette designed with the room

This light composition visually lengthens a large wall. Its mauves, water greens and pinks match light wood, travertine, linen and off-white, pearl gray or very soft green walls.

Glycines, panoramic panel W1903, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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