An unusual vertical framing for a navy
The format brings boats together and allows masts to cross the sky. The impression is not that of a general view of the port, but of an observation at the dock.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Two boats moored in the port of Honfleur · Museu Calouste Gulbenkian
Two black fishing boats occupy almost the entire height of the painting. Their masts, folded sails and ropes stand out against a silvery sky, while the hulls double in the dark water of the port. Monet chooses a tight vertical framing which gives these work boats a monumental presence.

Look at the work
The two boats are seen from three quarters and almost touch each other in the center. The quay and the houses of Honfleur form a narrow strip on the left; on the right, a succession of masts indicates the depth of the basin without opening a vast panorama.
The sails are slumped into heavy gray and brown triangles. In the water, the hulls become black vertical reflections, cut by a few white flashes. A touch of orange-red at the top of a mast animates this deliberately retained range.
The port is reduced to its essential structures: two masses of wood, a network of masts and their unstable reflection.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The format brings boats together and allows masts to cross the sky. The impression is not that of a general view of the port, but of an observation at the dock.
The boats remain distinct by their edges, their ropes and their sails, but their blacks meet in the center. This mass supports the entire composition.
Gray, cream and broken whites are placed in visible touches around the masts. Their vibration makes the humid light of the pool without bright blue.
Reference image
The unique reference corresponds to the Wildenstein 116 version kept at the Museu Calouste Gulbenkian. The file of 1,369 × 1,718 px was kept without enlargement and encoded in WebP.
The shell on the left widens towards the viewer; the one on the right appears more sideways. Their difference creates depth.
The black and oblique lines cut through the sky without enclosing it. Their finesse must contrast with the thick masses of the sails.
They extend masts and hulls downward, but dissolve quickly in the undulations of the harbor.
Documented benchmarks
Painted in 1868, this oil on canvas measuring 100 × 80 cm is identified as Wildenstein 116 and belongs to the collections of the Museu Calouste Gulbenkian in Lisbon.
The city and the Seine estuary bring together sailors, quays, changing skies and outdoor painters. Monet worked there in particular in the wake of Eugène Boudin and Johan Barthold Jongkind.
The folded sails, ropes and dark hulls describe the daily activity of the port. No character transforms the scene into an anecdote.
The painting is part of the collection formed by the financier and philanthropist Calouste Sarkis Gulbenkian, today presented in Lisbon in the museum that bears his name.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Fishing boat in Honfleur W116 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1868 |
| Original technique | Oil on canvas |
| Dimensions | 100 × 80 cm |
| Orientation | Horizontal |
| Conservation | Museu Calouste Gulbenkian, Lisbon, Portugal |
| Inventory | Wildenstein 116 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This vertical and graphic composition is suitable for a desk, a wide hallway or a bookcase. A black, dark walnut or brown metal frame highlights the silhouettes of the boats; a light wall highlights the silver sky.
Custom order
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