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Bateaux en Hollande, près de Zaandam W173 par Claude Monet, Glynn Vivian Art Gallery

Boats in Holland, near Zaandam W173 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Boats on the Zaan in 1871 · Glynn Vivian Art Gallery

Boats in Holland, near Zaandam W173hand painted reproduction

Two large hulls and their dark sails slide over the Zaan in front of a low bank. Monet chooses a very elongated format, almost twice as wide as it is high, where the sky and the water respond to each other in light bands. Boats are not simple accessories: their sails, their masts and their reflections organize the entire movement of the composition.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Boats in Holland, near Zaandam W173 - Claude Monet - full view
Boats in Holland, near Zaandam W173Claude Monet · 1871
1871Dating
35.2 × 71 cmDimensions of the original
Oil on canvasOriginal technique
GV 1974.95.a · Wildenstein 173Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The dark sails give rhythm to the Dutch light

The main boat stands out slightly to the left of the center. Its trapezoidal sail, painted deep brown and gray, extends into the water with a fragmented reflection. A second boat, placed further to the right and a little further away, repeats this pattern on a reduced scale. Together, they create a soft diagonal that crosses the panorama.

The bank of Zaandam forms a thin line of houses, trees and port buildings. Above, the sky occupies a large part of the canvas; below, the water receives cream, blue and gray streaks. The contours remain flexible, as if the humidity of the air brought the sky closer to the river.

In this small panorama, the masts are vertical measurements and reflections of free repetitions: they keep the space moving.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A navigation format

The width of 71 cm and only 35.2 cm in height accompanies the movement of boats. The eye travels the Zaan before returning to the sails.

02

Two boats, two distances

The repetition of the pattern at different scales builds depth without a marked architectural perspective.

03

The unity of sky and water

The same broken whites, gray blues and tones of sand circulate above and below the horizon. The dark sails give this luminous envelope its contrast.

Reference image

Read this specific version

The reference WebP image comes from the documentary file associated with the Glynn Vivian Art Gallery and Art UK. Its definition of 1,200 × 586 px is kept without oversampling to respect the real fineness of the masts, sails and bank.

Composition01

A very low horizon band

The bank does not cut the format in two: it remains thin, leaving the role of large atmospheric surfaces to the sky and water.

Color02

Sails in deep values

Browns, bluish grays and colored blacks focus the eye. The cream and pale blue tones around them reinforce their presence.

Matter03

Non-symmetrical reflections

Traces under boats do not exactly copy hulls. Monet fragments them to translate moving water rather than a mirror.

Documented benchmarks

Three pieces of information specific to this work

The Glynn Vivian Art Gallery preserves the work under the GV inventory 1974.95.a; the Wildenstein catalog raisonné classifies it under number 173.

Stay01

Monet's first Dutch trip

Monet stayed several months in Zaandam in 1871 with Camille and their son Jean. He returned to the Netherlands twice between 1871 and 1886.

Associated title02

Boats on the Zaan

The museum notice clearly links the scene to the river that crosses Zaandam. This additional title specifies the motif without changing the version represented.

Collection03

Presentation in Swansea since 1974

The work was presented to the Glynn Vivian Art Gallery in 1974 by the British Treasury in settlement of inheritance tax.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Respect the panoramic format and the important place of the sky.
  • Differentiate the size, inclination and distance of the two boats.
  • Keep the sails dark as colored masses, without uniform black.
  • Paint water in broken strips rather than symmetrical reflections.

Work sheet

Title Boats in Holland, near Zaandam W173
Artist Claude Monet (1840 -1926)
Date 1871
Original technique Oil on canvas
Dimensions 35.2 × 71 cm
Orientation Panoramic
Conservation Glynn Vivian Art Gallery, Swansea, United Kingdom
Inventory GV 1974.95.a · Wildenstein 173
Your reproduction Handmade oil painting on canvas
Consult the museum notice - Glynn Vivian Art Gallery

Presentation in your interior

A palette designed with the room

Its bluish grays, creams and deep veils create a calm atmosphere, ideal above a sideboard, sofa or desk. A soft oak, walnut or black frame highlights the panorama without weighing down the shore.

Boats in Holland, near Zaandam W173, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Boats in Holland, near Zaandam W173 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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1

You choose the size

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2

We paint the canvas

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3

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4

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